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1-33 of 33
- A cat burglar is forced to steal Da Vinci works of art for a world domination plot.
- Video-game based on the movie in which you must steal Leonardo da Vinci's priceless works of art.
- 1986–2010TV-PGTV EpisodeGene Siskel and Roger Ebert review Soapdish (1991), What About Bob? (1991), Hudson Hawk (1991) and Only the Lonely (1991). Ebert has a report on Cannes. Siskel recommends Jacob's Ladder (1990) on video.
- Two musical numbers, villains named after candy bars, the love between a man and his cappuccino - just your average Bruce Willis action flick, right? This week on That Movie Show, Mike Wendt and Liam Stryker take a look back at this song and dance heist film. -- Hudson Hawk (1991)
- 2018– 1h 45mPodcast Episode
- 2018– 44mPodcast Episode
- 2011– 1h 19mPodcast Episode
- 2020– 58mPodcast Episode
- 2011– 1h 19mPodcast Episode
- Is this rightly regarded as a guilty pleasure? Should Bruce Willis be allowed to write more scripts? Is the silly comedy just too much for the general public? Tune in to this week's show to get these answers and more.
- 2012– 2h 10mPodcast Episode
- 2018–Podcast EpisodeI finally got Tony Farina on here to defend the #BruceWillis box-office bomb #HudsonHawk. But was this satirical spoof of action movies and heist films ahead of its time?
- 2018– 1h 24mPodcast Episode
- Returning to the realm of movie based games, the Nerd looks at the NES adaptation of Hudson Hawk, and while it may be tedious, inane, and ridiculous, at least it's only three levels long.
- 2021– 1h 41mPodcast Episode
- Delve into Hudson Hawk's bizarre blend of Family Guy humor and Die Hard action with Bruce Willis. Tune in for a lively discussion on this divisive early 90s film, dissecting its unique style and split opinions.
- Daniel and Harry are joined by Adam Mansbach, author of Golem of Brooklyn, to talk about the 1991 Bruce Willis film, Hudson Hawk. They explore themes of moral relativism, as it relates to sin and crime in the film, argue for Hawk's role as a Jewish stand-in left behind by an ever changing world, and make the case for the film's irreverent tone, arguing its intention and merit (and possible Jewishness) against the outsize criticism it has received. As always, they close out the episode by ranking the film's "Jewishness" in terms of its cast and crew, content, and themes.