It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands.Written by
Ranked #8 on the American Film Institute's list of the 10 greatest films in the genre "Gangster" in June 2008. See more »
In the scene were Tom and Mike are talking at the kitchen table Tom's hat brim goes from being up to down without Tom touching it. See more »
As far as Paddy Ryan's concerned, there are only two kinds of people - right and wrong. I think you're right. And you'll find out that I am.
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It is the ambition of the authors of "The Public Enemy" to honestly depict the environment that exists today in a certain strata of American life, rather than glorify the hoodlum or the criminal. While the story of "The Public Enemy" is essentially a true story, all names and characters appearing herein, are purely fictional. See more »
For a 1941 re-release, three scenes in "The Public Enemy" were censored to comply with the Production Code. These censored segments (including an extended edit of the scene involving the gay tailor) were restored for the 2005 DVD release. See more »
Most films made in the early 30s are entertaining only as period pieces that give us a glimpse into another era. Often they are so dated that they've become unintentionally funny.
The Public Enemy is a totally different thing. It is such a well-crafted and honest film that it still has the power to shock us. The violence in this film is every bit as brutal as anything in a modern "gangsta" flick, even though some of it takes place off-camera.
Based on the stills I had seen of the grapefruit scene, I thought it would be a light-hearted moment. In fact, it's anything but. In that encounter, Cagney's character exhibits a total disregard for others that is downright chilling.
The final scene is extremely disturbing. You won't forget it.
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