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The Sea Ghost (1931)

Unrated | | Action, Drama, War | 29 November 1931 (USA)
A crooked lawyer trying to cheat a young girl out of her inheritance tries to convince a sea captain to help him.



(story), (dialogue) | 3 more credits »

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Cast overview:
Peter Erkelenz ...
Capt. Karl Ludwig
Percy Atwater
Chairman of the Court-Martial


Greg Winters, a disgraced World War 1 naval officer, is the Captain of a salvage-ship in New Orleans in 1925. He crosses paths with Evelyn Inchcape, a man-hating owner of a cabaret and the heir to a fortune, and Karl Ludwig, a former German submarine commander, searching for salvation on the docks of New Orleans. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Action | Drama | War


Unrated | See all certifications »




Release Date:

29 November 1931 (USA)  »

Also Known As:

u-67  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?


This film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-46. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast. It's earliest documented telecasts took place in New York City Thursday 20 January 1949 on WATV (Channel 13), in Albuquerque Sunday 16 October 1949 on KOB (Channel 4), and in Los Angeles Sunday 22 January 1950 on KNBH (Channel 4). See more »


Mr. Bacon, 1st Mate: Thanks, Mister... Dishwater. Old Bean.
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Crazy Credits

Opening credits are shown over a background of a submarine at the surface, with the name "U67" on the side... a reference to the plot. See more »

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User Reviews

Worth while "B" movie from early sound era
30 October 2016 | by See all my reviews

There certainly was a fascination with submarine films between the wars! Even such distinguished actors as the great Charles Laughton made his U.S. film debut in one of them (THE DEVIL AND THE DEEP) opposite Tallulah Bankhead, Gary Cooper and Cary Grant set in one of those ubiquitous North African submarine bases!

This effort with the great Laura LaPlante (here with a remarkably modern look - the basic hairstyle Angela Lansbury assumed for MAME - but probably best known for her role as "Magnolia" in the first film of SHOW BOAT in 1929) and Alan Hale (the spitting image of his son, the skipper of the Minnow wrecked on GILLIGAN'S ISLAND) is the somewhat silly tale of a crooked attorney in the old fashioned melodramatic mustache twirling villainous person of Clarence Wilson (you'll recognize him in dozens of films from THE PENGUIN POOL MURDER CASE to THE FRONT PAGE!) trying to either cheat Ms. LaPlante out of what may be her legitimate inheritance or marry her, but in a bid for a remarkably sophisticated approach for 1931, everyone including Ms. LaPlante is given a dark underside or at least more than a single motive or back-story! The director keeps the action swirling at a highly pleasant pace once the crew gets back to shore after retrieving the two conflicting wills which may or may not disinherit Ms. LaPlante, but getting there, with the only actual submarine involvement in the picture - early on the actual U-67 is shown in real life WWI footage (possibly added for the 1939 re-release?) and is supposed to have sunk the "Altania" on which the wills were - the going can be a bit slow.

Also on board are another attorney - a British chap (Claude Allister, a refuge from BULLDOG DRUMMOND who hung around long enough to play the butler, Paul, in KISS ME KATE!) not representing anyone but somewhat strained comic relief, but handy to throw Mr. Hale a life line or two when he needs one - and the German u-boat commander who sank the Altania (Peter Erkelenz, who may actually give the best performance in the film) who turns out not to be the villain Hale expects. The film lays this on a bit thick - not being content to show him as a professional doing his wartime job, but adding yet one more final piece of irony to the film - but over all, whether screened as THE SEA GHOST or U67, this minor studio effort (Peerless Pictures - distributed by at least a dozen different companies including Astor Pictures for the 1939 re-release) tries to be more than your average "B" picture and occasionally succeeds.

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