The Foreign Legion marches in to Mogador with booze and women in mind just as singer Amy Jolly arrives from Paris to work at Lo Tinto's cabaret. That night, insouciant legionnaire Tom Brown catches her inimitably seductive, tuxedo-clad act. Both bruised by their past lives, the two edge cautiously into a no-strings relationship while being pursued by others. But Tom must leave on a perilous mission: is it too late for them?Written by
Rod Crawford <email@example.com>
Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies. See more »
Now listen here, fat-heads. We're back home again and that's because we did a little fighting. And I know what you're thinking. You're thinking: Well, here comes us, The Foreign Legion. Each man a hero, all the booze in the world made for us, and the women thrown in. But, you're wrong. This time, you're gonna behave yourselves like gentlemen even if it'll kills you. Yes, I'm talking to you, you heard what I said!
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My favourite Sternberg-Dietrich vehicle will always be "The Scarlet Empress", but all their films are worth more than a cursory glance. They're, to my mind, the most interesting thing to come out of the early thirties (and, although dated, far less so than more recognized classics of the era because of their unadulterated FUN).
Sternberg made art department COUNTRIES for Dietrich to languish in, true in all their Hollywood films, and still dazzling today. Plot, narrative are shaky, sometimes almost nonexistent, allowing for spectacle to take over, and what a spectacle it all is! Dietrich is probably one of the most macabre, knowingly lewd feminine manifestations ever to grace the silver screen (well, at least Sternberg was knowing, Dietrich herself....?). Highly recommended.
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