Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-22 of 22
- Beelzebub, making fire on the tips of his fingers, develops a large blaze, from which three girls emerge, who commence a dance in the heart of the flames, while two devils shake burning torches; all disappear. This scene is the first of its kind and is quite magical in its effect.
- A man wishing to catch a train, and having left himself none too much time to do so, rises from his couch and proceeds to don his garments. These, however, change in a most fearful manner, trousers becoming a coat, a coat a waistcoat, etc., etc. After a manful struggle he comes to the conclusion that his clothes are one too many for him, and goes back to bed again, to think the matter over.
- In a room filled with jugglers' properties of enormous size a prestidigitateur dressed in eccentric costume enters with his assistant. The servant, believing that he would be comfortable in an armchair, sits down in it, but finds that it conceals a bucket of water, in which he falls. The juggler brings a large empty cask and puts it upon a table and fills it up with several pails of water. He leaps into the cask to take a bath, but he is bitten and hastily gets out. The water has disappeared, and in turning the cask upside down, some roosters and chickens come out of it very much alive. He stands the cask up again and shows with a pail that it is filled with water just as at first. Suddenly there comes out of the cask a pretty young girl, whom the juggler places in a chair upon the table. When he has wrapped her up in a veil he aims at her an enormous pistol, fires it, and the flash resembles that of a large cannon. The veil falls, disclosing the assistant, and at the same time the young girl emerges from the cask on the other table. The juggler shuts the girl up in the cask and then tips it over and out of it emerge two suckling pigs, one of which is changed into a poodle just as he leaps into the juggler's arms. And again the juggler shows that the cask is full of water. He curls up upon it, doubles himself up and disappears within, only to reappear again through the floor, whilst the assistant is emerging from the cask. Both now empty the water out of the cask into a bucket. Each one leaps into the latter and disappears, but suddenly comes upon the scene through the cask. They make their exit after a salute, but they once more come into view within the cask wrapped in one another's embrace in a most ridiculous attitude.
- A musketeer bows to the audience and proceeds to hang his hat, coat and vest on the wall in a most amazing manner. Being in need of two pages, he brings them out of his coat, and with rope he makes a hoop. The two pages stretch out a large sheet of white paper. The musketeer puts the hoop through the paper, and instantly the hoop is all covered with paper like those used by performers in the circus. The pages hold up the hoop; the paper bursts, only to let out a hideous clown, who goes and sits in the corner to see what is going to happen. Then the musketeer breaks the hoop, takes out of his hat a lot of flowers, which he throws on the pieces of the hoop, and by his act he makes a lovely wreath, from which appears a beautiful woman. This woman is then substituted by an immense and grinning face, into which the clown jumps. Then an explosion is heard and nothing is left of the clown nor the head. The musketeer takes the pages on his soldiers, one after the other, and they are changed as his coat and hat. Finally he disappears in a most mysterious way.
- This is the most vivid realization of naval and land warfare, a wonderful representation of the bombardment of a port and landing of marines and guns while under fire from shore batteries. Order of scenes: The bombardment by attacking fleet of battleships, cruisers, gun and torpedo boats. -- The defending crew operating a 12-pounder from the fort. -- Panorama of the fortifications during reply fire of its batteries. -- The defending crew of land battery destroyed by a bursting shell. -- Landing of the enemy from ship's boats. -- Blowing up the harbor defense boon. -- Blowing up a boat's crew by submarine mine. -- Landing of the "Handymen" during the thick of the fight. -- Hauling 12-pounders ashore. -- The Maxim guns in action. -- Another battery put out of action. -- Getting the 4'7 gun ashore. -- Scramble up the cliffs. -- Skirmishing across the island. -- Cease fire. -- Assembly of the forces, three cheers for the victors.
- A large vase appears in the centre of the stage, and while it is being admired by a rather aged gentleman is suddenly transformed into a pretty girl. She comes down from the stand on which she appears and begins to dance for the old man. She then rises mysteriously in the air and performs graceful evolutions without any visible means of support. After a marvelous performance she slowly fades away from view. A tableau is then formed by a number of girls. The old man looks on with admiration and agreeable surprise. Any audience that sees this film projected will receive a treat similar to his.
- A human skeleton is placed upon a table by an attendant. When the attendant leaves the room the skeleton begins kicking his legs and throwing his arms about and suddenly turns into a magician. The magician produces an egg, performing several sleight-of-hand tricks, and places it upon the table with the small end downward. He then crudely draws a human face upon the shell, and the egg immediately begins growing larger and larger until it reaches the size of a normal head. The form of the egg fades away and there immediately appears the head of a very pretty girl. Then two or more of the same type appear on either side of the original. The heads of the girls are merged into one head and from this appears the hideous head of a hobgoblin. The hobgoblin fades away into the original egg. The egg is reduced to its normal size and is removed from the table by the magician, who swallows it. He then takes his place on the table, reverting back to the skeleton, which is removed by the attendant, thus closing the picture.
- In this film, we show the interior of a doctor's office. A patient enters, and judging from the expression on his face, he is in great pain. The doctor tells him that he is troubled with acute indigestion, and immediately places him upon the operating table. He begins his treatment by cutting off the patient's arms and legs with a huge saw. After removing these members, he takes a large knife and makes an incision in the unfortunate's stomach large enough to put his arm in. He then removes such things as bottles, knives and forks, lamps and other articles of furniture from the patient's body. The patient evidently complains of the great pain he is suffering, and to relieve this the doctor cuts off his head and places it upon a near-by chair. Next a large water pump is brought into play, and after pumping about two gallons of water from the stomach of the patient the doctor sews up the wound, which heals immediately, then places the head back in its place. He next attempts to adjust the man's legs and arms in their proper places, but in his hurry a leg is placed where an arm should be, and vice versa. After discovering his mistake he corrects it, and the man, entirely cured of his trouble, rises from the table and after paying the doctor his fee departs from the office in great glee.
- A ballet master dreams of ballerinas.
- A Brahmin comes upon a giant caterpillar, which turns into a cross between a butterfly and a girl: the Brahmin finally turns into a caterpillar.
- Deep into a vast cavern of the pitch-black inferno, a couple of professional dancers demonstrate the cakewalk that is currently so much in vogue, and now, everyone in the once-gloomy underworld is doing the crazy dance. Who is the best?
- This is an absolutely new and extraordinary subject. A juggler takes in succession about a dozen eggs out of his servant's mouth. He breaks all the eggs into a hat, and after having beaten them up after the manner of a cook, he extracts an egg as large as the hat itself. As soon as he sets this egg on the table there appears a tiny dancing girl, full of life, as big as a baby's doll, and who performs on the table some beautiful stage dances. All of a sudden she increases to the size of a ordinary woman, and jumping on the floor she delights the audience with her turns. The juggler and the dancing girl disappear in the most extraordinary way.
- A farmer calls on a juggler to see a few of his best tricks. The juggler has brought a bouquet of flowers, from which he takes out a charming and beautiful girl. The farmer, enraptured, attempts to kiss the beauty, and in trying to do so he only catches a devil, who beats him unmercifully and finally bursts into a thousand pieces. The juggler asks the farmer if his cares for any more exhibitions, but the poor fellow runs away in great terror.
- As scene as pleasing as incomprehensible. A juggler summons two chairs, which come to the stage jumping and twirling around. Across the back of these chairs the operator places a sheet of glass on which he lays a box about four inches high. He then takes a table cover, with his servant's help, rolls it up and from the centre emerges a lady, beautifully dressed. At the juggler's order she jumps in the box, in which she completely disappears. The operator, in taking the box, notices an incredulous smile among the audience; he then affirms that the lady is still inside, and to prove it he puts the box on his knees and the girl appears again in full figure. He makes her go in again, and opening the box he shows that the girl has vanished and that her dresses only remain at the bottom. Then he jumps into the box himself, and his servant afterward; the box rolls off the stage without any help.
- A magnificent Venetian oratory. On the left a large bay window through which may be seen the Grand Canal of the city of Venice. In the centre a colonnade and a hemicycle; to the right is a statue of the Madonna. At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. The devil grows smaller and smaller and finally becomes a tiny dwarf, then he is lost in space. The window resumes its first form and Romeo embraces his beloved, with the benediction of the Virgin.
- This shows a prince entering upon the stage of the King's private theatre. He is about to do a few mystifying tricks for the amusement of the court. Taking a large sheet of cardboard, he rolls it into the shape of a tube. Showing that it is entirely empty, he holds it over the table, and a figure is seen gradually coming into view; and before the eye can perceive the change we behold a beautiful Tyrol dancing girl standing on the table with the tube around her. Lifting the tube over her head, the prince assists her down from the table and she executes a tambourine dance. Then, placing a chair and a stool on the stage, he hypnotizes her. Drawing the tube over her he places her horizontally supported by the head and feet. She is next seen to fade away, only to reappear standing on the table. He takes her hand to assist her down. When she reaches the floor, we behold the princess in her place. The prince attempts to kiss her and finds that he is going to kiss the Tyrolese. Bidding her sit in the other chair, he sees the princess come into view. Taking her arm, he leaves the stage. This is a beautiful subject and very entertaining.
- Two demons throw helpless captives into a boiling cauldron, and then try to summon forth their spirits.
- A traveler is shown to a room in an inn. After a brief dispute with the hostess and a porter, he is left to himself. But strange things begin to happen in his room, and before long he has created a disturbance that has everyone running to his room to find out what is going on.
- Order of pictures: The Oxford crew getting into their boat and pulling for the starting point. -- The Cambridge crew manning their racing shell and rowing for the start. -- The race, showing both crews pulling over the course. -- View of the race from the shore. -- The Oxford crew carrying their boat up the river bank. -- The Cambridge crew bringing their shell ashore.
- Before going to war with his neighbors, the King reviews his men. The Queen's Musketeer's, who number only young men, are proclaimed the best drilled and most skillful of his soldiers. These young men manoeuvre in front of the King, Queen and the Court, and perform the most difficult tactics. This subject will be much enjoyed and appreciated by any audience.
- A grand and unique series of pictures photographed by Mr. George Rogers. Mr. George Rogers, the war correspondent of the Charles Urban Trading Co. is an American. He has made his application from Paris. Here he waited three months before a permit to go to Russia was granted. After waiting three weeks in St. Petersburg, he was allowed to proceed as far as Irkutsk. At this town, he was turned out of the train, on the ground that transport was needed for the military for war stores. So Mr. Rogers bought a sledge and three ponies, and fortunately falling in with a troop of cossacks arrived, after seventeen days travelling, at Harbin where he was by the end of April. Order of the scenes: I. Arrival of General Kuropatkin, received by Generals Rennankamph and Grekoff. -- II. Troop of cossacks starting the march across Lake Baikal. -- III. Russian infantry crossing Lake Baikal. -- IV. Transport of Army provisions across Lake Baikal. -- V. Cossacks on the march to the Yalu waited three weeks in St. Petersburg.
- Through a rapid succession of drawings, ingenious disguises and soft dissolves, the director portrays a quick-sketch artist who transforms to various characters according to the static outlines on his chalkboard.