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Tachibana Ayako and Keisuke became darlings of the YouTubeverse due to their cute videos, which mainly she makes but he gets all the credit for. As if that wasn't enough, Keisuke also cheats on Ayako - watching happy videos of them together while doing the dirty with the other woman. But Ayako will get her credit, and her revenge.

A young trans woman in Barcelona deals with her transition, dating and daily life.

Before his death in 1932, a monk created his own camera in one of the most isolated places in the world. 90 years later, a filmmaker discovers and reconstructs the found footage.

Director Jonás Trueba captures the spirit of a group of teens in Spain in an empathic, compelling, and moving way. In 2016, Trueba asked the teens to participate in a five-year project, in which they recreated situations from their lives. They talk about their insecurities, wanting to be accepted, loneliness, and what they are supposed to do with their lives. They demonstrate against school privatisation, debate politics and, like many adults, worry about the planet's future.

Exploring the state of depression among the current citizens on Hong Kong as China consolidates its power over the metropolis.

Naomi, a student dropout, only believes in things he can touch. However, when he really wants to touch someone, he recoils. As is the case when he befriends Maki, a happy-go-lucky young man who lives with Midori, a blind woman who dreamily expounds about places she has never been. When Midori becomes seriously ill, Maki and Naomi send her tapes from an imaginary trip around the world. Their relationship becomes more intimate whilst recording, but they only dare engage in rough, painful horseplay.

Monk Can Chen has a cloudy past, and withdraws from a temple bearing a sack of money. Innkeeper Wang Haili labours under an uneasy conscience while being haunted by his dead wife, Su Mei. Retiree Fang Yiguo has abandoned his son Shangqin, only to find out that emotional entanglements and unacknowledged family sins have unavoidable consequences.

'As We Like It,' a reworking of Shakespeare's 'As You Like It,' tells of the love blossoming between Orlando and Rosalind, who is disguised as a man. Filmmakers Chen Hung-i and Muni Wei opted for the lovebirds to be played by women, thereby referencing Shakespeare's era when women were banned from the stage and all roles were played by men. This colorful, energetic film follows Orlando and Rosalind and three other potential couples in their search for one another in an internet-free neighborhood in the bustling metropolis of Taipei, where there is no rush and people consciously live together. Fairy-tale settings, magical meetings, cryptic messages, but also fights, kidnappings, and family feuds. The film upends the binary world, making it a loving spectacle with plenty of music and doll-like design.

A girl wakes up after a car crash. Her younger brother has disappeared. As she promised him, she boards a cargo ship to find a new life. Then the shady Gábor crosses her path. A surreal trip on the fragile edge of life and death.

The philosopher Edmund Burke has fled London, debt collectors and a ramping midlife crisis to go on a grand tour of the Alps to rewrite his book on the Sublime in this 18th century road movie.

A broken body in a white dress, lying lifeless in a swaying soya field. The image of this motionless body lends an extra charge to everything that follows. Marcheti follows three protagonists in turn. They don't know one another, but are all in some way connected through Madalena. Luziane, a club hostess, knocks on her door for money. Wealthy Cristiano inspects the vast expanse of soya fields for his demanding father. Trans woman Bianca and her girlfriends divide Madalena's things between them while reminiscing. Marcheti shot the film in the agrarian region where he grew up, capturing with great visual flair this largely unfilmed rural part of Brazil. A place where big agricultural machinery crawls monster-like across the landscape and the farthest corners are known only to drones. A world that can also take on a spooky aspect - now and then, Marcheti inventively gives an eerie twist to even the most everyday scene. Madalena is above all a window on a world that is getting out of control. But Marcheti is also clearly making a statement about his country, which has the highest rate of murder of transgender people in the world. A plea for empathy, rather than pity.

The story of finding a place to put down roots when life's obstacles have discouraged you. Centered on the lives of Changsu and Yamabuki.

Claire and Kevin both attend a French village school. They are in the same class, CE2, for children aged eight and nine. Claire is the target of constant bullying by Kevin and his friends, and this is even starting to get violent. It seems very difficult to do anything about it. Reporting it to the teacher or parents often backfires. When her mother finally takes action, it becomes clear that Kevin is facing a complicated, unsafe situation at home. Against all expectations, a friendship arises between the two children, and their two families come to understand one another better.

The engaging story of the Cairo Jazz Festival and a portrait of its founder Amr Salah. Running it is a risky undertaking, not only due to limited experience, but also due to the increasingly intolerant social climate in Egypt.

After an encounter in the heart of the Rajasthan desert, the filmmaker recalled the images of a film made by Mani Kaul in 1973, titled "Duvidha". Who is this then, whose face has become part of the persistence of a cinematographic image?

« Set in the confines of an impoverished Cairo neighborhood, a community's everyday life is threatened by the ruthless rhythms of Tanneries, rotary driers crushing animal skin, hazards of poisonous waste water, Tahyea desperately clings to her brother, Saqr, whose only dream is to escape »

After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch - but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about love and desire in Iranian film, that also echoes our own time of physical distancing.

As a student, the director managed to flee revolutionary Iran. Many who stayed behind did not survive. When there are renewed protests in Teheran 30 years later, she goes looking for a couple of other survivors who fled. An emotional, very personal documentary.

While the matriarch of the Bechtani clan wants to clear out the family land and sell it, her son and granddaughter live within nature in a fully mystical way, paying heed to coincidences and signs that announce a coming social revolution.

A villa in Hillegersberg with a speedboat moored to his own jetty, expensive cars, lunch at Old Dutch - life smiled at criminal lawyer Géza Szegedi. Until the tax authorities came to put things straight. Penniless and without regret, he looks back at his glory years. Portrait of a colorful character who refuses to be tragic.

A 10-year-old boy is lying in a hospital in Mexico and will die if he doesn't soon get an organ transplant. But there is no suitable donor to be found... until his parents take things into their own hands and choose the least acceptable solution to save the life of their son.

Sensitive and refined drama in which experiences from the puberty of a female teacher and a piano student reflected in the world of the younger generation they have contact with. Ryo is a young teacher who, unlike her colleagues, does not adopt an authoritarian attitude to the adolescents she has in her care. She does not realise at first that, by doing this, she is putting herself at risk. The 14-year-olds feel misunderstood by the adults who insensitively snuff out their young ambitions. When their frustration grows, the adolescents turn into secretive and hard-bitten kids. As a result, Ryo is thrown back in time and confronted with her own dark past, in which she resisted the insensitive world of her superiors. Then she meets Koichi, a man she knows from her studies. He was a talented pianist in his youth, but his ambitions were also made impotence by an adult. Now he works for the local electricity company and he has allowed himself to be persuaded to give piano lessons to the son of a colleague. It becomes clear that Ryo and Koichi have shared experiences that they can only now relive and then come to terms with. Fourteen is an atmospheric and subtle drama in which two different generations mirror each other in the most vulnerable period of their lives

The expansive mountainscapes of the Andes are the basis for this new, 35mm film by Daïchi Saïto, who won the 2016 Tiger Award for Short Films with Engram of Returning. Once again propelled by the free, pulsating improvisation of saxophonist Jason Sharp, in which his heartbeat and breathing play a prominent role, the series of images slowly becomes more abstract. The end result is a hypnotic, sensory meditation on 'our' earth.

Finding inspiration in Kafka's short text The Silence of the Sirens, in which he reinterprets Homer's deadly songstresses as silent apparitions, Diana Vidrascu has created the mesmerising portrait of Céline, a young actress from Martinique living in Paris and struggling to find her place in the world. As she returns to her roots in order to explore her identity, we take the trip with her in this intimate story of origins and destinations.

Newly migrated into a university and an open-plan campus building, an art school feels cornered by a suffocating culture of surveillance and administration. Staff and students find ways to subvert control through secret operations. Drawing on her own experiences as an art teacher, Oslo-based Ane Hjort Guttu explores what you trade away when creativity is replaced by order, and provides us with action plans for how to be the playful rebel.