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Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.

A TV talk-show host who may have killed his wife finds himself being pursued by both the police and a gang of hoods.

A psycho stalks go-go dancer from Las Vegas, Nevada to Los Angeles, California.

An ex-soldier is recruited by the FBI to go undercover in L.A. and find other ex-soldiers who are part of a drug-dealing gang.

A young man from a small town goes to Hollywood to make his fortune. He gets hired as a bouncer at a disco club, but soon finds himself caught up in drugs, gangsters and eventually has to flee when his boss and another bouncer are murdered by drug dealers, who are soon after him.

An eccentric wayward poet contemplates failure as his delusions unravel and he searches for purpose in the ordinary world.

The day after his final exams, Joyce learns from her husband Donald that he just used her to pay and clean for him during his studies. Now he's leaving her for her best friend Glenna, with who he slept the last one and a half years. Instead of resigning to her fate, Joyce decides to start a career as an estate agent - and she's good at it...

"It's a little raw and crude right now, but I want this to be 'My Rotten Life' as a dessert, not as a liver pill." Susan Tyrrell's performance recorded.

A wealthy art collector is murdered, and all signs point to a robbery gone wrong. But the nephew's alibi is a little too convenient, and Columbo pulls a fast one to ferret out the killer.

Black private detective investigates the murder of a talk-show host's wife.

Early McCorley is on trial for the murder of an artist, one much more famous and successful than himself. Dan Farrell probes if he really as deranged as people think.

The Cool School is an object lesson in how to build an art scene from scratch and what to avoid in the process. The film focuses on the seminal Ferus Gallery, which groomed the LA art scene from a loose band of idealistic beatniks into a coterie of competitive, often brilliant artists, including Ed Kienholz, Ed Ruscha, Craig Kauffman, Wallace Berman, Ed Moses and Robert Irwin. The Ferus also served as launching point for New York imports, Andy Warhol (hosting his first Soup Can show), Jasper Johns and Roy Lichtenstein as well as leading to the first Pop Art show and Marcel Duchamp's first retrospective. What was lost and gained is tied up in a complex web of egos, passions, money, and art. This is how L.A. came of age.