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    1-3 of 3
    • Flora (1989)

      1. Flora

      19891mShort
      6.5 (1.5K)
      The last moments of a creature made out of fruits and vegetables.
    • 2. Director of Devils

      197122mShort
      6.0 (27)
      A short documentary shot by Warner during the film's production whose opening narration has a whiff of guarded disapproval, but whose content gets a serious thumbs up. Russell himself discusses the historical events and characters that drive the narrative and his desire to create a sense of historical modernity, and there's some brief but interesting footage of the shoot itself. But the real meat of the piece is the recording of Peter Maxwell Davies's avant-garde score, which occupies the entire second half and makes for fascinating viewing.
    • 3. In Conversation: Anna Karina and Alistair Whyte

      197337mShort
      Shot at and by the University of London Audio Visual Centre in 1973 shortly after Karina's now invisible debut feature, Vivre ensemble, was released, this riveting interview might have contained all the vivacity and vim of an Open University programme on molecular biology where not for the particular collisions between Whyte and Karina. Commenting on Karina's film in a long-overdue Top 100 list of films by female directors in the October issue of Sight and Sound, James Blackford describes Vivre ensemble as "a drama that tells the story of a hippy girl, Julia (Karina), and a rather uptight professor, Alain (Michel Lancelot)." During this interview a faint smile plays on the lips of the one serious-minded academic while the legendary actress seems always on the verge of a fit of giggles. Has Karina had a toke or is she bubbling over with amusement at the format and Whyte's O.U. style? I can't make it out, but, to be cruel, there's a fidgety, staccato hint of neurosis about Karina here. Whyte dares a comparison between Vivre ensemble and Karina's work with Godard, but the shutters come down when he attempts to probe her about her relationship with Godard. It's astonishing to realise how pronounced Karina's Danish accent is and how forthright she is in her dismissal of May 1968 as a storm in a teacup. Again, one doesn't have to be a psychoanalyst to discern her subconscious target when she talks of those who behaved dishonestly during that period. Fascinating fare.

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