The Son of Tarzan (1920) Poster

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7/10
A Fairly Good Print Has Been Found
DPEversole15 February 2002
A complete print of this serial, containing one of filmdom's most persistent urban legends, is now available, though a bit ragged in spots (missing frames, "sprocket jitters," etc. My copy is missing most of the musical soundtrack as well). I recommend it to the Tarzan fan, casual and completist, and to any silent movie fan. As has been noted on many occasions, P. Dempsey Tabler is quite woefully miscast as Tarzan (here known in the civilized world as Lord Greystone instead of Greystoke); fortunately he remains in England until near the end, allowing Kamuela Searle to enthusiastically carry the bulk of the picture as Jack Clayton, aka Korak ("Killer" in the language of Burroughs' Apes). Manilla Martan, as Meriem, Korak's damsel in constant distress, is also well-cast, and in those pre-Hayes Code days, gets away with a bit of nude bathing.

Most will see this serial having heard of Searle's death following the infamous elephant rescue. This has been debunked by Burroughs enthusiasts, who quote a letter from Searle's brother to "The Burroughs Bulletin," stating that though badly injured when the elephant slammed him to the ground still tied to a pole, Kamuela recovered, but died in 1924 of cancer.
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6/10
Not Bad; but Not All That Good Either
stevergy200029 June 2020
Warning: Spoilers
For a very early (1920) serial, this outing seems to follow a lot of the conventions which would be tirelessly repeated for years of serial-making: first, LOTS of chase scenes, with both good guys pursuing bad guys and bad guys pursing good guys, and if death is involved, make sure to put it at the end of episode so as to serve as the compulsory cliffhanger; second: far too many bad guys - in this serial, the disaffected rival of Tarzan is accompanied by nefarious Arabs and greedy rapacious Swedes in efforts to kidnap the heroine and/or get even with the title character or his father; finally, thwarted affections of the hero and heroine: Korak and Meriem come together, are separated, come together, are separated etc. so often that during the interminable scenes of her wandering through the 'jungle' (actually, much more of a deciduous, Californian forest) while he's doing the same, the viewer's expectations are heightened - Will they meet? Sadly, the answer depends more on the episode number than the actual plotting of the writers: only when you get to the final, fifteenth episode can you be assured of the final consummation.

Well done, but unlike the Perils of Pauline from 1914, totally lacking in originality and truly interesting plot twists, characterization and cliffhangers.
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