
A Farewell to Arms (1932)
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- Unrated
- 1h 20min
- Drama, Romance
- 08 Dec 1932 (USA)
- Movie
An American ambulance driver and an English nurse fall in love in Italy during World War I.
Director:
Stars:
Awards:
- Won 2 Oscars. Another 5 wins & 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Helen Hayes | ... |
Catherine
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Gary Cooper | ... |
Frederic
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Adolphe Menjou | ... |
Rinaldi
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Mary Philips | ... |
Ferguson
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Jack La Rue | ... |
Priest
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Blanche Friderici | ... |
Head Nurse
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Mary Forbes | ... |
Miss Van Campen
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Gilbert Emery | ... |
British Major
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Rest of cast listed alphabetically: | |||
Alice Adair | ... |
Cafe Girl (uncredited)
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Henry Armetta | ... |
Bonello (uncredited)
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Herman Bing | ... |
Swiss Postal Clerk (uncredited)
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Agostino Borgato | ... |
Giulio (uncredited)
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Robert Cauterio | ... |
Gordini (uncredited)
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Marcelle Corday | ... |
Swiss Nurse (uncredited)
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Gino Corrado | ... |
Italian Soldier (uncredited)
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Peggy Cunningham | ... |
Molly (uncredited)
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George Humbert | ... |
Piani (uncredited)
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William Irving | ... |
Frustrated Opera Singer (uncredited)
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Doris Lloyd | ... |
Nurse (uncredited)
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Fred Malatesta | ... |
Manera (uncredited)
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Paul Porcasi | ... |
Harry (uncredited)
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Tom Ricketts | ... |
Count Greffi (uncredited)
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Frederick Sullivan | ... |
Swiss Café Patron (uncredited)
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Directed by
Frank Borzage |
Written by
Benjamin Glazer | ... | (screen play) and |
Oliver H.P. Garrett | ... | (screen play) |
Ernest Hemingway | ... | (novel) |
Laurence Stallings | ... | (play) (uncredited) |
Produced by
Edward A. Blatt | ... | associate producer (uncredited) |
Frank Borzage | ... | producer |
Benjamin Glazer | ... | associate producer (uncredited) |
Music by
Herman Hand | ... | (uncredited) |
W. Franke Harling | ... | (uncredited) |
Bernhard Kaun | ... | (uncredited) |
John Leipold | ... | (uncredited) |
Paul Marquardt | ... | (uncredited) |
Ralph Rainger | ... | (uncredited) |
Milan Roder | ... | (uncredited) |
Cinematography by
Charles Lang | ... | (photographed by) |
Editing by
Otho Lovering | ... | (uncredited) |
George Nicholls Jr. | ... | (uncredited) |
Casting By
Fred A. Datig | ... | (uncredited) |
Art Direction by
Roland Anderson | ... | (uncredited) |
Hans Dreier | ... | (uncredited) |
Costume Design by
Travis Banton | ... | (uncredited) |
Second Unit Director or Assistant Director
Lew Borzage | ... | assistant director (uncredited) |
Charles Griffin | ... | assistant director (uncredited) |
Arthur Jacobson | ... | assistant director (uncredited) |
Jean Negulesco | ... | second unit director (uncredited) |
Art Department
Clem Jones | ... | props (uncredited) |
Joe Robbins | ... | props (uncredited) |
Eric Rohman | ... | poster artist : Sweden (uncredited) |
Joe Thompson | ... | props (uncredited) |
Sound Department
Franklin Hansen | ... | sound (uncredited) |
Harold Lewis | ... | sound (uncredited) |
Special Effects by
Loyal Griggs | ... | special effects assistant (uncredited) |
Visual Effects by
Farciot Edouart | ... | transparencies (uncredited) |
Camera and Electrical Department
Sherman Clark | ... | still photographer (uncredited) |
Robert Pittack | ... | camera operator (uncredited) |
Cliff Shirpser | ... | assistant camera (uncredited) |
Costume and Wardrobe Department
Ed Gross | ... | wardrobe (uncredited) |
Script and Continuity Department
Grace Dubray | ... | script clerk (uncredited) |
Transportation Department
Joe Robbins | ... | transportation (uncredited) |
Additional Crew
Robert M. Gillham | ... | general press agent (uncredited) |
Charles Griffin | ... | technical advisor: war sequences (uncredited) |
Dr. Jardini | ... | technical advisor: hospital sequences (uncredited) |
Daniel Keefe | ... | business manager (uncredited) |
Jean Negulesco | ... | assistant: Benjamin Glazer (uncredited) |
Beatrice Ward | ... | technical advisor (uncredited) |
Production Companies
Distributors
- Paramount Pictures (1932) (United States) (theatrical)
- Paramount Film Service (1933) (Canada) (theatrical)
- Paramount British Pictures (1933) (United Kingdom) (theatrical)
- Paramount Film Service (1933) (Australia) (theatrical)
- Inopia Films (1932) (Spain) (theatrical)
- Les Films Paramount (1933) (France) (theatrical)
- Film AB Paramount (1933) (Sweden) (theatrical)
- Paramount-Films (1933) (Finland) (theatrical)
- Filmaktieselskapet Paramount (1933) (Norway) (theatrical)
- Filmaktieselskabet Paramount (1933) (Denmark) (theatrical)
- Paramount Filmes (1933) (Portugal) (theatrical)
- Films Paramount (1934) (Belgium) (theatrical)
- Warner Bros. (1949) (United States) (theatrical) (re-release)
- Yleisradio (YLE) (1987) (Finland) (tv)
- Research Entertainment (2002) (Spain) (video)
- Reel Media International (2005) (World-wide)
- Reel Media International (2007) (World-wide)
- New Star (2018) (Greece) (theatrical) (re-release)
- Théâtre du Temple (2018) (France) (theatrical) (re-release) (restored version)
- Penteo Films S.L. (2019) (World-wide) (restored HD)
- The Criterion Channel (2020) (United States) (tv) (digital)
- Stream Go Media (2022) (World-wide)
- Castle Communications (1995) (Finland) (VHS)
- Finnkino (2008) (Finland) (DVD)
- SAVi Scandinavia (Finland) (VHS)
- Suomen 3M (1983) (Finland) (VHS)
- Video Link (Finland) (VHS)
Special Effects
Other Companies
- Motion Picture Producers and Distributors Association of America (acknowledgement)
Storyline
Plot Summary |
A tale of the love between ambulance driver Lt. Henry and Nurse Catherine Barkley during World War I. The action takes place in Italy and the two fall in love during the war and will stop at nothing to be together. The film also analyses Lt. Henry's feelings on war and the purpose of fighting.
Written by Josh Pasnak |
Plot Keywords | |
Taglines | "Let's love tonight," they said, "There may be no tomorrow!" See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $799,520 (estimated) |
Did You Know?
Trivia | Ernest Hemingway hated this interpretation of his novel, as he felt it was overly romantic. That didn't stop him, however, from becoming lifelong friends with Gary Cooper, whom he met several years later. In fact, it was Hemingway who would insist that Cooper be cast in the lead of the adaptation of his novel For Whom the Bell Tolls (1943) 11 years later. However, the two made a point of never discussing this film. See more » |
Goofs | A night attack is shown. During World War I there was very little flying at night and the night attacks that did occur were limited to big cities. It was almost impossible for a plane to attack specific targets in a large city, so effectively attacking people on a road in the dark was not possible, and did not happen. See more » |
Movie Connections | Edited into Farewell to Arms (2023). See more » |
Soundtracks | Santa Lucia See more » |
Crazy Credits | In the original 1932 credits, the credits are punctuated by aerial bomb blasts, and every time there is a blast, a credit disappears to be replaced by the next one. See more » |
Quotes |
Frederic:
We've never been apart, really. Not since we met. Catherine: Not since we met. Frederic: And never can be. Catherine: Never apart. Frederic: In life and in death. Say it Cat. Catherine: In life and in death, we'll never be parted. Frederic: You do believe that, don't you, Cat? Catherine: I believe it, and I'm not afraid. See more » |