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1-6 of 6
- Captain Pierre Perdrix's life has been turned upside down since the enigmatic Juliette Webb burst into his life. Her presence alone will force his tight-knit family to redefine their boundaries and finally begin to fully live their lives.
- A young man runs away from his family to become an actor.
- Inès was found innocent in the accident that caused the death of Raphaël at the age of 12 years, 7 months, and 11 days. Today, Inès' son, Théo, is that age. And she is convinced that Lucie, Raphaël's mother, will avenge his death. Intuition or paranoia? To protect Théo, she hides him in the forest and then confronts the mother of his victim.
- The driving license system with points was set up in France in 1992. It consists in withdrawing a certain number of points from the license (which has twelve or six) depending on the seriousness of the offense, sometimes resulting in the retirement of the permit pure and simple. In such a case, point recovery courses are organized to help offending drivers to recover their license. Coline Serreau has undertaken to film this type of courses in various parts of the French territory, allowing their participants to express themselves, at the same time turning the floor over to different personalities, for or against the system.
- Tandem is a correspondence film and a film experience. Indeed, image and sound were made in autonomy on the basis of a script concerned by the analogy between film and train: the image in Épinal (France) and the sound in Montréal (Québec). This script was very precise with construction cues but still let wide parts without indication except for few intentions and for durations. During the year the work moved on, the two directors never shared any image or sound but only intentions and durations and never met, only communicating by email. At the end of the process, image and sound were joined. Only a few modifications were done on synchronization. Made around common intentions, image and sound work together in an unexpected and disconcerting audiovisual confrontation wich wouldn't be possible to conceive in a classical production.