Diagonal Symphony (1924) Poster

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6/10
'Symphonie Diagonale' is a quintessential example of abstraction in Modern art.
nikhilmanahs19 October 2010
Those grotesque lines and numerous haphazard shapes really captivate you and you beseech your noggin to construe a meaning for patterns. You toil assiduously and eventually get lost in the never-ending meandering lines. Akin to Escher's painting of flight of incomprehensible and unfathomable stairs, the right angled figures and horizontal and vertical histograms in Viking's enigmatic video leave us in a profound flummox.

'Symphonie Diagonale' is a quintessential example of abstraction in Modern art. Picasso, Cezanne did tangentially talk about abstraction but more or less remained stuck to the thought of depicting the main idea lucidly. But, Viking Eggeling on the other hand takes abstraction to an unprecedented and fascinating realm. The gist of this piece of work by Viking is to break free the modern paintings from the shackles of property of being static, i.e. to make the idea of depicting transition or fleeting movement in a painting (*series of photos) conceivable. The frames come one after another, thus creating a motion picture which facilitates delineation of author's chain of thoughts possible. It seems like the shapes appearing in a cyclical order symbolize the recurring nature of several things around us, the symmetrical stairs of our home, keys on a piano, day and night, seasons and so forth. To pinpoint and interpret the exact theme Viking had in his mind is a conundrum, maybe he thought more in terms of the video eliciting different response in viewer's mind and how can self-correlation of viewer gives a structure and rarefied boundaries to this work. The rhythm, with which the images appear, is not exactly in a fixed pattern or not exactly in a totally random pattern but it lends it a sense of meaning. The figures in shapes of cigarette smoke, an ear, a harp, entice the viewers to give some weight-age to them and conceptualize the whole video. As this piece of movie was silent originally thus the music's significance stands on very thin ice. Maybe, patterns and music are attempting to coherently complement each other. Music though is hypnotic and amusing; it hardly solves any purpose rather it just baffles the viewer. The repetitive patterns, strange appearance of the figures makes the video extremely loaded with information and very strenuous. You can't look at it for long duration and maybe this constraint makes it so beautiful and adds to a unique aesthetic sense to it. Though it's very hard to fully understand the underlying idea of the video, still the idea of strange forms coming again and again makes it impressive. In the end, I feel that Viking wanted us to appreciate the change and accentuate the fact that change is what keeps us interested in everyday life.
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6/10
strange to see, hard to understand
mrdonleone20 December 2009
Diagonale Symphonie, what to expect? some strange movie, and indeed, it turned out to be a very strange light effects movie, where you keep wondering what you are looking at. is it a piano? is it a glass? is it a chicken? is it a wig? it's really hard to say, because the little differences with each picture of light you get to see, really change the global frame you get to see. is it the sun? is it a knife? actually, it's not quite that funny, because as a viewer, I want to know what I'm looking at. maybe the title means something... yes, it could be instruments. that would explain a lot. instruments, shown by light, maybe it means standing in the spotlights, to be famous, perhaps this movie is about being famous.
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"...it is the best abstract film yet conceived."
planktonrules1 January 2011
While this film practically defies description and is practically impossible to review, I decided to take this on simply because the opening made me laugh. There is a blurb that appears on the screen and indicates that this film by Viking Eggeling is simply a work of genius!! The summary above is taken from this self-congratulatory praise!! Never have a seen a film so quick to pat itself on the back!!

The entire silent film consists of art deco-style black & white shapes appearing and moving about--all with diagonals or with diagonals superimposed on it. Set to music this might have been mesmerizing, but as a silent it lacks a lot. I won't give it a score but would beg to differ that it is the best abstract yet conceived (at least by 1924)--something better must surely exist--something worth seeing to the average Joe.
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2/10
Effort is not enough
Horst_In_Translation4 December 2015
Warning: Spoilers
I will not deny that it probably took a lot of effort to make "Symphonie diagonale", but the outcome is still a boring watch. Do not be fooled by the french title or the Swedish director, but this is a German film. Eggeling lived in Germany at this point and died a year later. This is probably also the reason why he did not make any other films as he was fairly prolific in other areas of art. This is silent and black-and-white as it was usual for that era, but I must say this is not on par with what Richter and Ruttmann did at this point. And apart from that, it is far far away from the works of some of the finest silent film actors that came out around this time as well, even a couple years earlier. Animation was clearly nit at its best yet at this point, but it developed quickly. I do not recommend "Symphonie diagonale". Nothing memorable to see here.
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9/10
The beginning of a new art expression
Marc Ambit1 October 2000
With this movie, Eggeling found a new way of artistic expression that was followed later by Hans Richter, Oskar Fishinger, Walter Ruttmann and Norman McLaren.

Eggeling was trying to explore new paths, new manners, and he really did it. This new media, cinema, brought something that painters such as Eggeling himself could never reach with their paintings: time. Including a new dimension in their artwork was something very challenging for them. It was like mobile paintings. And this is exactly what Eggeling built up in this Symphonie Diagonale.

Eggeling uses *only* images (some geometrical animation) to make music! Yes!, that's it! I know it sound rare but he did it! Just try to imagine how, without any sound, just by showing us moving drawings, Eggeling makes us feel rhythm, musical patterns and figures. I would say that, even if the viewer is not a musical expert, he/she will surely discover, at least, the basics of music (rhythm, for instance).

Eggeling's masterpiece is a trip into music, a magical illusion and a sensible picture of music through a different language. Something nobody should miss.
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4/10
DIAGONAL SYMPHONY {Short} (Viking Eggeling, 1924) **
Bunuel197616 January 2014
This is yet another film devoted to endless repetition of evolving shapes (like the recently-viewed OPUS 1 {1921} by Walther Ruttmann, RHYTMUS 21 {1921} by Hans Richter and ANEMIC CINEMA {1926} by Man Ray); bafflingly, it has found a place (albeit a deservedly lowly one) on a poll I have been checking out ranking the all-time top 3000 movies! There is little to say about such 'trivial' efforts, except that one is thankful for their brevity – while assuming that they were conceived in order to push the boundaries of film when the medium was still essentially in its infancy. As was the case with a few of the titles included on Kino's 2-Disc "Avant-Garde" collection, this is available online in several prints boasting a variety of lengths – often supported by newly-composed (and wildly inappropriate) electronic scores; needless to say, I opted to watch a copy of it that featured traditional accompaniment…
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9/10
Symphonie diagonale is a fascinating early abstract animation I just found at Internet Archive
tavm18 August 2008
Found this rare experimental animated short by one Viking Eggeling on the Internet Archive site. It's basically a series of lines-either straight or curved-that form then retreat. Appear then disappear. Repeat again and again before disappearing for something new to form. And there seems to be some kind to rhythm to the whole thing as if some kind of music that no one can hear, since this short is completely silent, is orchestrating the entire thing. Maybe Chuck Jones saw this and was inspired to make his Oscar-winning The Dot and the Line. Maybe other abstract animators like Len Lye were inspired with their own versions of what is depicted here. Symphonie diagonale is certainly one of the earliest of the fascinating abstract animated designs ever put on film. Highly worth a look for anyone interested in this sort of thing. Update: 10/16/08-I saw another, possibly longer version, on the Europa Film Treasures site. This version has a score added by Aidje Tafial with a woman's voice electronically coming in occasionally and some bells. With these enhancements, I'm now upping the rating to 9.
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2/10
Symphonie diagonale review
JoeytheBrit30 June 2020
1924 certainly was the year for avant-garde cinema what with the release of such classics of the genre as Entr'acte, Ballet mecanique, and this offering from the Swede Viking Eggeling. Presumably intended as a visual representation of a musical symphony, the films consists solely of various geometric shapes taking form only to then be erased and replaced by a successor. It grows tedious very quickly, and makes seven minutes seem like an eternity.
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3/10
It's a bunch of stupid lines and stuff.
Jixby Phillips18 July 2016
I was waiting for it to get interesting. It never did. It's lines, man. They appear and disappear and stuff. Big deal. There was already a lot of innovation in the film and animation world at this point in history. I don't get what's impressive about these particular lines. Maybe there's some sort of context missing here. But Jeez Louise... I was waiting for this thing to start and then just wanted it to end. Speaking of lines, did you know that IMDb requires a minimum of ten lines in a review? If the text dialog box I'm typing into is any indication, then I have three more to go after the break, which actually happened between the words "after" and "the" just now. Of course, by the time this review goes to press it'll be formatted differently. Of course, your browser's text setting will definitely come into play here.
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9/10
Modern art experimentation
Polaris_DiB6 May 2007
Warning: Spoilers
This animation could arguably be held as a consummate creation of modern art expression. Viking Eggeling's short was created as an experiment in design, time, and rhythm, not too far removed from Hans Ricther's Rhythmus 21, but several times better and more interesting. What particularly appeals about this film is that, despite the fact that the forms and shapes are entirely abstract, this film is still rather fascinating to watch. It sort of pre-dates trance cinema in that sense, and could possibly considered a forerunner of such things as even Maya Deren's work in the 50s.

--PolarisDiB
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10/10
Splendid
Zbigniew_Krycsiwiki30 May 2014
It is curious, how much our minds are wired to try to make sense out of the images we see: are the moving, dancing, art deco figures in this film combs? Caricatures of wings? A logo? And the oddly hypnotic, abstract images which appear at one minute? what of them? Are the images and figures presented mean to compliment each other, or stand independently? Or meant to simulate movement?

Viking Eggeling's Symphonie diagonale is interesting, nonstop art deco images, good to just sit and watch the repetitive patterns shapes, like a blinking neon sign, and zone out to, and well drawn also.

The print I saw had either been well restored, or just held up immaculately, because the film had contrast between its deep blacks and pure whites, as opposed to medium range greys that a lot of old silent films have.
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