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The Public Enemy (1931)

Not Rated | | Crime, Drama | 15 May 1931 (USA)
A young hoodlum rises up through the ranks of the Chicago underworld, even as a gangster's accidental death threatens to spark a bloody mob war.

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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
... Tom Powers
... Gwen Allen
... Matt Doyle
... Mamie
... Mike Powers
... Samuel 'Nails' Nathan
... Ma Powers
... Paddy Ryan (as Robert O'Connor)
... Putty Nose
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Storyline

Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands. Written by Huggo

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

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Language:

Release Date:

15 May 1931 (USA)  »

Also Known As:

Beer and Blood  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Brunswick Radios Used Exclusively)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Louise Brooks was offered the role of Gwen, but she turned it down and Jean Harlow was cast instead. See more »

Goofs

At the end of the film, Mike Powers is kneeling over Tom's body. In the next scene Mike stands and walks towards the camera and Tom's body is rolled over on it's back and at a different angle. See more »

Quotes

Tom Powers: Hiding behind Ma's skirts, like always.
Mike Powers: Better than hiding behind a machine gun.
See more »

Crazy Credits

It is the ambition of the authors of "The Public Enemy" to honestly depict the environment that exists today in a certain strata of American life, rather than glorify the hoodlum or the criminal. While the story of "The Public Enemy" is essentially a true story, all names and characters appearing herein, are fictional. See more »

Connections

Spoofed in Some Like It Hot (1959) See more »

Soundtracks

I'm Forever Blowing Bubbles
(1919) (uncredited)
Music by James Kendis, James Brockman and Nat Vincent
Played at various times throughout the film
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Frequently Asked Questions

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User Reviews

 
"I Ain't So Tough."
16 December 2005 | by See all my reviews

The Public Enemy, along with Little Caesar and Scarface, set the standard for the gangster film. Though films about crime had been done in the silent era, sound was what really ushered in this particular genre. I've always maintained that musicals and gangster films are the only two movie genres that date from the sound era.

Of course this film about a young man's rise to prominence in the bootleg liquor business during Prohibition made James Cagney a star. Interestingly enough Edward Woods was originally supposed to be Tom Powers and Cagney was cast as best friend Matt Doyle. After some footage had been shot, Director William Wellman scrapped it and had Cagney and Woods exchange roles. Stars get born in many and strange ways.

Some critics have complained about Beryl Mercer's part as Cagney's mother, saying she's overacts the ditziness. I disagree with that completely. In the prologue section with Cagney and Woods as juveniles, there is a two parent household. The boys have a stern Irish father and a mom who'd spoil them if she could. The older kid who is later played by Donald Cook has more the benefit of the two family home and both influences. That and the fact that World War I leaves him partially disabled prevents him from thinking about the gangster trade. Cagney misses the war and is spoiled by mom.

I knew a woman like Beryl, in her own world with a stream of nonsensical chatter to keep out the reality of things. Her portrayal for me rings true.

Oddly enough in The Roaring Twenties Cagney is a veteran who enters the rackets because he can't get a legitimate job and its easy money.

Both The Public Enemy and Little Caesar are short films, edited down to the essentials so the viewer ain't bored for a minute. Warner Brothers sure knew how to do those gangster flicks.


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