CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Agrega una trama en tu idiomaAfter a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.
Ben Turpin
- Fellow Reveller
- (sin créditos)
Charles Allen Dealey
- Restaurant Manager
- (sin créditos)
Frank Dolan
- Waiter
- (sin créditos)
W. Coleman Elam
- Bit Role
- (sin créditos)
Earl Esola
- Bellboy with Cigar Boxes
- (sin créditos)
Eddie Fries
- Bit Role
- (sin créditos)
Fred Goodwins
- Desk Clerk at Second Hotel
- (sin créditos)
Madrona Hicks
- Veiled Woman
- (sin créditos)
Bud Jamison
- Headwaiter
- (sin créditos)
Daniel P. Kelleher
- Bellboy Carrying Suitcases
- (sin créditos)
Edna Purviance
- Headwaiter's Wife
- (sin créditos)
Eva Sawyer
- The Count's Companion
- (sin créditos)
Lee Willard
- Soup Slurper
- (sin créditos)
Fred Windemere
- Cop
- (sin créditos)
- Dirección
- Charles Chaplin(sin créditos)
- Guionista
- Charles Chaplin(sin créditos)
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThis was Edna Purviance's first film with Charles Chaplin.
- ErroresThe hotel number for Reveller (Charlie Chaplin) and Fellow Reveller changes. When Fellow Reveller first enters the room the number on the door is clearly visible as 3. When Reveller is followed into the room by Headwaiter the room number changes to 2. It changes back to 3 when Fellow Reveller leaves the room for the final time.
- ConexionesEdited into The Essanay-Chaplin Revue of 1916 (1916)
Opinión destacada
Goodbye Ben Turpin, and Hello Edna!
Viewers interested in Charlie Chaplin's early work (i.e. the rough stuff, with lots of drunken foolery and butt-kicking) may well enjoy this film. I confess I enjoyed it, the way I might get a kick out of watching Championship Wrestling for twenty minutes or so. If it's Chaplin the Artiste you want then try the later productions, but if you're in the mood for rude and unrefined slapstick then A Night Out should fit the bill nicely.
This is the second film Chaplin made for the Essanay company, and it also marks the second and last time he teamed up with knockabout comic Ben Turpin. Chaplin and Turpin don't pair especially well on screen, and it's said they didn't get along off-camera either, which is no surprise. Chaplin was a gifted mime, an inspired comedian and an exacting filmmaker, while Turpin was a low-comedy clown with crossed eyes. Ben could take a fall with the best of them, but it's said he didn't understand why Chaplin the perfectionist demanded take after take of each scene. There in a nutshell you have the difference between an artist and a hack.
As it happens, despite the modest trappings of this film Chaplin's special gift comes across in several nice little moments. Early on, during the sequence in a swanky restaurant, the drunken Charlie stands at an indoor fountain and suddenly seems to believe he's washing up in the privacy of his own home, so naturally enough he brushes his teeth with the stem of a plant. It's a strange bit of business, almost dreamlike, but Chaplin makes it appear perfectly normal and routine. Later, checking into a hotel, Charlie attempts to rest his foot on the bar rail -- which happens to be invisible -- and drink ink from the inkwell.
This film is most notable as the debut of Chaplin's longtime leading lady Edna Purviance, who was only 19 years old at this time and very pretty indeed. Her first scenes are fairly low-key, but later on, when she's in pajamas playing with her dog, Chaplin grants Edna a couple of close-ups which look something like a screen test. Obviously she passed the test with flying colors, for Edna went on to play opposite Chaplin in virtually every film he made for the next eight years, the happiest and most prolific period of his creative life. If for no other reason, A Night Out is worth seeing for the debut of this beautiful and underrated silent screen actress.
This is the second film Chaplin made for the Essanay company, and it also marks the second and last time he teamed up with knockabout comic Ben Turpin. Chaplin and Turpin don't pair especially well on screen, and it's said they didn't get along off-camera either, which is no surprise. Chaplin was a gifted mime, an inspired comedian and an exacting filmmaker, while Turpin was a low-comedy clown with crossed eyes. Ben could take a fall with the best of them, but it's said he didn't understand why Chaplin the perfectionist demanded take after take of each scene. There in a nutshell you have the difference between an artist and a hack.
As it happens, despite the modest trappings of this film Chaplin's special gift comes across in several nice little moments. Early on, during the sequence in a swanky restaurant, the drunken Charlie stands at an indoor fountain and suddenly seems to believe he's washing up in the privacy of his own home, so naturally enough he brushes his teeth with the stem of a plant. It's a strange bit of business, almost dreamlike, but Chaplin makes it appear perfectly normal and routine. Later, checking into a hotel, Charlie attempts to rest his foot on the bar rail -- which happens to be invisible -- and drink ink from the inkwell.
This film is most notable as the debut of Chaplin's longtime leading lady Edna Purviance, who was only 19 years old at this time and very pretty indeed. Her first scenes are fairly low-key, but later on, when she's in pajamas playing with her dog, Chaplin grants Edna a couple of close-ups which look something like a screen test. Obviously she passed the test with flying colors, for Edna went on to play opposite Chaplin in virtually every film he made for the next eight years, the happiest and most prolific period of his creative life. If for no other reason, A Night Out is worth seeing for the debut of this beautiful and underrated silent screen actress.
útil•200
- wmorrow59
- 4 jul 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Charlie's Drunken Daze
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was A Night Out (1915) officially released in Canada in English?
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