IMDb-BEWERTUNG
6,8/10
2502
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThrough hypnotism and telepathic mind control, a sinister music maestro controls the singing voice, but not the heart, of the woman he loves.Through hypnotism and telepathic mind control, a sinister music maestro controls the singing voice, but not the heart, of the woman he loves.Through hypnotism and telepathic mind control, a sinister music maestro controls the singing voice, but not the heart, of the woman he loves.
- Für 2 Oscars nominiert
- 2 Nominierungen insgesamt
Ferike Boros
- Marta
- (Nicht genannt)
Adrienne D'Ambricourt
- Mme. Vinard
- (Nicht genannt)
Yola d'Avril
- Maid
- (Nicht genannt)
Rose Dione
- Trilby's Mother
- (Nicht genannt)
Julia Griffith
- Concertgoer
- (Nicht genannt)
Henry Otto
- Man with Opera Glasses
- (Nicht genannt)
Sam Savitsky
- Townsman
- (Nicht genannt)
Ellinor Vanderveer
- Concertgoer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis pre-Code film stirred controversy due its nude modeling scene featuring a teenage Marian Marsh. The actress wore a body stocking for the scene and, in the long shot where she runs from the room, an older body double was used instead of her.
- PatzerIn the bathtub, Svengali says "Gott strafe England" ("God punish England"). This saying was created by German-Jewish poet Ernst Lissauer (1882-1937) during WWI. However, Svengali (1931) takes place during the mid-19th century.
- VerbindungenFeatured in When the Talkies Were Young (1955)
- SoundtracksBen Bolt (Oh Don't You Remember)
(uncredited)
Music by Nelson Kneass
Lyrics by Thomas Dunn English from his poem
Performed by Marian Marsh
Ausgewählte Rezension
A complex villain in an open-ended tale
Such a story could only be committed to celluloid during the precode era. John Barrymore, as Svengali, makes us empathize with him as we are presented with a very complex villain.
The opening twenty minutes or so of the film are pretty much light-hearted fare as Svengali is presented as a fortune-hunter when it comes to his women pupils and also a very creative panhandler when it comes to his British artist acquaintances also living in the artists' section of Paris. By chance, Svengali meets artists' model Trilby. Trilby is a bit of a dual-natured creature herself. She has the language and bearing of a free spirit, yet she also has angelic delicate features and sports a gendarme's coat that seems to say "No Trespassing!". Svengali is captivated, perhaps for the first time in his life, with another human being, not just with what that human being can do for him. The movie takes a sharp turn into darker territory when Svengali uses his hypnotic hold on young model Trilby to turn her into a singing sensation. He can make her do anything he wants through his hypnotic powers - even marry him. However, when he lets her out of her trance she feels nothing for him. There is a particularly touching scene in which Svengali talks to "the real" Trilby and she says that she has tried to love him but simply does not. Frustrated, he quickly puts her into a trance, and his marionette parrots back her love for him. Heartbroken, he realizes all that is happening when she speaks her affection is that he is talking to himself. As time passes it is interesting to see how Svengali ages, as the weight of holding back Trilby's true will seems to be slowly killing him. The ending is not sewed up neatly at all, and it is a bit shocking to see how it breaks off.
The best parts of this film are John Barrymore's great performance as Svengali and also the art design. If you've ever seen The Cabinet of Doctor Caligari, the art design is quite similar to that, especially in the first part of the film in Paris. The windows and doors all have odd shapes and angles, as the visual style of the whole film takes on a nightmarish and surreal quality.
The opening twenty minutes or so of the film are pretty much light-hearted fare as Svengali is presented as a fortune-hunter when it comes to his women pupils and also a very creative panhandler when it comes to his British artist acquaintances also living in the artists' section of Paris. By chance, Svengali meets artists' model Trilby. Trilby is a bit of a dual-natured creature herself. She has the language and bearing of a free spirit, yet she also has angelic delicate features and sports a gendarme's coat that seems to say "No Trespassing!". Svengali is captivated, perhaps for the first time in his life, with another human being, not just with what that human being can do for him. The movie takes a sharp turn into darker territory when Svengali uses his hypnotic hold on young model Trilby to turn her into a singing sensation. He can make her do anything he wants through his hypnotic powers - even marry him. However, when he lets her out of her trance she feels nothing for him. There is a particularly touching scene in which Svengali talks to "the real" Trilby and she says that she has tried to love him but simply does not. Frustrated, he quickly puts her into a trance, and his marionette parrots back her love for him. Heartbroken, he realizes all that is happening when she speaks her affection is that he is talking to himself. As time passes it is interesting to see how Svengali ages, as the weight of holding back Trilby's true will seems to be slowly killing him. The ending is not sewed up neatly at all, and it is a bit shocking to see how it breaks off.
The best parts of this film are John Barrymore's great performance as Svengali and also the art design. If you've ever seen The Cabinet of Doctor Caligari, the art design is quite similar to that, especially in the first part of the film in Paris. The windows and doors all have odd shapes and angles, as the visual style of the whole film takes on a nightmarish and surreal quality.
hilfreich•131
- AlsExGal
- 21. Feb. 2010
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Свенгали
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 21 Minuten
- Farbe
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