Agrega una trama en tu idiomaMiddle-aged widow Hattie Burns becomes fed up when local small-town politicians ignore corruption and decides to run for mayor herself.Middle-aged widow Hattie Burns becomes fed up when local small-town politicians ignore corruption and decides to run for mayor herself.Middle-aged widow Hattie Burns becomes fed up when local small-town politicians ignore corruption and decides to run for mayor herself.
Roscoe Ates
- Peter Higgins
- (as Rosco Ates)
Frankie Bailey
- Extra
- (sin créditos)
Nick Copeland
- Henchman
- (sin créditos)
Claire Du Brey
- Rally Leader
- (sin créditos)
Robert Dudley
- Husband Getting Haircut
- (sin créditos)
Ann Dvorak
- Rally Audience Extra
- (sin créditos)
Dorothy Granger
- Newlywed
- (sin créditos)
Henry Hall
- Police Sergeant
- (sin créditos)
DeWitt Jennings
- Police Chief
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaMarie Dressler as a matter of fact, in real life, was in the famous Red Strike of 1919, when millions of people were in strike, the stage actors also joined and like the strike on this movie, the stage actors with the help of musicians won.She can be seen in a documentary about Broadawy hosted by Julie Andrews. Check on YouTube.
- Citas
Hattie Burns: You must be pretty proud of yourself, breaking up our meeting like that.
Peter Higgins: After that, you couldn't run for a streetcar!
- Créditos curiososThis story is dedicated to women - who have been fighting for their rights ever since Adam and Eve started the loose-leaf system.
- ConexionesReferences The Stolen Jools (1931)
- Bandas sonorasA Bird in a Gilded Cage
(1900) (uncredited)
Music by Harry von Tilzer
Lyrics by Arthur J. Lamb
Sung a cappella by Marie Dressler as she plucks a chicken
Opinión destacada
Marvelous Marie
A stubborn widow creates quite a stir when she enters local city POLITICS to run for mayor.
MGM fashioned this pleasant little comedy/drama to showcase their surprisingly popular actress, Marie Dressler. She was beginning her meteoric rise to commence her reign as Hollywood's most popular star, a supremacy that was only cut short by her untimely death in 1934. Massive & shapeless, with a face that could stop a bus, Dressler embodied pure grandmotherly affection and the country gladly took her to their heart. She was also an excellent actress, equally adept at eliciting laughter or tears from her audiences, sometimes almost simultaneously. In the end, when cancer took her, the Mighty Marie proved utterly irreplaceable - truly one of Cinema's Grandest Ladies.
Receiving equal billing is Dressler's frequent comedy partner, Polly Moran. Diminutive & buxom, Polly was a fine comedienne in her own right, and MGM kept her very busy in the early 1930's. Acid-tongued & brash, Moran was adept at slapstick and in every way was an enjoyable sidekick for Marie. Here, gentle Dressler plays Moran's benevolent landlady, uninterested in Polly's political enthusiasms until sudden violence prompts Marie into galvanizing the women of the community, with Polly giving her full encouragement. Each is rewarded, as can be seen in the movie's final moments.
Stuttering Roscoe Ates appears as Polly's grumpy husband. Pretty Karen Morley is Marie's slightly duplicitous daughter, while William Bakewell is her wrong-side-of-the-law boyfriend; each are kept in the background to let the old girls shine. Also effective in very small roles are John Miljan as the local crime boss, Tom McGuire as Lake Port's corrupt mayor and lovely Joan Marsh as the tragic catalyst for the plot.
Movie mavens will spot an unbilled DeWitt Jennings in the role of the Police Chief. They will also notice the movie poster Joan Marsh gazes at in her first scene. It is for THE STOLEN JOOLS (1931 - aka THE SLIPPERY PEARLS). This was a comedy charity two-reeler in which more than 50 Hollywood stars appeared, including Polly Moran.
With a nod to Aristophanes' Lysistrata, the film's undercurrent is its sly look at the battle for equality between the sexes, as it explains in its preamble: "This story is dedicated to women - who have been fighting for their rights ever since Adam and Eve started the loose-leaf system."
MGM fashioned this pleasant little comedy/drama to showcase their surprisingly popular actress, Marie Dressler. She was beginning her meteoric rise to commence her reign as Hollywood's most popular star, a supremacy that was only cut short by her untimely death in 1934. Massive & shapeless, with a face that could stop a bus, Dressler embodied pure grandmotherly affection and the country gladly took her to their heart. She was also an excellent actress, equally adept at eliciting laughter or tears from her audiences, sometimes almost simultaneously. In the end, when cancer took her, the Mighty Marie proved utterly irreplaceable - truly one of Cinema's Grandest Ladies.
Receiving equal billing is Dressler's frequent comedy partner, Polly Moran. Diminutive & buxom, Polly was a fine comedienne in her own right, and MGM kept her very busy in the early 1930's. Acid-tongued & brash, Moran was adept at slapstick and in every way was an enjoyable sidekick for Marie. Here, gentle Dressler plays Moran's benevolent landlady, uninterested in Polly's political enthusiasms until sudden violence prompts Marie into galvanizing the women of the community, with Polly giving her full encouragement. Each is rewarded, as can be seen in the movie's final moments.
Stuttering Roscoe Ates appears as Polly's grumpy husband. Pretty Karen Morley is Marie's slightly duplicitous daughter, while William Bakewell is her wrong-side-of-the-law boyfriend; each are kept in the background to let the old girls shine. Also effective in very small roles are John Miljan as the local crime boss, Tom McGuire as Lake Port's corrupt mayor and lovely Joan Marsh as the tragic catalyst for the plot.
Movie mavens will spot an unbilled DeWitt Jennings in the role of the Police Chief. They will also notice the movie poster Joan Marsh gazes at in her first scene. It is for THE STOLEN JOOLS (1931 - aka THE SLIPPERY PEARLS). This was a comedy charity two-reeler in which more than 50 Hollywood stars appeared, including Polly Moran.
With a nod to Aristophanes' Lysistrata, the film's undercurrent is its sly look at the battle for equality between the sexes, as it explains in its preamble: "This story is dedicated to women - who have been fighting for their rights ever since Adam and Eve started the loose-leaf system."
útil•151
- Ron Oliver
- 7 may 2005
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Hell Bent for Election
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 13 minutos
- Color
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By what name was Politics (1931) officially released in Canada in English?
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