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- A group of astronomers go on an expedition to the Moon.
- A group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.
- A humongous and obese anthropomorphic swine dressed like a fine gentleman in a fancy dinner attire tries to make a pass at a solitary lady having a picnic.
- In the garden, a man asks his friends to do something silly for him to record on film.
- With the help of a magic cauldron, Mephistopheles conjures up a variety of supernatural characters.
- Here is a picture that is extremely laughable. An old man is indulging in a dream, which dream is demonstrated in the picture. It shows him in a restaurant partaking of a sumptuous meal and a bottle of wine with a soubrette. There is a sudden awakening, however, and in an apparently disgusted mood, he finds himself in his own bed and his wife endeavoring to induce him to get up and build the fire.
- Performing on what looks like a small wooden stage, wearing a dress with a hoop skirt and white high-heeled pumps, Carmencita does a dance with kicks and twirls, a smile always on her face.
- As the clock strikes twelve, a weary astronomer attempts to answer the impertinent enquiries of his young students by scrutinising an impending lunar eclipse, as an effeminate and delicate moon caresses the mighty sun's hungry cosmic rays.
- The execution of Topsy, a female elephant, in a publicity stunt advertising the opening of Luna Park on Coney Island. Topsy was originally owned by Forepaugh Circus where she killed a drunken spectator who burned the tip of her trunk with a cigar. She was sold to Sea Lion Park in 1902 which was then sold to new owners who turned it into Luna Park. After they decided they could no longer handle her, the owners of Luna Park announced they would hang Topsy, leading to an outcry by the ASPCA. The owners then decided they would electrocute the elephant, with a backup plan of feeding her cyanide-laced carrots and strangling her with a cable.
- A woman undresses on her wedding night.
- A young girl is given her breakfast of milk and a biscuit by an elderly woman. When her beribboned cart comes up, she shares the meal with her. Later, the cat sticks her paw into a glass of milk and licks it off
- An astronomer falls asleep and has a strange dream involving a fairy queen and the Moon.
- Workers leaving the Lumière factory for lunch in Lyon, France in 1895; a place of great photographic innovation and one of the birth places of cinema.
- A train arrives at La Ciotat station.
- The clip shows a jockey, Gilbert Domm, riding a horse, Sallie Gardner. The clip is not filmed; instead, it consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
- Three friends go on a trip and decided to rest at an abandoned house. Everything seems pretty normal until really weird things start to happen.
- One night, Arlequin come to see his lover Colombine. But then Pierrot knocks at the door and Colombine and Arlequin hide. Pierrot starts singing but Arlequin scares him and the poor man goes away.
- This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors.
- Grandfather gets a pair of magic spectacles, which he claims to possess the miraculous power of showing the tastes and inclinations of the person who puts them on. There are present at the time a large family gathering, father, mother, sons and daughters, and grandchildren, and each member of the party in turn puts on the spectacles. Then we see on the curtain all that is passing in the mind of the wearer clearly portrayed in each eye, just as if we were looking through opera glasses.
- The first all-animated film in history, a series of scenes without much narrative structure, but morphing into each other.
- Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
- A cartoonist draws faces and figures on a blackboard - and they come to life.
- Originally 70 minutes in running time, only 17 minutes of the world's first full-length narrative feature film survived in stills and other fragments and tell the story of Ned Kelly, an infamous 19th-century Australian outlaw.
- A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.
- In a society in which gender roles are switched, will men tolerate being unequal?
- In this spectacular free adaptation of the popular theatre play "La Biche au Bois", the valiant Prince Bel-Azor pursues a baleful old witch to her impregnable castle, to save the beautiful young Princess Azurine.
- An impudent child plays a prank on a gardener innocently watering his plants.
- Pre-cinematograph colour animation of the monkey playing his violin
- A penniless troubadour consults the Fairy Carabosse about his future but offends her by paying with a bag of sand.
- This short film, one of the first to use camera tricks, depicts the execution of Mary, Queen of Scots.
- The first film to ever show a nudity scene on screen is a simple presentation of a servant preparing a bath for another woman.
- The adventures of a female reporter in the 1890s.
- A frame sequence featuring a man walking around a corner.
- An unscrupulous and greedy capitalist speculator decides to corner the wheat market for his own profit, establishing complete control over the markets.
- Lost short film consisting of 300 painted images. It shows a clown entering a circus ring and greeting the audience before he starts to perform tricks with three dogs. The dogs jump through hoops, walk on a ball and jump over a wand.
- The story of Jesus Christ from the proclamation of his Nativity to his crucifixion. Impressive scenes and dynamism of the actors prelude to the Italian colossal movies of the silent period.
- The life of Jesus Christ in 25 scenes.
- Two women shake hands and kiss. The first ever moving image of a kiss was not filmed, but consists of individual photographs shot by Eadweard Muybridge in rapid succession, making a moving picture when using Muybridge's zoopraxiscope.
- Two demons throw helpless captives into a boiling cauldron, and then try to summon forth their spirits.
- A complete performance of THE COUNT OF MONTE CRISTO filmed as a stage play with curtains between the five acts: Act I. "The Sailor's Return," Act II. "Twenty Years Later," Act III. "Dantes Starts on His Mission of Vengeance," Act IV. "Dantes as the Count of Monte Cristo," Act V. "Dantes Accuses His Enemies," and "finis" at the end. This is the oldest known film of THE COUNT OF MONTE CRISTO. Also, it depicts the oldest known film of the San Diego coast.
- A reel of mirth-provoking stunts that will draw the pennies from the children, but which is of much interest to young and old alike. It opens with a crowd of children leaving school and marching through the streets to the "Humpty Dumpty Circus." We see them crowd into the tent and at the end of each act they vociferously applaud the performers These are the little wooden toys that are familiar to all, and which are made to perform all the usual acrobatic stunts of the circus performer in a remarkably realistic manner. Some of the scenes are really comical and it is hard to believe that the elephants and donkeys are not alive.
- Two travelers are tormented by Satan from inn to inn and eventually experience a buggy ride through the heavens courtesy of the Devil.
- Three men hammer on an anvil and pass a bottle of beer around.
- Eadweard Muybridge photographs a capybara in motion.
- The first film directed by a female director, "The Cabbage Fairy" presents a brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. Gently moving through the cabbages and using of lovely gestures, she takes one baby out of there, then makes more magic and delivers two more.
- In this fantastic scene, a man who is eager to retire has a difficult time finding peace, as his nocturnal illusions come to life out of thin air.
- In a medium close-up shot of the first kiss ever recorded on screen, two fervent lovers cuddle and talk passionately at hair's breadth, just before the love-smitten gentleman decides to give his chosen one an innocent peck.
- The earliest extant sound film. William K.L. Dickson stands in the background next to a huge sound pickup horn connected to a Thomas Edison phonograph recorder. As he plays a violin, two men dance in the foreground. This film was made to demonstrate a new Thomas Edison machine, the Kinetophone. These machines were Kinetoscope peepshow viewers mated with Thomas Edison wax cylinder phonographs. But the Kinetophone never caught on and this film was never released. The film still exists, but the phonograph soundtrack has been lost.
- Lost 1892 French short animated film directed by Émile Reynaud about a wanderer who orders a good beer ("Un bon bock") and meets a traveler who also orders a beer. They enter an argument because a kitchen boy steals their beers.
- Individual photographs of the running of a buffalo shot in rapid succession.
- A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.
- A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out?
- The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule in Jerusalem has reached its climax. Heralds now approach and Roman soldiers beat back the crowd to make way for the approach of the Roman Procurator. The scene changes to the home of Ben Hur, who is seen with his sister and mother on the house top. The cavalcade of Roman troops approaches, and to get a near view Ben Hur leans from the coping and knocks down one of the stones thereof onto the shoulder of the Procurator. This is seen and misconstrued by the Governor, who orders soldiers to arrest the inmates; they, after ineffectual pleas and struggles, are carried off. Ben Hur is consigned to the galleys, where he is loaded with chains. Here he signalizes himself by saving the life of Arrias, who publicly adopts him as his son and proclaims him a Roman citizen amidst the acclamations of the assembled crowd in the forum. Now comes the scene in the games where Ben Hur is challenged by Messala, and accepts it, to the great delight of the citizens. The chariots and athletes parade before the dais and in due time are arranged, and the chariot race commences. Three times 'round the ring dash the chariots, and at the fourth turn Ben Hur comes out the victor and is crowned with the wreath, to the great, chagrin of Messala, who is borne on a stretcher, wounded to death.
- Much to our amazement, an elegant and masterful illusionist detaches his own head effortlessly from his shoulders for a once-in-a-lifetime performance.
- A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
- A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
- As part of a maiden public film screening at the Salon Indien, on December 28, in Paris, Auguste Lumière pivots the centre of attention around his baby daughter, as he tries to feed her from a spoon.
- A man tries to get a good night's sleep, but is disturbed by a giant spider that leaps onto his bed, and a battle ensues in hilarious comic fashion.
- A fireman rushes into a carriage to rescue a woman from a house fire. He breaks the windowpanes and carries the woman to safety; after dangerous and uncertain moments he also saves the woman's son.
- A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.
- Factory workers including child laborers walk towards a camera and interact with it.
- Outside Cleopatra's palace a youth and maiden are observed. They are evidently very much in love with each other. While conversing, the gates open, Cleopatra and Mark Antony come forth, accompanied by soldiers, dancing girls. Etc. He bids farewell to Cleopatra and, accompanied by a bodyguard, starts on his journey. The youth takes no further notice of his sweetheart, but gazes fascinated at Cleopatra, who, after waving farewell to Antony, re-enters the palace. The youth continues to gaze after Cleopatra, pushes his affianced aside, falls to his knees and kisses the step where Cleopatra stood. He then goes into the grounds, underneath her bedchamber, writes on a scroll of his ardent love, wraps the paper around his arrow and shoots it through the window. Inside the chamber Cleopatra and her servants are startled, take the arrow and read the note. Looking outside, nobody can be seen. Shortly afterward Cleopatra goes outside to the bathing pool, poises on the brink, when, looking toward a clump of bushes, she spies the lovesick youth. He is brought out and Cleopatra imperiously demands what his presence means. He is not abashed, but kneels and tells of his love. Cleopatra orders her attendants away, takes the youth and leads him off. When alone he again reiterates his love. Cleopatra orders her servants to bring wine, fruit, perfumes, etc. Dancing girls appear, execute a few manoeuvres, then leave. Cleopatra then rises and dances before the youth. A servant enters, delivers a message to the mistress, then departs. Cleopatra hands a goblet to the young man, who drinks its contents, then falls dead. Cleopatra bows over his body a moment, then springs up and sits on the throne as Mark Antony comes down the steps. He salutes and embraces Cleopatra, observes the corpse and demands an explanation. Cleopatra carelessly replies: "Just another slave l was experimenting on with poison."
- "This magnificent pageant is every year the mecca of tourists from all over the world. Our picture shows the following floats in the parade of 1899: No. 1, Corn; No. 2, Cherries; No. 3, Coffee; No. 4, Tea."
- Documentary film depicting the 1897 boxing match between James J. Corbett and Bob Fitzsimmons in Carson City, Nevada on St. Patrick's Day. Originally running for more than 100 minutes, it is the world's first feature film.
- Three young children set up a table, and on the table is placed a miniature stage. The stage curtain opens, a carpet appears, and then the carpet unrolls by itself. Two puppet figures then come out and begin to perform a series of routines.
- Pre-cinematography color animation of Abstract expressionism.
- As an elegant maestro of mirage and delusion drapes his beautiful female assistant with a gauzy textile, much to our amazement, the lady vanishes into thin air.
- Sherlock Holmes enters his drawing room to find it being burgled, but on confronting the villain is surprised when the latter disappears. Holmes initially attempts to ignore the event by lighting a cigar, but upon the thief's reappearance, Holmes tries to reclaim the sack of stolen goods, drawing a pistol from his dressing gown pocket and firing it at the intruder, who disappears. After Holmes recovers his property, the bag vanishes from his hand into that of the thief, who promptly disappears through a window. At this point the movie ends abruptly with Holmes looking "baffled".
- The photographers who need to participate in the congress of Lyon get off a boat in Neuville-sur-Saône, dividing to the right and left.
- One of W.K.L. Dickson's laboratory workers horses around for the camera.
- The persecution of the children of Israel by the Egyptians. Now there arose up a new king in Egypt. And he said unto his people. Behold, the people of the children of Israel are more and mightier than we. Let us set over them taskmasters to afflict them with their burdens. (Exodus, chapter I.) The first scenes show the Egyptian court and King Pharaoh commanding the slave drivers to beat the Hebrew toilers who show signs of rebellion. Pharaoh notices this and, calling his scribes, orders that a decree be published that every man-child born to the Hebrews be killed. The parchment is prepared and is read in Pharaohs court in the presence of Pharaohs daughter, who hears and pleads in vain for his clemency. Pharaohs Decree: Every male child that is born to the Hebrews shall be cast into the river. The Egyptians ruthlessly proceed to carry out the decree and seize the male children from the arms of the Hebrew mothers. Here we are shown the interior of a Hebrew dwelling. The child Moses is in a cradle and his mother is bending over him, utterly unconscious of the cruel edict of King Pharaoh. The sister of Moses is shown attending to household duties and she takes a pitcher and goes to the well to draw water. There she learns of the slaughter of the innocents and hastens back and tells the mother of the cruel scenes she has witnessed. They decide to hide the child Moses by the river, and the cradle or ark is covered and carried between them to a marsh, where they plaster the outside with soft mud to keep out the water, and placing the child therein, his sister remains nearby to watch what will become of him. And the daughter of Pharaoh came down to wash herself at the river; and her maidens walked along by the rivers edge; and when she saw the ark among the flags she sent her maid to fetch it. And when she had opened it she saw the child; and, behold, the babe wept, and she had compassion on him. Pharaohs daughter fondles and pets the crying child and decides that she will keep him for her own. The sister of Moses approaches and suggests that she call a nurse of the Hebrew women and she, of course, called the childs mother. And Pharaohs daughter said unto her, Take this child away and nurse it for me and I will give thee thy wages. And the woman took the child and nursed it. Pharaoh is informed of his daughters caprice and demands to see the child. He orders it away, but his daughter embraces him and pleads so hard for the life of the child that he consents and gives it his protection and blessing. A fitting ending is a picture of the mother and sister of Moses again fondling their own and giving thanks to God for their unexpected good fortune. The first reel of this series ended with the child Moses being adopted by Pharaohs daughter. The Hebrews are still under bondage, and we see them laboring in the brick fields, beaten by the taskmasters, as they build those gigantic specimens of Egyptian architecture, many of which stand to this day. Moses has been reared and educated in the Egyptian court, and is now in the prime of life, but he does not forget that he is of Hebrew blood, and, as he watches his brethren in their slavery, his blood boils at the outrages and he looks toward Heaven and cries, How long, oh Lord, how long? A number of Hebrews are digging clay, which is filled into baskets. The load is too heavy for one of the laborers, and the taskmaster beats him unmercifully. Moses sees this and kills the taskmaster. T The other Hebrew slaves, horrified at the enormity of the act, run away, and Moses, afraid of the consequences, hastily buries the body in the clay pit. Two days after this, Moses seeks to separate two of his brethren who are quarreling, and one of them says: Wilt thou kill me as thou didst the Egyptian? Moses is terrified when he knows that his crime is known, and decides to flee from the country. He seeks refuge in the home of a Hebrew laborer and bargains for a suit of the laborers garments, with which he disguises himself; he also purchases provisions and a water bottle, and departs. Moses is seen crossing the desert. Tired and dusty, he rests and drinks from his water flask. Still toiling on through the arid desert, he reaches an eminence and looks hack to see if he is being followed, and, seeing no one, he gives thanks for his deliverance. Moses has at last reached the land of Midian. He discovers a well and refreshes and rests himself. While he is resting seven daughters of Jethro, a Midianite, come to the well to draw water for their sheep and cattle. Other herdsmen also come to the well and ungallantly drive away the maidens, but Moses comes to their aid, and draws the water for them. The home of Jethro, the priest of Midian, father of the seven maidens. They enter and tell of the encounter at the well, and how they were aided by a Hebrew traveler. He says the man must be his guest, and hastens to the well and greets Moses and invites him to the shelter of his house, which offer is accepted. Moses enters the home of the priest of Midian, where he is effusively greeted by the whole household, and we see him seated and enjoying a meal with the family. (And Moses was content to dwell with the manand he gave Moses his daughter, Zipporah, to wife.) (Forty years later). Moses is now a shepherd, and, while tending his flocks in the land of Midian. The voice of God speaks to him out of a burning bush and commands him to return to Egypt and deliver his brethren out of the bondage of the Egyptians. Moses bids farewell to Jethro, his father-in-law, and, with his family, journeys to Egypt. On the way he meets Aaron, who had been, commanded by the Lord to meet Moses, and together they arrive at the Egyptian court. The court of Pharaoh, a young man, the elder Pharaoh having died while Moses was in Midian. The officials announce the new arrivals, and Moses and Aaron are ushered in and demand, in the name of the Lord, that the Children of Israel be set free. The Egyptian king refuses, and Moses tells him that if he does not consent the wrath of God will come on all the Egyptians. Moses prays to the Lord for advice, and is commanded to work a miracle before the Egyptian monarch to convince him that it is the Lord, the God of the Israelites, who demands the deliverance of His people. Moses and Aaron appear before Pharaoh again. Aaron casts his rod upon the ground and it becomes a serpent. Pharaoh is amazed, but he still refuses to free the Children of Israel. Pharaohs continued refusal brings upon Egypt the ten plagues. Moses finds Pharaoh near the rivers edge and again asks that his people be allowed to go free. When Pharaoh denies again. Aaron smites the water of the river with his rod and the waters are turned into blood. Again Moses appears before Pharaoh and again Pharaoh refuses his request. As God had commanded, Moses stretches his hand toward heaven and immediately a great storm of hail and lightning, such as they had never seen, descends on Egypt, killing man and beast and striking terror to the heart of Pharaoh. Pharaohs heart was again hardened and he still refuses to free the Hebrew children. Again Moses stretches his hand toward heaven, and a thick darkness, a darkness that might be felt, covered the land for three days, so that no one was able to rise from his place. The last and most terrible plague visited on Egypt for Pharaohs continued refusal is the death of all the Egyptian first born. The Feast of the Passover is instituted at this time. Moses directing all the Hebrew people to observe the Feast by killing and preparing a lamb. Moses commands the Children of Israel to sprinkle the door posts on both sides and on top with the blood of the lamb and on every house where they are to eat the Feast of the Passover, and to prepare the Feast. The Feast of the Passover is observed, according to the instructions of Moses, by every Jewish family in Egypt, the Feast consisting of roast lamb with unleavened bread and herbs. The same night that the Feast of the Passover is being observed by the Israelites, the Angel of Death passes over the land of Egypt in the last plague, the death of the first born. The Angel of Death enters every Egyptian home where there is no blood on the doorposts, and the first born of every Egyptian family is slain, from the first born in Pharaohs household to the first born of the captive in the dungeons. The Angel of Death, however, passes by every Jewish home, as God had promised to Moses that where He saw the blood on the doorposts He would pass them over and the plague should not be upon them. In Pharaohs palace Pharaoh and his court are feasting, when the Angel of Death enters and Pharaohs own first born is slain. Pharaoh is overcome with grief at this terrible visitation and sends for Moses and Aaron immediately. The death of his first born softens the heart of Pharaoh and when Moses and Aaron now appear before him he commands them to take the Children of Israel and to depart out of the land of Egypt. Moses and Aaron give the command to the Hebrew people, who immediately gather together their possessions and prepare to leave the land of their bondage with reverent and thankful hearts. With Moses and Aaron as leaders, the Israelites begin their exodus from Egypt, the land of the Pharaohs, where they had been slaves for so many years.
- A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
- A chemist carries out a bizarre experiment with his own head.
- A man dressed in red is ushered into an antechamber in a Castle and offered a seat. When he tried to sit down the chair moves to the other side of the room causing the man to fall on the floor. Standing up he strides to the chair but on trying to lift it a Spector materializes in the chair, arises and challenges the man. The man pulls out his sword and lunges at the Spector but it changes into a skeleton. Seeing the change the man tried to grab the skeleton but it changes into an armor clad guard. The man attempts to move the guard but a devil appears and waves the man away. The man recoils from the devil and tries to leave but the Spector reappears. Both it and the devil frighten the man from the antechamber.
- The action is laid in the seventeenth century, and the costumes, while historically accurate, are most lavishly elaborate. A bitter war is waging between two kingdoms, and as the King and Queen hold court in the throne room of the palace there arrives a courier, who, battered and exhausted, has scarcely strength as he falls at the foot of the throne to thrust into the hands of the anxious King, a message which tells of the disaster and panic that has befallen his forces. The King immediately holds council of war and calls for a trusty messenger to carry to his armies the reassuring intelligence that reinforcements have been rushed to their aid. The lot falls to a brave young courier, lion-hearted and with nerve of steel, who, before setting off, goes to take leave of his sweetheart. He discovers her resenting the unwelcomed advances of his rival, a contemptible scoundrel. The villain departs, swearing vengeance, and shadows the hero as he rides off. The sweetheart, on horseback follows to warn her lover of his danger. Now the villain, with the aid of his mistress, who has arranged a meeting by letter, dupes the hero by lying in the road, pretending she is wounded. The hero dismounts to assist her, and is stabbed in the back by the villain, who had hidden in the bush. He secures the message and they make for a neighboring inn, leaving the hero lying in the road, where he is found later by his sweetheart and her attendants. The lover is cared for by his sweetheart and some kindly farm folk, and the attendants are hastened to bring guards. The letter to the villain is found in the road, which indicates his whereabouts, and they repair to the inn where the villain is surprised and arrested. Recovering the message, the hero hastens on to the army. With renewed vigor the opposing forces are repelled and the day won. The last scene shows the return of the gallant courier with this cheering news. He is knighted by the King, and formally betrothed to his faithful sweetheart.
- A King (played by Georges Méliès) shows up at his new castle where he is haunted.
- This is a railroad panorama taken from the view point of the pilot of a locomotive, and is unusually interesting. It takes the passenger over the complete trip from the station at Monte Carlo, around the curves overlooking the harbor to the station in the city of Monaco. Many beautiful villas are passed enroute.
- Pre-cinematograph colour animation of a woman and man at the beach.
- The fiend faces the spectacular mind-bending consequences of his free-wheeling rarebit binge.
- Robinson Crusoe and Friday fight with hostile natives, and eventually retire to their jungle cottage to relax.
- Based on Shakespeare's play: Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.
- Undersea adventures in a submarine by a dreaming fisherman who encounters mystical underwater creatures at odds with him. A parody on Jules Verne's novel.
- Two duelists, armed with pistols, fire: one of them is hit and collapses.
- It's Christmas Eve. The miser Scrooge and his assistant Bob Cratchit finish their work in the office and go home. When Scrooge is going to open his front door, he sees the face of Marley's ghost in the door knocker. Inside he takes on his night dress, eats his supper, and falls asleep at the table. Marly's ghost shows Scrooge a vision of himself at a Christmas in the past. Then the ghost escorts him to the present Christmas, and the homes and families of Bob Cratchit and Fred, where Scrooge sees Bob and Fred drink to him in his absence. At last the ghost shows Scrooge the Christmas that might be. Here Scrooge has to face his own grave and the death of Tiny Tim. Confronted with this Scrooge regrets his callousness and egoism.
- The Chinese Slave Smuggling scene opens up in the midst of a wood in which a shanty is hid; there appears upon the scene a Chinese Potentate, who is stealthily drawing nearer to the door of the shanty, and knocks in a peculiar manner. Lieutenant Manly, who has had his suspicions aroused, appears at this moment, peering around the corner of the shanty, and sees the Chinaman admitted by the captain of the sloop, after which Lieutenant Manly comes forward and looks through an aperture, and, seeing them about to reappear, he hides again. The door then opens, with the captain of the sloop and the Chinaman dragging a Chinese girl between them. At this point a controversy takes place between the Chinaman and the captain of the sloop, about the money to be paid for smuggling the girl, but the captain refuses to allow the girl to go unless he is paid in full. They re-enter the shanty and settle this matter, leaving the girl alone. At this point the lieutenant, seeing the coast clear, runs up to the girl and informs her that he will render her assistance. The two captors then re-appear upon the scene, and Lieutenant Manly again hides. They now drag the girl away, but they are followed at a distance by the lieutenant. The scene is now changed to the Coast Guard Station, with a coast guard performing sentry-go. The lieutenant rushes up and explains to the sentry his errand, and goes into the station, and, calling his comrades, he explains to them what he has discovered, and soon re-appears in the disguise of a common seaman. The next scene is aboard the sloop, and the men are seen quarreling amongst themselves. The captain and the Chinaman are seen coming along with the Chinese girl between them, and the sailors assist in getting the girl aboard. Just as they are about to sail, the disguised lieutenant springs aboard, and after a little parley is engaged as one of the crew. As soon as this matter is settled, orders are given to sail. While they are busily engaged, the lieutenant advances to the girl, tells her to be of good courage, but in this act he is observed and is felled by the marline spike of the captain; he lies on the deck in a swoon while the girl is beaten. The information given at the Revenue Station has caused the officers to bring out the cutter and they give chase to the sloop. We see them gradually drawing nearer, but as yet they are not observed by those on the sloop. The girl, turning to her rescuer, tries to revive him with cold water, bathing his face; this soon revives him from his swoon. Hearing steps, he feigns unconsciousness again, and the girl assumes her attitude of dejection. The Chinaman then appears and offers his attentions to the girl, but she repulses him, but he calmly smokes his pipe and puts his arm around her waist. At this moment the revived lieutenant strikes the Chinaman, and gives him a dig in the arm with his knife, and then lies back in a supposed swoon. The Chinaman then calls the captain of the sloop, and, with his marline spike, attempts to strike the prostrate form of the lieutenant, but the girl interferes and prevents the blow. The revenue cutter is now seen drawing nearer and nearer to the sloop, and the revenue men are seen training their guns upon the sloop. This takes the attention away from the couple, and they prepare to fight off the onslaught of the revenue men, but the men on the sloop are soon over-powered by the revenue men, who take charge of the sloop and rescue the girl and Lieutenant Manly. -- The Moving Picture World, October 5, 1907
- In the little Italian city of Cremona there dwelt Taddeo Ferrari, a violin maker and student of Andrea Amati, the most famous of the craft. Ferrari's pretty daughter, Giannina, was beloved by one of his apprentices, Sandro. Filippo, a crippled youth and the best violin maker in Cremona, also loved the girl with a pure, holy affection that is more spiritual than material, but realizing his unattractiveness through his deformity, suffers his hopelessness with resignation. Yearly there is a prize of a precious chain of gold awarded to the maker of the best violin, and all the apprentices strive to win it. On this occasion, however, the hand of Giannina is to be bestowed upon the most proficient craftsman, and this induces the young men to make extra efforts to win. Sandro fully appreciates the rare talent of Filippo and feels sure his wonderful skill will win his sweetheart from him. Crushed and despairing he seeks out Giannina and tells her his fears, she tearfully acknowledging the strength of his reasoning. While thus occupied they are overheard by Filippo, who sees what woe his success would mean for her, and thinking only of her happiness, through his great love for her he makes a great sacrifice. Going to his room he takes his instrument and goes and places it in Sandro's box, taking Sandro's violin and putting it in his own. Sandro, however, thwarts the good intention of Filippo by exchanging the instruments, not knowing what Filippo had done, thereby upsetting the planned munificence of the cripple. When the instruments are placed in competition, and the prizes are about to be awarded, Sandro's conscience pricks him, and calling the cripple aside, confesses his deed. Filippo bursts into taunting laughter, telling him what he, himself, had done, and now he spoiled it all. Judgment is passed and Filippo is, of course, the victor. The chain is placed about his neck, and the hand of Giannina placed in his. But also, he feels she recoils, and thinking only of her happiness he crashes his violin over his knee, thereby putting himself out of the contest and making Sandro the winner. He then places the chain about Sandro's neck, and handing the girl over to him he rushes from the hall. We finally leave him alone in his room, crushed and dejected, yet contented in the thought that he had made her happy.
- On a dark and stormy night, a traveler takes a room at a spooky hotel in the forest. As soon as the proprietor leaves, the room comes alive with ghosts and poltergeists who torment the man as he tries to unpack, eat, and go to sleep.
- James J. Corbett and Peter Courtney meet in a boxing exhibition.
- A wall full of advertising posters comes to life.
- Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
- At a solitary cheap inn, a distant traveller overcome with fatigue has a close encounter with the supernatural.
- Out on a Western reservation an Indian mail carrier waits for the mail, which is handed him out of a passing train. He then goes on his route but is waylaid by three outlaws who stab him and get away with the mailbag. True to his oath to deliver the mail, the Indian drags himself after the outlaws and surprises them at a lonely spot just as they are going through the mail. He steals a revolver out of one's pocket and with three well directed shots, fells the robbers. He then picks up the mail and even though wounded to death, drags himself to the next station. He is seen by cowboys who come to his rescue but it is too late; the loss of blood was too great. He delivers the mail and having performed his last duty, he expires. The vision of an angel appears, crowning him with a laurel wreath for duty well performed.
- A gang of outlaws are planning a bank robbery. After making preparations, they commit the robbery and make their escape amidst a sharp exchange of bullets. They return to their meeting place, and then hurriedly continue onwards, with lawmen close behind them.
- A sorcerer tosses an iridescent little beetle into a flaming ceremonial cauldron, and much to his amazement, a six-winged fairy in the body of a beautiful young woman emerges. Is his sorcery potent enough to tame her?
- Satan appears in a convent and takes the guise of a priest. Before long he is causing all manner of perturbation and despair.