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An aging hitman's last job goes sideways, forcing him to redeem himself.

A 67-minute documentary that digs into the early stages of the project, the development of the script, and almost every aspect of the production. Shot using a candid, fly-on-the-wall style and presented in standard definition, Source of Pride offers dozens of interviews, extensive glimpses behind the scenes, and a particular focus on the amount of work that went into making the film feel authentic and realistic.

The piece opens with Diana Ross discussing the film's place in her career and follows to cover film origins, Berry Gordy's work on the film, script and story, cast and performances (including Ross making the character her own), direction, cinematography, production design, costuming, awards and reception, and more.

An interview with associate director Corrado Columbo. The interviewee traces the development of his early career, soon meeting director Sergio Bergonzelli, exploring his "Dr. Jekyll and Mr. Hyde" personality. The helmer's technical approach is analyzed, along with the extent of his ego. Some talk of "Blood Delirium" is included, with Columbo estimating about 60% of the budget went to actor John Phillip Law, whose name helped to secure financing. Bergonzelli's career and personal conduct is highlighted, along with the ways of the Italian film industry, with Columbo getting into the business just as its popularity began to fade. Columbo closes with a discussion of his own career, eventually returning to work with "Blood Delirium" actress Brigitte Christensen years later.

An interview with Actor Marco Di Stefano, who recalls his early curiosity about the arts, following his father's interest in the subject. Beginning his career in experimental theater, Di Stefano eventually made his way into movie production, finding roles in art and genre films, meeting his ex-wife (and "Blood Delirium" co-star) Brigitte Christensen during his career adventures. Co-stars are briefly recalled, and director Sergio Bergonzelli is assessed, suggesting some possible jealousy issues with the helmer, while actor John Phillip Law tried to conceal a drinking problem. Some career war stories are shared, and the interviewee longs for the days of shooting on film, believing in "analog" magic that's missing from modern productions.

An interview with actress Brigitte Christensen, who turned to the theater to begin her acting career, soon visiting Italy during her travels and falling in love with the country. She details the work ethic of Italian crews, and highlights some of her early pictures, discussing collaborations and opportunities. The interviewee delves into "Blood Delirium," focusing on the grim atmosphere of the shoot, and she's praises co-star John Phillip Law. She also discusses her time with director Sergio Bergonzelli, who believed he was making something special with "Blood Delirium," sharing his professional and personal behavior. The interviewee offers her feelings concerning different experiences in her career, and she goes into her creative spark today, still involved in theater projects.