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Struggling to support himself and his ailing younger brother, delivery man Ray takes a strange job in a strange new realm of the gig economy.

A young filmmaker sets out to document a brilliant neuroscientist who has become frustrated with his field's status quo. With time elapsing and millions of dollars on the line, In Silico explores an audacious 10-year quest to simulate the entire human brain on supercomputers. Along the way, it reveals the profound beauty of tiny mistakes and bold predictions - a controversial space where scientific process meets ego, and where the lines between objectivity and ambition blur.

Crude Independence is a documentary film about the heartland in the process of transplanting itself, and the new heart is pumping oil. In 2006, the United States Geological Survey estimated there to be more than 200 billion barrels of crude oil resting in a previously unreachable formation beneath western North Dakota. With the advent of new drilling technologies, oil companies from far and wide are descending on small rural towns across America with men and machinery in tow. Director Noah Hutton takes us to the town of Stanley (population 1300), sitting atop the largest oil discovery in the history of the North American continent, and captures the change wrought by the unprecedented boom. Through revealing interviews and breathtaking imagery of the northern plains, Crude Independence is a rumination on the future of small town America-a tale of change at the hands of the global energy market and America's unyielding thirst for oil.

Deep Time portrays the landowners, state officials, and oil workers at the center of the most prolific oil boom on the planet for the past six years.

In KING FOR TWO DAYS, filmmaker Noah Hutton chronicles drummer Dave King's (The Bad Plus, Happy Apple) two night concert at the Walker Art Center in Minneapolis, MN, featuring five of the groups he drums in. Through rehearsals, interviews with the musicians, and concert excerpts, a world emerges where the concept of the band is held above the need for individual showmanship, a rarity in jazz.

Returning from a night out, a man gets trapped in his date's bathroom-- and it's not because the door is locked.