A cabaret singer and a Legionnaire fall in love, but their relationship is complicated by the results of his womanizing and due to the appearance of a rich man who wants her for himself.
The Foreign Legion marches in to Mogador with booze and women in mind just as singer Amy Jolly arrives from Paris to work at Lo Tinto's cabaret. That night, insouciant legionnaire Tom Brown catches her inimitably seductive, tuxedo-clad act. Both bruised by their past lives, the two edge cautiously into a no-strings relationship while being pursued by others. But Tom must leave on a perilous mission: is it too late for them?Written by
Rod Crawford <puffinus@u.washington.edu>
Who is this woman who scorns a hundred men...to give her love to a Devil-May-Care Soldier? (Print Ad- San Jose Evening News, ((San Jose, Calif.)) 31 January 1931) See more »
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Goofs
The bottle of gin that Amy takes from the it's place on the shelf is just about full, yet when she pours a drink for Tom Brown, the liquid is a couple of inches down. See more »
Quotes
[first lines]
Sergeant Tatoche:
Now listen here, fat-heads. We're back home again and that's because we did a little fighting. And I know what you're thinking. You're thinking: Well, here comes us, The Foreign Legion. Each man a hero, all the booze in the world made for us, and the women thrown in. But, you're wrong. This time, you're gonna behave yourselves like gentlemen even if it'll kills you. Yes, I'm talking to you, you heard what I said!
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MOROCCO is first and foremost an atmospheric film. Anyone who looks for more didn't understand what Josef von Sternberg created here. It's pure atmosphere. A reverie. The film is at times creaky but it's understandable because it was made over 70 years ago! There are several stand-out scenes in MOROCCO, including the famous kiss scene and the one when Marlene breaks a pearl necklace but what makes this Sternberg film so memorable is the stunning ending. Suddenly, the creaky film looks positively contemporary. Are we really in 1930s and not the wild 1970s?!?! The brilliant ending MAKES the movie. Without it, it would probably have been an enjoyably moody but average 1930s flick. With it, MOROCCO becomes a timeless classic. It's probably the most stunning ending ever made, with so many layers of meaning with that one prolonged static shot. It's visually brilliant and sexy on so many levels.
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MOROCCO is first and foremost an atmospheric film. Anyone who looks for more didn't understand what Josef von Sternberg created here. It's pure atmosphere. A reverie. The film is at times creaky but it's understandable because it was made over 70 years ago! There are several stand-out scenes in MOROCCO, including the famous kiss scene and the one when Marlene breaks a pearl necklace but what makes this Sternberg film so memorable is the stunning ending. Suddenly, the creaky film looks positively contemporary. Are we really in 1930s and not the wild 1970s?!?! The brilliant ending MAKES the movie. Without it, it would probably have been an enjoyably moody but average 1930s flick. With it, MOROCCO becomes a timeless classic. It's probably the most stunning ending ever made, with so many layers of meaning with that one prolonged static shot. It's visually brilliant and sexy on so many levels.