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An awkward college student who seizes the opportunity to bolster her popularity and her under-the-radar true-crime podcast by solving the disappearance of a classmate.

A high school drama teacher, after failed attempts at Invitro Fertilization to conceive a child, is forced to consider an unconventional egg donor scenario that plunges her into a dangerous and exhilarating adventure with her husband.

A modern gay drama about falling in and out of love, and the rocky road in between.

When an inmate is granted one weekend out of prison to see her dying mother, a rookie correction officer struggles to keep her under control.

A woman tries to distance herself from her gay friends in an effort to land a straight boyfriend.

Telephone repairmen plan to get insider stock info by tapping a client's line. The plan quickly goes south when they overhear a murder plot.

An ambitious professor becomes caught up in the murder of a participant in his sleep study, as the lines between dreams and reality blur.

A New York City police officer's career is threatened by revelations about his former life as a gang member.

"The Independents" is a musical comedy/drama about three struggling singer-songwriters whose chance-meeting rekindles each of their fading dreams of making it in the music business.

This experimental interactive short film is the most authentic adaptation of Kafka's famous story, The Metamorphosis, where Gregor Samsa one morning finds himself transformed in his bed into a gigantic insect. The film tells the entire story using a subjective camera, experiencing what happens from Gregor's perspective, as Kafka himself wanted it to be according to his own diary. It was shot with a 360 degree spherical remote controlled robotic camera that was directed and programmed to interact with the actors and to create an extremely low- angle view of the set as envisioned from the insect's 1st person perspective. Beyond the film/DVD release this method offers several interactive features available on-line, on interactive DVD and in the form of an art installations.

An array of glacially paced performances of theater artists and actors of all genres and nationalities both well-known and under-recognized.

When a black man accidentally kills a white cop in self-defense, the cover-up sets off a chain reaction of deceit, blackmail, and murder.

30 years ago a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones

Applies the technology of high-speed HD video toward capturing scenes and subject matter reminiscent of the famous Eadweard Muybridge and Etienne-Jules Marey photo-studies of human movement. Both of these bodies of work, which constitute some of the greatest achievements of 19th century photography, are also considered early progenitors of cinema. The core premise of the project was quite simple: record a small slice of time (a mere five seconds of movement) at extremely high frame rates (3000 frames per second), so that when played back in real time, the seconds would stretch to a glacially-paced ten minutes. Figure Studies applies that methodology to a diverse range of human subjects: specialized bodies shaped by athletics, dancing, and physical labor, as well as non-specialized bodies. Within each group, there is a broad range of ages and body-types as well as ethnic and cultural backgrounds. Each subject is seen executing a particular movement sequence or concept that was arrived at through both artistic as well as scientific considerations.

Every day creatives from all over the world upload thousands of new projects to Behance. Which presents us with a unique challenge: How do you curate the world's creative work in real-time? Behance co-founders Scott Belsky and Matias Corea and Chief Curator Oscar Ramos Orozco share Behance's approach to evolving curation through technology and the human touch. To curate in the digital age, we must tap into a new equation: the power of the community + the power of technology + the power of human insight.

Les Arts Decoratifs in Paris organizes a retrospective exhibition every year honoring an accomplished fashion designer. In 2014 it is going to be the Belgan fashion guru Dries Van Noten. The exhibition will be opening during women's fashion week in February. For this occasion director, David Michalek, created a series of slow-motion art videos featuring Dries' garments wore by models he regularly collaborating with.

Voices Of Change is one of the biggest artistic endeavors of HAVASI, where the pianist-composer's special musical world is involved in yet another merger, this time with the tune of Amazing Grace and the American gospel culture. Featuring the Harlem Gospel Choir, and Gigi Radics, the grandiose movement places one of the most famous Christian sacred songs of all times in HAVASI's usual symphonic and world music context. It was a memorable moment when Gigi Radics, the young Hungarian singer, met the members of the Harlem Gospel Choir in the studio, where the world famous singers applauded the winner of Megastar 6 after their joint work. Her gift is increasingly noted around the world: Quincy Jones invited her in person to sing at the Montreux Jazz Festival, presenting her on stage as a "big promise of music". The recordings were directed by Péter Pejtsik, HAVASI's creative partner, who has played a key role in building the rich musical world of the Symphonic Show from the beginning, and this time also contributed to the work as a cellist. The monumental musical movement received contributions from nearly 100 other artists. The Budafok Dohnányi Symphony Orchestra has been HAVASI's permanent artistic partner at concerts and in studio works, and the drums were played by Endi, the percussionist of Hooligans. Dániel Szabó made a contribution with his Irish flute. The director, script writer and director of photography of the clip was Péter Gráf, who chose New York as the filming location. The creative idea was to offer a glimpse of four human fates through four different characters in the musical video, just like in a short feature film.

Janie's got issues and her relatives won't stand for it.

Daphne films her own, bare down to the soul, process of orienting herself in a world made incomprehensible by the loss of her 9 year old daughter Olivia and husband Holger. She, her son Espen and daughter Lilly are survivors of this family of five. The go to phrases "You have to move on, let go" and "Everything happens for a reason", only add to more trauma and pain. Her reaction is to simply do anything. Daphne's instincts push her to drive out onto familiar dessert roads with fifty of Olivia's Barbies. She retraces the last road trip she took with her children after doctors told her Olivia would not make it. They had lived in a cancer world for four years. This new adventure begins at the family's previous home in Milan, Italy. Daphne then gets a foot hold in Las Vegas and ends up deep in the canyons of Zion, Utah. She creates her own visceral vocabulary for trauma and healing on this powerfully raw journey and turns the idea of "letting go" upside down. Daphne takes us onto the literal and figurative road with her, weaving fragments of the past into the present, unearthing the extremes of loss and love while carrying us into the heart of what it means to be alive.

Pepperoni is a drama about a homeless man, Jerry who has been wandering around Brooklyn with his shopping cart full of his belongings. He hasn't showered for days, he is unshaved, his clothes are ragged and dirty so people avoid him making comments on his outlook. However, one day when he least expects it, Jerry makes an encounter that will change his way of seeing the world and himself.