PUNTUACIÓN EN IMDb
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5,8 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA reformed tramp becomes a police constable who must fight a huge thug who dominates an inner-city street.A reformed tramp becomes a police constable who must fight a huge thug who dominates an inner-city street.A reformed tramp becomes a police constable who must fight a huge thug who dominates an inner-city street.
Charles Chaplin
- The Derelict
- (as Charlie Chaplin)
Albert Austin
- Minister
- (sin acreditar)
- …
Lloyd Bacon
- Drug Addict
- (sin acreditar)
Henry Bergman
- Anarchist
- (sin acreditar)
Leota Bryan
- The Bully's Wife
- (sin acreditar)
Frank J. Coleman
- Mission Visitor
- (sin acreditar)
William Gillespie
- Drug Taker
- (sin acreditar)
James T. Kelley
- Mission Visitor
- (sin acreditar)
- …
Charlotte Mineau
- Mother of Many Children
- (sin acreditar)
John Rand
- Mission Tramp
- (sin acreditar)
- …
Janet Sully
- Mission Visitor
- (sin acreditar)
Loyal Underwood
- Father of Many Children
- (sin acreditar)
Erich von Stroheim Jr.
- Baby
- (sin acreditar)
Tom Wood
- Chief of Police
- (sin acreditar)
- Dirección
- Charles Chaplin(sin acreditar)
- Guión
- Vincent Bryan(sin acreditar)
- Charles Chaplin(sin acreditar)
- Maverick Terrell(sin acreditar)
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que...?
- CuriosidadesThe lamppost used in the famous scene between Charles Chaplin and Eric Campbell fell on Chaplin during filming, requiring his hospitalization.
- PifiasWhen the Bully is knocked out by the gas, his feet are towards the camera. In the next scene his head is towards the camera.
- Citas
Title Card: [opening title card] A new beginning.
- Versiones alternativasKino International distributes a set of videos containing all the 12 Mutual short films made by Chaplin in 1916 - 1917. They are presented by David H. Shepard, who copyrighted the versions in 1984, and have a music soundtrack composed and performed by Michael D. Mortilla, who copyrighted his score in 1989. The running time of this film is 24 minutes.
- ConexionesEdited into The Charlie Chaplin Festival (1941)
Reseña destacada
"Love backed by force"
A title card says "Back on top again". A tramp huddles in a doorway below a sign saying "Hope". Does this look like the opening to a slapstick comedy? In this, the ninth of Charlie Chaplin's pictures at Mutual studios, it is indeed a good few minutes before we even get a joke. But such was the delicacy and professionalism Chaplin put into his craft audiences did not, and still do not mind.
While many of Chaplin's preceding pictures had featured some element of drama or poignancy, you can see in Easy Street that his merging of the two with comedy is now completely seamless. He is continually switching from one to the other, setting up deeper moments then bursting them with a gag. He even uses one to set up the other. An early Chaplin picture might have had us follow Charlie the rookie cop and discover with him how rough his beat is, but what we actually get is several cuts to scenes of fighting on Easy Street, culminating in the mighty Eric Campbell scaring off all comers. Campbell struts around the now empty street for a moment, and then, in the background, Charlie comes plodding round the corner. All those shots of the scuffle go towards building up this iconic and very funny entrance.
Although Chaplin himself is on top form here, a couple of honourable mentions should go out to his supporting cast. This is perhaps the ultimate burly bully role for Eric Campbell. When you see him in that melee, he even looks like a big man among other big men, not just because of his gargantuan size but the way he carries that size. I love that close-up of him swallowing the key. If you're a good lip-reader you can tell he's saying "Ya see this? Ya see it?" which you have to imagine in a thick Scotch brogue (Campbell was from Strathclyde). Then there is a lesser-known Chaplin-regular, Charlotte Mineau, playing Big Eric's wife. Mineau was normally just a type-filler for a slightly older woman, but here she gets to show off her own slapstick skills, doing some very athletic bounce-back manoeuvres when Campbell pushes her over. For some unknown reason this was her last appearance for Chaplin.
Easy Street is not the funniest Chaplin short by a long shot, but it is surely his best merging of dramatic and comedic elements so far. What other comedian of this period was tackling crime in the slums, domestic violence and drug abuse? Come to think of it, what mainstream filmmaker was? And in spite of its weighty subject matter Easy Street provides the laughs and the entertainment. When you look at how nicely done it is on all levels, you can see not only was Chaplin making by far the best comedies of the time, he was making some of the best pictures of any kind.
Here comes the all-important statistic –
Number of kicks up the arse: 1 (1 for)
While many of Chaplin's preceding pictures had featured some element of drama or poignancy, you can see in Easy Street that his merging of the two with comedy is now completely seamless. He is continually switching from one to the other, setting up deeper moments then bursting them with a gag. He even uses one to set up the other. An early Chaplin picture might have had us follow Charlie the rookie cop and discover with him how rough his beat is, but what we actually get is several cuts to scenes of fighting on Easy Street, culminating in the mighty Eric Campbell scaring off all comers. Campbell struts around the now empty street for a moment, and then, in the background, Charlie comes plodding round the corner. All those shots of the scuffle go towards building up this iconic and very funny entrance.
Although Chaplin himself is on top form here, a couple of honourable mentions should go out to his supporting cast. This is perhaps the ultimate burly bully role for Eric Campbell. When you see him in that melee, he even looks like a big man among other big men, not just because of his gargantuan size but the way he carries that size. I love that close-up of him swallowing the key. If you're a good lip-reader you can tell he's saying "Ya see this? Ya see it?" which you have to imagine in a thick Scotch brogue (Campbell was from Strathclyde). Then there is a lesser-known Chaplin-regular, Charlotte Mineau, playing Big Eric's wife. Mineau was normally just a type-filler for a slightly older woman, but here she gets to show off her own slapstick skills, doing some very athletic bounce-back manoeuvres when Campbell pushes her over. For some unknown reason this was her last appearance for Chaplin.
Easy Street is not the funniest Chaplin short by a long shot, but it is surely his best merging of dramatic and comedic elements so far. What other comedian of this period was tackling crime in the slums, domestic violence and drug abuse? Come to think of it, what mainstream filmmaker was? And in spite of its weighty subject matter Easy Street provides the laughs and the entertainment. When you look at how nicely done it is on all levels, you can see not only was Chaplin making by far the best comedies of the time, he was making some of the best pictures of any kind.
Here comes the all-important statistic –
Number of kicks up the arse: 1 (1 for)
útil•52
- Steffi_P
- 3 mar 2010
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- La calle de la paz
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración24 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
What is the Spanish language plot outline for Charlot en la calle de la paz (1917)?
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