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- Live at the Palladium is a live concert DVD by the punk band Bad Religion, released in March 2006. It features footage from two nights at the Palladium in Hollywood, California on November 21 and 22, 2004. The DVD uses seamless branching to offer two viewing options: The full concert interspersed with interview footage of the band. Only the concert footage. The only Bad Religion albums that do not have songs represented in this performance (of those which were released prior to the date of the filming) are Into the Unknown, No Substance and The New America. The version of Cease is played on a solo piano, as recorded on Greg Graffin's solo album, American Lesion. After the band has finished playing "21st Century (Digital Boy)" Greg Graffin incorrectly identifies the song as the "Against the Grain version" when in fact they played the Stranger than Fiction version. The title card before playing "Along the Way" shows that the song is from the album How Could Hell Be Any Worse? (possibly referring to the 2004 remastered version, which includes their early discography minus Into the Unknown) when in fact the song was never recorded for an album release; it actually appears on their 1985 EP Back to the Known.
- 1997– 50mNot Rated7.6 (263)TV EpisodeThe Sex Pistols album Never Mind The Bollocks, Here's The Sex Pistols is unquestionably one of the most important musical statements in the history of British music. It was 1977, at a time when the nation was crippled by class division and unemployment that 4 working class teenagers with supposedly non-existent futures recorded an album that to this day remains one of the greatest and most influential bodies of work ever recorded. This documentary features exclusive interview's with all four of the original members of the Sex Pistols as they take you on a track by track look at the making of the album. Featuring Steve Jones and Glen Matlock demonstrating selected riffs and licks off the album and explaining the development of the song writing. Candid interviews with Malcolm McLaren, Chris Thomas and Bill Price set the record straight about the recording session.