Morocco (1930)

A cabaret singer and a Legionnaire fall in love, but their relationship is complicated by the results of his womanizing and due to the appearance of a rich man who wants her for himself.

Director:

Josef von Sternberg (as Josef Von Sternberg)

Writers:

Jules Furthman (adapted by), Benno Vigny (from the play "Amy Jolly" by)

Stars:

Gary Cooper, Marlene Dietrich, Adolphe Menjou

Nominated for 4 Oscars. Another 3 wins.

Cast

Complete credited cast:
Gary Cooper	...	Légionnaire Tom Brown
Marlene Dietrich	...	Mademoiselle Amy Jolly
Adolphe Menjou	...	Monsieur La Bessiere
Ullrich Haupt	...	Adjutant Caesar
Eve Southern	...	Madame Caesar
Francis McDonald	...	Sergeant Tatoche
Paul Porcasi	...	Lo Tinto

Storyline

The Foreign Legion marches in to Mogador with booze and women in mind just as singer Amy Jolly arrives from Paris to work at Lo Tinto's cabaret. That night, insouciant legionnaire Tom Brown catches her inimitably seductive, tuxedo-clad act. Both bruised by their past lives, the two edge cautiously into a no-strings relationship while being pursued by others. But Tom must leave on a perilous mission: is it too late for them?

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Plot Keywords:

love | legionnaire | singer | nightclub | foreign legion | 

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Taglines:

Dedicated to the Legion of Women Who, Without Uniforms, Flags or Glory, Follow Their Men Into Danger and Death! (Print Ad- Pittsburgh Post-Gazette, ((Pittsburgh, Penna.)) 5 December 1930)

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Genres:

Drama | Romance

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Certificate:

Passed

Details

Country:

USA

Language:

English French Spanish Arabic Italian

Release Date:

6 December 1930 (USA)

Also Known As:

Amy Jolly

Filming Locations:

Yuma, Arizona, USA

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

92 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.20 : 1

Did You Know?

Trivia

This film was selected to the National Film Registry, Library of Congress, in 1992.

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Quotes

[first lines]
Sergeant Tatoche: Now listen here, fat-heads. We're back home again and that's because we did a little fighting. And I know what you're thinking. You're thinking: Well, here comes us, The Foreign Legion. Each man a hero, all the booze in the world made for us, and the women thrown in. But, you're wrong. This time, you're gonna behave yourselves like gentlemen even if it'll kills you. Yes, I'm talking to you, you heard what I said!

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Connections

Referenced in At the Movies: Extreme Prejudice/Marlene/Personal Services/Sweet Lorraine (1987)

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Soundtracks

Give Me the Man
(1930) (uncredited)
Music by Karl Hajos
Lyrics by Leo Robin
Written for the movie and possibly played as background music

User Reviews

Marlene Comes to America

After her stunning international success in The Blue Angel, Marlene Dietrich was open to all kinds of film offers from all countries. She shrewdly negotiated with Adolph Zukor at Paramount Pictures in the USA and made her feature film debut in Morocco co-starring with Paramount's number one leading man Gary Cooper. She couldn't have predicted it, but it was a permanent move away from Germany.

Dietrich was a package deal for with her came the director of The Blue Angel Joseph Von Sternberg. No doubt Von Sternberg created the image that we now know her for, sensual, alluring, and standing by her man when she does make her choice.

One thing about Morocco I found different than most of the films I've seen of Dietrich is that she's not in control of the situation. In most films she usually is, but in Morocco Cooper's very much in charge. She's got a wealthy man in Adolphe Menjou panting after her, but she can't see him for beans. It's Gary Cooper an ordinary dogface Foreign Legionaire that she's fallen for.

Cooper in fact plays a part Tyrone Power would affect great success with later, a hero/heel. Cooper is carrying on an affair with the wife of one of the officers at his post when he meets Dietrich. The man must have had something going for him.

Von Sternberg did a great job in creating the atmosphere of not only Morocco, but of the Foreign Legion. Men with forgotten pasts and dubious futures, living only for the moment.

Although I think Marlene Dietrich did better films than Morocco in her Hollywood years, Morocco was a grand and auspicious beginning for her.