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Dishonored (1931)

Approved | | Drama, Romance, War | 4 April 1931 (USA)
The Austrian Secret Service sends its most seductive agent to spy on the Russians.

Writers:

(screenplay) (as Daniel N. Rubin), (screenplay) | 1 more credit »
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1 win. See more awards »

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Cast

Complete credited cast:
... Marie Kolverer / X27
... Colonel Kranau
... Austrian Secret Service Chief
... Colonel von Hindau
... Colonel Kovrin
... Young Lieutenant - Firing Squad
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Storyline

The Austrian Secret Service sends its most seductive agent to spy on the Russians.

Plot Summary | Add Synopsis

Taglines:

Can a Woman Kill a Man With Who She Has Known a Night of Love ?

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

4 April 1931 (USA)  »

Also Known As:

Madame Nobody  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. It was first telecast in Seattle Wednesday 17 June 1959 on KIRO, in Minneapolis 28 August 1959 on WTCN (Channel 11), in Philadelphia 16 November 1959 on WCAU (Channel 10), and in Los Angeles 8 January 1960 on KNXT (Channel 2). It was released on DVD 6 February 2012 in tandem with Shanghai Express (1932) by Turner Classic Movies and Universal Studios Home Entertainment, and has also enjoyed an occasional airing on cable TV on TCM. See more »

Connections

Featured in Marlene (1984) See more »

Soundtracks

The Blue Danube Waltz, Opus 314
(1867)
Written by Johann Strauss
Played at the costume party for dance music
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User Reviews

 
Von Sternberg reveals as Dietrich evolves
12 July 2005 | by See all my reviews

Dishonoured is an under-appreciated masterpiece. Frequently omitted from lists of collaborations between Dietrich and Von Sternberg, the film is absolutely essential to an understanding of the director's artistic technique and the actor's evolution into her status as an icon for every subsequent femme fatale. Von Sternberg applies a rich sequence of layers of style and character that embellish Dietrich's icily stunning allure as an intelligent woman engaged in a deadly quest for more temporal power in the form of top secret military intelligence and empowerment over the men she manipulates. Along the way, his penetrating interpretation of social conventions depicts a chiaroscuro of surrealistic fantasy in contrast with the gritty reality of doom that engulfs his heroine who is ultimately transformed into a martyr to her own - and universal - femininity.


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