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- Documentary that looks at the concept of the corporation throughout recent history up to its present-day dominance.
- During World War II, PFC Molnár decides his military service is over, and with a serious amount of money hidden in hand grenades, he heads to an abandoned mansion where he encounters not only the sour butler but a bunch of others who are also trying to wimp out on their duties.
- THE CORPORATE LADDER is a Playboy Channel movie, filled with pseudo-erotica and some beautiful women. Anthony Denison (Crime Story) plays Matt, an up and coming advertising executive, on the brink of a major ad promotion contract with a jeans company. In steps his new assistant, Kathleen Kinmont, whose take charge attitude and imagination, win the deal for him. Of course, Kinmont has more than her career in mind: she wants Matt. Matt, of course, is married to lovely Talisa Soto, who is also pregnant. But lust wins over and Matt does engage in an affair with Kinmont. As in THE TEMP and FATAL ATTRACTION, this relationship can only be deadly---from the movie's opening sequence, we pretty much know who Kinmont really is. Add seedy Ben Cross as Matt's associate/rival who coerces his women to have sex with him to "advance their careers" and the setup is constructed for the movie's obvious ending. Cross' performance is so over the top; he has three scenes in his pool where the dialogue is exactly the same; only the third one elicits a different response from his victim. The movie downplays morality in its own subtle ways; sure Dennison feels guilty for what he does but he's constantly tempted and ruled by his third leg. A friend of his (played by director Nick Vallelonga) tells him that he's gone through a divorce after telling his wife about his affair; he tells Denison not to tell the truth; his wife's better off not knowing. The acting is good: Kinmont has the vulnerability and the venom to carry off her role; Denison is middle-aged studly and stoic; and it's nice to see Jennifer O'Neill again, even if she has little to do. This is one of those almost erotic movies, that does sustain interest, and it is well done.
- Exposes how companies are desperately rebranding as socially responsible - and how that threatens democratic freedoms.
- An upper-class corporal from Paris is captured by the Germans when they invade France in 1940. Assisted and accompanied by characters as diverse as a morose dairy farmer, a waiter, a myopic intellectual, a working-class Parisian, and a German dental assistant, the corporal tries to escape from prison camps, sometimes making it a few yards, sometimes reaching the French border.
- THE CORPORATE COUP D'ÉTAT takes a complex political/historical theme and brings it to life. In the style of '13th', 'Manufacturing Consent', 'The Corporation', and 'All Governments Lie' it creates a powerful cinematic experience that explains how President Trump is the result of failed neoliberal globalist policies, and a 'corporate coup d'état' in which corporations and billionaires were able to gradually take control of the political process in the U.S. and elsewhere. In the words of Pulitzer Prize-winning author Chris Hedges: 'Donald Trump is not an anomaly. He is the grotesque visage of a collapsed democracy. The creeping corporate coup d'état that began 45 years ago is complete. It has destroyed the lives of tens of millions of Americans no longer able to find work that provides a living wage, cursed to live in chronic poverty.' Threaded through the film are the stories of the ultimate victims - working class and poor people in 'sacrifice zones' like Camden, New Jersey and Youngstown, Ohio. Many working-class whites voted twice for Barack Obama, in '08 and '12, but in 2016 they felt abandoned by the elites of both parties, and voted for Donald Trump who promised he would be different. Featuring Chris Hedges, the main 'voice' of the film as he visits Americans fighting for change and Canadian author John Ralston Saul, who warned prophetically in 1995: 'We are now in the midst of a coup d'état in slow motion. Democracy is weakening... corporatism is strengthening.'
- A people pleaser, with doormat tendencies, struggles to be healthier after learning she has diabetes. Her television and the donuts at work try to deter her, but a spiritually enlightened homeless woman helps her find her way.
- Thievery Corporation: Live At The 9:30 Club is the first ever live concert film from Thievery Corporation. Part documentary, part concert film -- Live at the 9:30 Club will bring you in and surround you with the energy that is Thievery Corporation. TC's eclectic ensemble weaves in and out of the band's musical history while delivering a beautiful and engaging visual experience. This is an intimate account of the band and a dazzling recording of one of the world's most unique musical stage-shows.
- Henry Martin has lived a pretty uneventful existence. He never lived up to his full potential, never got his dream job or held onto his dream girl but now he has a chance to fix all that. Henry has won a lottery where the prize is a trip back in time to change just one thing he did in his past. Travelling back is easy - trying to figure out what one moment to go back to in order to fix everything, that's a different story.
- During a corporate mediation meeting, two women realize the only solution to their sexual harassment problem is complete carnage.
- This documentary exposes government's owning the admission of corporate governance and fascism. The United States is the corporate nation. The United States is comprised of over 185,000 incorporated state, county, city, town, municipality, district, councils, school district, alcohol monopoly, many other private and for-profit corporations, etc, which have mistakenly been called our representative government. The hidden wealth and investment from these 185,000 corporations is over 100 trillion dollars.
- Rigged shows what happens when government funds some private businesses at the expense of others. This is the story of two furniture store owners in the city of Memphis who were forced by the government to fund their competitor through tax dollars when Ikea came to town. While the supposed benefits of corporate welfare (promised jobs, ribbon cuttings, etc) are always front and center when incentive deals take place, this documentary takes a look at the other side of the coin and shows the real victims of corporate welfare, small business owners and taxpayers.
- An innocent robot is confronted with the decision to sacrifice his heart or escape the system.
- Corporations have hijacked congress and are running roughshod over Americans, especially the Middle Class.
- What happens when the people can no longer trust those in charge? How does a government gain control of a population when power was never there? These are questions both sides asked before the collapse. Combine fear, and an oppressive government, civil war, and in-fighting escalate.
- A story about skateboarding being an act of defiance, a path away from the status quo and spoon fed commercialism while also telling the story of what drew these skaters (The Anti-Hero team) to skateboarding and why it sticks so strongly.
- Salesman and the Nine Circles of Corporate Hell is a modern day absurdist take on the Inferno, the first part of Dante Alighieri's epic poem 'The Divine Comedy'. But instead of a Christian Hell, our Salesman must travel through the nine circles of Corporate Hell to make one final sale.
- A day in the life of Phillip Morris.
- A hilarious comedy about Bill, the only black guy in the office, who tries to keep his dignity when he attends his first company picnic. One guest after another says the wrong thing because they are not accustomed to interacting with black people. It all starts when Bill drives up to the barbecue listening to rap music when he is greeted with everyone singing "Sweet Caroline" by Neil Diamond. From the start Bill recognizes it will be a long afternoon. Just when Bill figures out how to assimilate, a black panhandler arrives to embarrasses him in front of his white peers. Finally, Bill meets a beautiful black woman but he almost ruins the opportunity by his ridiculous faux pas. An entertaining look into racial insensitivity.
- The Corporation is a Saudi feature film about working in a newly co-ed office in the sexually segregated country of Saudi Arabia. The film is shot in reality TV style in which the camera and film crew are characters in the movie. The Corporation starring, Mohammed Al-Zahrani, Talal Al-Sider and Shereen Bawaseer. The film also features a number of interesting characters, such as: stubborn manager, Hamad; the new female manager who has authority issues, Dr. Firyal; the young conservative extremist, Read; feminist Abeer; traditionally covered, Sarah, with her cartoonish voice; the romantic Indian tea boy, Ikbal; the serious Iraqi accountant, Safe; the idiotic government liaison, Abo Azah; and the ignored trainee.
- Bill, the only black in the office tries to adjust to life without the job he held for 5 years. He is without money so he moved to his Aunt's house in the 'hood. Mr. Vincent hired an African man as his replacement. The office is being investigated by the Equal Employment Opportunity Commission (EEOC) The co-workers take a trip to Bill's Aunt's house in the 'hood to ask Bill to come back.
- The press vulnerability is not a privilege of the present days. But what outlines this fragility gains in the high velocity information universe? What has changed in this game with Internet's consolidation? With the multiplication of the 24 hours news channels? With the acquisition of communication groups by entertainment industry enterprises?
- The office vegetables of Peeler, Inc. await the arrival of Edgar MacQuitty, the Corporate Eggspert. But is he all that he's cracked up to be? A comedic spoof about the absurdity of office jobs and how to magically escape them forever.
- A true story about the evils of capitalism in modern day times.
- This is a comedy about 'Bill,' the only black man working in an office. He tries to survive and adjust to corporate America. He copes with being 'different' from his co-workers while striving to be the best employee he can be. Fellow employees say and do inappropriate things because they are not use to working around blacks. Bill tries to fit in without losing his black identity. What makes the film unique is that it humorously tackles racial stereotypes in hopes of bringing awareness and unity.
- A comedic exploration of the dual life of a black man in corporate America.
- Yasuda is a teleworker who refrains from going out, and his hobby is voyeurism. He takes a break from work to peek into the life of his neighbor's wife. One day, as he was taking voyeuristic pictures, she notices the presence of the camera
- A woman decides to take a lesson from the How to Be a Cat Playbook to avoid going back to work.
- Jonathan Santos, 22, documented his 37 days in Iraq on video and in writing; never knowing that day 38 would be his last. From high explosives to clandestine home brew, his video footage and witty narrative combine personal musings on life, death, and the future he imagined but would never see. His charming buddy, Matthew, who barely survived, brings the war home. Through Jonathan's handwritten words and videotape, the film tells a personal and profound story.
- Distinguished historian and political economist Gar Alperovitz marshals years of research to show how bottom-up strategies can work to check monopolistic corporate power, democratize wealth, and empower communities.
- Bill, the only black in the office, takes his white co-workers to his black Baptist church to learn more about black culture. They find out that the worship experience is much different than what they are used to.
- The Corporate Knobs are back. This time they find themselves stuck in a van on their way back from an important meeting.
- Tyler brings her work frustrations to brunch and her friends try to ease her mind offering advice and humor.