D.W. Griffith is certainly not a name associated with comedy, but he did direct a few of them early in his career {including his debut, 'Those Awful Hats (1909)'}, before briefly returning to the genre with 'The Battle of the Sexes (1928).' This comedy short from 1909 'The Gibson Goddess' might also be considered a "battle of the sexes." On a trip to the sea-shore to enjoy some peaceful reading time, a beautiful woman (Marion Leonard) is harassed by group of male admirers, who follow her along the beach like a pack of hungry hounds. After several unsuccessful attempts to evade her followers, the woman strikes upon the perfect solution to dispel their interest in her: she gets changed into a leg-revealing beach costume. I'd have thought that revealing her body would only fuel the men's lust, but apparently not each man apologetically excuses himself from her company, some unable to disguise their revulsion.
Most of the comedy shorts I've seen from the early 1900s have based their humour around special effects Blackton's 'The Thieving Hand (1908)' and Melies' "magic acts" are the first that come to mind. 'The Gibson Goddess' is more of a "sophisticated" comedy, if you will, concerned primarily with human behaviour and social stereotypes. Leonard's "Gibson Goddess" is a perfectly respectable and innocent woman, but also resourceful when required to be. Her male admirers are shamelessly superficial, abandoning one woman to bestow their affection upon a prettier other, and they bicker pettily among themselves as to who shall have claim over each lady. If the film wasn't so lighthearted, the men's "stalker" antics might have seemed rather disturbing, though the actors dilute any worries by behaving, for the most part, as flamboyantly as possible. The jokes are predictable, but I must admit I got a few laughs out of this. Look out for Mary Pickford in a cameo role.
Most of the comedy shorts I've seen from the early 1900s have based their humour around special effects Blackton's 'The Thieving Hand (1908)' and Melies' "magic acts" are the first that come to mind. 'The Gibson Goddess' is more of a "sophisticated" comedy, if you will, concerned primarily with human behaviour and social stereotypes. Leonard's "Gibson Goddess" is a perfectly respectable and innocent woman, but also resourceful when required to be. Her male admirers are shamelessly superficial, abandoning one woman to bestow their affection upon a prettier other, and they bicker pettily among themselves as to who shall have claim over each lady. If the film wasn't so lighthearted, the men's "stalker" antics might have seemed rather disturbing, though the actors dilute any worries by behaving, for the most part, as flamboyantly as possible. The jokes are predictable, but I must admit I got a few laughs out of this. Look out for Mary Pickford in a cameo role.
