PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Un compositor loco y desfigurado busca el amor con una joven y encantadora cantante de ópera.Un compositor loco y desfigurado busca el amor con una joven y encantadora cantante de ópera.Un compositor loco y desfigurado busca el amor con una joven y encantadora cantante de ópera.
- Premios
- 4 premios y 1 nominación
John St. Polis
- Comte Philip de Chagny
- (as John Sainpolis)
Virginia Pearson
- Carlotta
- (1929 re-edited version)
- …
Olive Ann Alcorn
- La Sorelli
- (sin acreditar)
Betty Allen
- Ballerina
- (sin acreditar)
Betty Arthur
- Ballet Dancer
- (sin acreditar)
Joseph Belmont
- Stage Manager
- (sin acreditar)
Alexander Bevani
- Mephistopheles
- (sin acreditar)
Earl Gordon Bostwick
- Minor Role
- (sin acreditar)
Ethel Broadhurst
- Frightened Ballerina
- (sin acreditar)
Edward Cecil
- Faust
- (sin acreditar)
- Dirección
- Rupert Julian
- Lon Chaney(sin acreditar)
- Ernst Laemmle(sin acreditar)
- Guión
- Gaston Leroux
- Walter Anthony(sin acreditar)
- Elliott J. Clawson(sin acreditar)
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que...?
- CuriosidadesLon Chaney's horrific, self-applied makeup was kept secret right up until the film's premiere. Not a single photograph of Chaney as The Phantom was published in a newspaper or magazine or seen anywhere before the film opened in theaters. Universal Pictures wanted The Phantom's face to be a complete surprise when his mask was ripped off.
- Pifias(1929 cut) When the Phantom's alarm goes off, the sound of the chimes does not always match the striking of the device's "arms". That is because what is heard is the film's soundtrack, not "sound effects", which do not exist in a silent film. As such, this being "off sync" is allowable.
- Citas
The Phantom: [Christine sees a casket in the room] That is where I sleep. It keeps me reminded of that other dreamless sleep that cures all ills - forever!
Christine Daae: You - You are the Phantom!
The Phantom: If I am the Phantom, it is because man's hatred has made me so. If I shall be saved, it will be because your love redeems me.
- Créditos adicionalesIn 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In this film, the credits do appear at the beginning but also are repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them."
- Versiones alternativasIn 2012 it was determined that an "accidental 3-D" version of the film existed. From an examination of various prints of the film, it was discovered that most - if not all - of the original film was shot using two cameras placed side-by-side. This was most likely done to create simultaneous master and safety/domestic and foreign negatives of the film. However, when synched together and anaglyph color-tinted, the spatial distance between the two simultaneous film strips translates into an effective 3-D film. Under the working title of LA FANTOME 3D, a fund-raising effort is under way to locate and restore (create) a full "accidental 3-D" version of the film.
- ConexionesEdited into Drácula (1931)
Reseña destacada
The pathos of Lon Chaney gave the Phantom its dimension...
Lon Chaney was the first of the long line of Phantoms and the one against whom all his successors had to be measured
The story, despite all its alternatives, is the familiar one of the musician avoiding the world because of his disfigurement and retreating to a hideout beneath the Opera House, from where he emerges to terrorize singers and audience alike
He kidnaps a young girl singer perhaps to teach her to become a great star; certainly because, in his grotesque and pathetic way, he loves her and carries her off to a boudoir he has prepared far underground
There was melodrama in plenty: in the first version, for example, two would-be rescuers found themselves trapped in an uncomfortable mirrored room the Phantom had prepared, where they first got a heat treatment and then were flooded
But, beyond all the heightened effects, it was the pathos of the Phantom underscoring his lonely menace which gave the character a dimension, and the isolation of the captor and his captive, imprisoned to a literal underworld, which gave the suspense of the whole film its power
The story, despite all its alternatives, is the familiar one of the musician avoiding the world because of his disfigurement and retreating to a hideout beneath the Opera House, from where he emerges to terrorize singers and audience alike
He kidnaps a young girl singer perhaps to teach her to become a great star; certainly because, in his grotesque and pathetic way, he loves her and carries her off to a boudoir he has prepared far underground
There was melodrama in plenty: in the first version, for example, two would-be rescuers found themselves trapped in an uncomfortable mirrored room the Phantom had prepared, where they first got a heat treatment and then were flooded
But, beyond all the heightened effects, it was the pathos of the Phantom underscoring his lonely menace which gave the character a dimension, and the isolation of the captor and his captive, imprisoned to a literal underworld, which gave the suspense of the whole film its power
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- Nazi_Fighter_David
- 27 abr 2005
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Phantom of the Opera
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 3.751.476 US$
- Recaudación en todo el mundo
- 4.360.000 US$
- Duración1 hora 33 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
By what name was El fantasma de la ópera (1925) officially released in India in English?
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