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- Grandfather gets a pair of magic spectacles, which he claims to possess the miraculous power of showing the tastes and inclinations of the person who puts them on. There are present at the time a large family gathering, father, mother, sons and daughters, and grandchildren, and each member of the party in turn puts on the spectacles. Then we see on the curtain all that is passing in the mind of the wearer clearly portrayed in each eye, just as if we were looking through opera glasses.
- An unscrupulous and greedy capitalist speculator decides to corner the wheat market for his own profit, establishing complete control over the markets.
- A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.
- In this hand-colored short, a magician and his assistant do a series of magic tricks, including making potted plants appear, among others. Melies played the magician, and the actor Manuel played his assistant.
- Outside Cleopatra's palace a youth and maiden are observed. They are evidently very much in love with each other. While conversing, the gates open, Cleopatra and Mark Antony come forth, accompanied by soldiers, dancing girls. Etc. He bids farewell to Cleopatra and, accompanied by a bodyguard, starts on his journey. The youth takes no further notice of his sweetheart, but gazes fascinated at Cleopatra, who, after waving farewell to Antony, re-enters the palace. The youth continues to gaze after Cleopatra, pushes his affianced aside, falls to his knees and kisses the step where Cleopatra stood. He then goes into the grounds, underneath her bedchamber, writes on a scroll of his ardent love, wraps the paper around his arrow and shoots it through the window. Inside the chamber Cleopatra and her servants are startled, take the arrow and read the note. Looking outside, nobody can be seen. Shortly afterward Cleopatra goes outside to the bathing pool, poises on the brink, when, looking toward a clump of bushes, she spies the lovesick youth. He is brought out and Cleopatra imperiously demands what his presence means. He is not abashed, but kneels and tells of his love. Cleopatra orders her attendants away, takes the youth and leads him off. When alone he again reiterates his love. Cleopatra orders her servants to bring wine, fruit, perfumes, etc. Dancing girls appear, execute a few manoeuvres, then leave. Cleopatra then rises and dances before the youth. A servant enters, delivers a message to the mistress, then departs. Cleopatra hands a goblet to the young man, who drinks its contents, then falls dead. Cleopatra bows over his body a moment, then springs up and sits on the throne as Mark Antony comes down the steps. He salutes and embraces Cleopatra, observes the corpse and demands an explanation. Cleopatra carelessly replies: "Just another slave l was experimenting on with poison."
- A man rents an apartment and furnishes it in remarkable fashion.
- Mary is sewing outside her cabin door, as the villain in our story enters and makes a proposal of marriage. He meets with a stern refusal and sneaks off, vowing vengeance. Mary enters the cabin and is setting the table as hero No. 1 enters and asks her father for her hand. The old man nods assent, but Mary, upon being consulted, refuses. The old man upbraids her, pleads with her, but she is resolute. A little later another suitor, hero No. 2 we shall call him, comes in and is joyously received by the girl. The father standing by, notices the reception. The truth dawns upon him, and he orders Mary from the house. The last named is evidently not as much infatuated with Mary as she is with him, and realizing that he has tired of her, the girl determines to commit suicide. She starts for the river, and is just about to end it all when hero No. 1 steps from behind a tree, thwarts her plan and asks what has driven her to such a step. Mary refuses to tell, wanders off and, coming to the dancing hall, she sees the second hero through a window dancing and flirting with different girls. She calls him away, pleads with him to marry her. This the young man refuses to do, and he is about to cast her aside when hero No. 1 appears and at the point of his gun forces the other to swear he will marry Mary. Hero No. 2 now returns to his cabin, sits, down in deep thought. The villain enters, taunts him of the girl, and in the fight which ensues the hero is stabbed. The murderer tears off the blood stained part of his sleeve and throws it out of the window, where it is found by a Chinaman who is passing. Then observing the approach of the first hero, the villain sees a chance of fastening the crime on him, slinks through another door, proceeds at once to the camp where he tells of the crime. A crowd at once returns to the cabin, where they pounce upon the hero and take him before a judge. Evidence is overwhelmingly against the accused and a verdict of guilty is speedily reached and all hands start for an immediate execution, when the Chinaman, noticing the torn sleeve of the villain, stops the proceeding, fits the piece he found on the villain's shirt and the tables are turned. Mary steps forward, embraces the exonerated man and they are married by the judge, who but a short time before had sentenced the bridegroom to death.
- The children set a trap for Santa Claus on Christmas Eve, knowing he has to come through the window because their estate has no chimney. Their father, who abandoned them and his wife before she inherited her fortune, plans to burglarize that very house, unaware of the occupants or the trap.
- A man buys the novel The Invisible Man by "G.H. Wells" at a bookshop, and in it finds the recipe for Wells' invisibility potion. Then the opportunity makes the thief.
- Mrs. Jones is a member of the Ladies' Temperance League, and has invited the sisters of the League to a luncheon at the Jones domicile. She receives a note to the effect that they will accept the invitation upon condition that Mr. Jones is not in evidence, as his views on temperance and theirs do not concur. This intelligence is most felicitous to Jones and he prepares to "beat it." Another note, however, arrives and this is from the caterer, who informs Mrs. Jones that owing to a strike of the Waiters' Union, he is unable to furnish service. Here is trouble. "What is to be done? Ah, I have it. Hubby dear, shall act." And so Mrs. Jones broaches the subject to him. He is indignant. "What, I, the Hon. Edward Everett Jones, play the waiter." But Mrs. Jones cooingly persuades and Jones at last weakens, or rather appears to, for he has suddenly conceived sport in the situation. The maid is dispatched to the costumer's for the waiter's outfit, and Jones, when rigged out, looks the typical garcon. Mrs. Jones is delighted. The door-bell rings and the Amazonian annihilators of Demon Rum arrive. They are ladies with curdled dispositions and complexions of chow-chow. They take their places at the table and set in to have a perfectly lovely time by feeling as miserable as possible. They eat as if it were a duty, not a pleasure. The luncheon is served until it comes to the coffee, when Jones works his dire design. In all the cups, excepting that of his wife, he pours a generous dose of Rum. This the old girls drink with keen relish and ask for more. This time Jones serves them pure unadulterated Rum - in other words, Rum Straight. Those giddy old ladies thaw out and Mrs. Jones is amazed, she, of course, ignorant of the cause of their unseemly conduct. Jones and the maid are in high glee. One old lady so far forgets herself as to try to kiss Jones. This arouses the ire of Mrs. J. who ejects the bunch, and then falls weeping into the arms of Mr. Jones.
- Scene 1. The Prophecy: Josephine, while walking in the gardens on the island of Martinique, is told that "she will be more than Queen and yet outlive her dignity." Scene 2. Napoleon Meets Josephine at Madam Talien's Saloon and Falls in Love with Her: Josephine, with other ladies, is seated as Napoleon enters and is introduced. It is a case of love at first sight. As Napoleon makes ardent love to Josephine, the others thoughtfully withdraw. Scene 3. Napoleon's Departure to Take Command of the Army of Italy Three Days After His Marriage to Josephine: Napoleon bids good-bye to Josephine, mounts his horse and rides away, his staff and the troops following. Scene 4. Napoleon Having Been Crowned Emperor of France, Longs for a Son to Perpetuate His Name and Contemplates Divorce From Josephine: Napoleon enters the throne room, walks restlessly up and down and at last calls his valet, whom he directs to summon Josephine. She enters with her attendants. Napoleon dismisses the ladies, tells Josephine that he must have a son. She, having expected this, is resigned and turns away in a swoon. Scene 5. The Public Proclamation of Divorce Between Napoleon and Josephine in the Grand Salon of the Tuileries: The members of Napoleon's family and the Imperial Council of State are assembled as Josephine enters, signs the paper and leaves the room. Scene 6. The Parting of Napoleon and Josephine After the Divorce: In his bed chamber Napoleon is discovered in great grief, his valet endeavoring to calm him. The door opens and Josephine enters. After a pathetic farewell, she staggers from the room. Scene 7. Josephine at Malmaison After the Divorce: Memories of Napoleon. Josephine, seated on a chair, sees a vision of Napoleon. She crosses to the mantel, caresses a bust, sits down and plays the harp. As the vision vanishes, she stretches out her arm in despair and falls to the ground.
- An inventor uses a wireless controlled flying torpedo to destroy enemy airships.
- An Indian village is forced to leave its land by white settlers, and must make a long and weary journey to find a new home. The settlers make one young Indian woman stay behind. This woman is thus separated from her sweetheart, whose elderly father needs his help on the journey ahead.
- On a fine winter morning, an aristocratic couple of city dwellers decide to have a picnic in the great outdoors, however, everything seems to go wrong, all at once.
- Miss Louise Leroque was one of those charming young ladies, born, as if through an error of destiny, into a family of clerks, and after she married John Kendrick, she suffered an incessant yearning for all those delicacies and luxuries she felt were her due. John was a bighearted, indulgent husband whose every thought was for his wife's happiness, and while Louise was a devoted wife, still there was the strain of selfishness ever apparent, for she who studies her glass neglects her heart. She yearned for ostentation, and poor John was in no position to appease this desire. However, an occasion presents itself when they can at least bask in the radiance of the social limelight, in an invitation to attend a reception tendered a foreign prince. John is in the height of elation, hut Louise meets him with that time-honored remark, "I've nothing to wear." Well, he feels the strength of her argument, so goes and pawns his watch and chain to procure her a gown fitting for the occasion. The gown emphasizes the absence of jewel ornamentation, so they visit their friend and neighbor, who lends them a handsome necklace. At the reception she makes quite a stir and is presented to the prince, who becomes decidedly attentive. Arriving home after the affair, Louise rehearses the incidents of the event, when suddenly she stands petrified with horror. "My God! The necklace is gone." High and low they search, and even back to the ballroom, but without result, for we have seen it stolen from her neck by a sneak thief while she is talking with the prince. Unable to find the necklace, they swear to give their fingers to the bone, their life's blood until it is paid for. But then there is the humiliation of not returning the jewels, so they hunt for a duplicate. At the jeweler's they find one, in appearance an exact copy, but the price is $20,000. Twenty thousand dollars to ones in their condition meant a large fortune. However, John borrows money on his salary, gets loans from his various friends and is granted a large advance by his employer, giving notes for same: in fact, mortgaging his very life as the result of vanity. With the money he purchases the duplicate and gives it to their friend, who is unaware of the substitution. Meanwhile, the thief has taken the necklace to a pawnshop and finds it is a worthless imitation, and so throws it into the rubbish heap. Five years later we find the couple toiling, toiling, but still in bondage; after night in the endeavor to make a little extra above his ordinary salary. Ten years we find them, still hounded by the note collectors, aged and broken in health, yet determined. Twenty years, and the last penny on the necklace is paid, but at the expense of their bodily strength. Having cleared up his debt with his employer, he is discharged, being too feeble to do the work. As a last resort they write to their friend, confessing the substitution of the jewels, and their plight as a result, begging that she give them some slight assistance. Their friend, of course, is amazed, she cognizant of the worthlessness of her property, so hastens to give Louise back the jewels, arriving only in time to put them about her neck when she sinks back dead. John, poor fellow, is found sitting in a chair at the head of the bed, also dead. They had received vanity's reward.
- A magician creates a butterfly woman and then a spider woman.
- The persecution of the children of Israel by the Egyptians. Now there arose up a new king in Egypt. And he said unto his people. Behold, the people of the children of Israel are more and mightier than we. Let us set over them taskmasters to afflict them with their burdens. (Exodus, chapter I.) The first scenes show the Egyptian court and King Pharaoh commanding the slave drivers to beat the Hebrew toilers who show signs of rebellion. Pharaoh notices this and, calling his scribes, orders that a decree be published that every man-child born to the Hebrews be killed. The parchment is prepared and is read in Pharaohs court in the presence of Pharaohs daughter, who hears and pleads in vain for his clemency. Pharaohs Decree: Every male child that is born to the Hebrews shall be cast into the river. The Egyptians ruthlessly proceed to carry out the decree and seize the male children from the arms of the Hebrew mothers. Here we are shown the interior of a Hebrew dwelling. The child Moses is in a cradle and his mother is bending over him, utterly unconscious of the cruel edict of King Pharaoh. The sister of Moses is shown attending to household duties and she takes a pitcher and goes to the well to draw water. There she learns of the slaughter of the innocents and hastens back and tells the mother of the cruel scenes she has witnessed. They decide to hide the child Moses by the river, and the cradle or ark is covered and carried between them to a marsh, where they plaster the outside with soft mud to keep out the water, and placing the child therein, his sister remains nearby to watch what will become of him. And the daughter of Pharaoh came down to wash herself at the river; and her maidens walked along by the rivers edge; and when she saw the ark among the flags she sent her maid to fetch it. And when she had opened it she saw the child; and, behold, the babe wept, and she had compassion on him. Pharaohs daughter fondles and pets the crying child and decides that she will keep him for her own. The sister of Moses approaches and suggests that she call a nurse of the Hebrew women and she, of course, called the childs mother. And Pharaohs daughter said unto her, Take this child away and nurse it for me and I will give thee thy wages. And the woman took the child and nursed it. Pharaoh is informed of his daughters caprice and demands to see the child. He orders it away, but his daughter embraces him and pleads so hard for the life of the child that he consents and gives it his protection and blessing. A fitting ending is a picture of the mother and sister of Moses again fondling their own and giving thanks to God for their unexpected good fortune. The first reel of this series ended with the child Moses being adopted by Pharaohs daughter. The Hebrews are still under bondage, and we see them laboring in the brick fields, beaten by the taskmasters, as they build those gigantic specimens of Egyptian architecture, many of which stand to this day. Moses has been reared and educated in the Egyptian court, and is now in the prime of life, but he does not forget that he is of Hebrew blood, and, as he watches his brethren in their slavery, his blood boils at the outrages and he looks toward Heaven and cries, How long, oh Lord, how long? A number of Hebrews are digging clay, which is filled into baskets. The load is too heavy for one of the laborers, and the taskmaster beats him unmercifully. Moses sees this and kills the taskmaster. T The other Hebrew slaves, horrified at the enormity of the act, run away, and Moses, afraid of the consequences, hastily buries the body in the clay pit. Two days after this, Moses seeks to separate two of his brethren who are quarreling, and one of them says: Wilt thou kill me as thou didst the Egyptian? Moses is terrified when he knows that his crime is known, and decides to flee from the country. He seeks refuge in the home of a Hebrew laborer and bargains for a suit of the laborers garments, with which he disguises himself; he also purchases provisions and a water bottle, and departs. Moses is seen crossing the desert. Tired and dusty, he rests and drinks from his water flask. Still toiling on through the arid desert, he reaches an eminence and looks hack to see if he is being followed, and, seeing no one, he gives thanks for his deliverance. Moses has at last reached the land of Midian. He discovers a well and refreshes and rests himself. While he is resting seven daughters of Jethro, a Midianite, come to the well to draw water for their sheep and cattle. Other herdsmen also come to the well and ungallantly drive away the maidens, but Moses comes to their aid, and draws the water for them. The home of Jethro, the priest of Midian, father of the seven maidens. They enter and tell of the encounter at the well, and how they were aided by a Hebrew traveler. He says the man must be his guest, and hastens to the well and greets Moses and invites him to the shelter of his house, which offer is accepted. Moses enters the home of the priest of Midian, where he is effusively greeted by the whole household, and we see him seated and enjoying a meal with the family. (And Moses was content to dwell with the manand he gave Moses his daughter, Zipporah, to wife.) (Forty years later). Moses is now a shepherd, and, while tending his flocks in the land of Midian. The voice of God speaks to him out of a burning bush and commands him to return to Egypt and deliver his brethren out of the bondage of the Egyptians. Moses bids farewell to Jethro, his father-in-law, and, with his family, journeys to Egypt. On the way he meets Aaron, who had been, commanded by the Lord to meet Moses, and together they arrive at the Egyptian court. The court of Pharaoh, a young man, the elder Pharaoh having died while Moses was in Midian. The officials announce the new arrivals, and Moses and Aaron are ushered in and demand, in the name of the Lord, that the Children of Israel be set free. The Egyptian king refuses, and Moses tells him that if he does not consent the wrath of God will come on all the Egyptians. Moses prays to the Lord for advice, and is commanded to work a miracle before the Egyptian monarch to convince him that it is the Lord, the God of the Israelites, who demands the deliverance of His people. Moses and Aaron appear before Pharaoh again. Aaron casts his rod upon the ground and it becomes a serpent. Pharaoh is amazed, but he still refuses to free the Children of Israel. Pharaohs continued refusal brings upon Egypt the ten plagues. Moses finds Pharaoh near the rivers edge and again asks that his people be allowed to go free. When Pharaoh denies again. Aaron smites the water of the river with his rod and the waters are turned into blood. Again Moses appears before Pharaoh and again Pharaoh refuses his request. As God had commanded, Moses stretches his hand toward heaven and immediately a great storm of hail and lightning, such as they had never seen, descends on Egypt, killing man and beast and striking terror to the heart of Pharaoh. Pharaohs heart was again hardened and he still refuses to free the Hebrew children. Again Moses stretches his hand toward heaven, and a thick darkness, a darkness that might be felt, covered the land for three days, so that no one was able to rise from his place. The last and most terrible plague visited on Egypt for Pharaohs continued refusal is the death of all the Egyptian first born. The Feast of the Passover is instituted at this time. Moses directing all the Hebrew people to observe the Feast by killing and preparing a lamb. Moses commands the Children of Israel to sprinkle the door posts on both sides and on top with the blood of the lamb and on every house where they are to eat the Feast of the Passover, and to prepare the Feast. The Feast of the Passover is observed, according to the instructions of Moses, by every Jewish family in Egypt, the Feast consisting of roast lamb with unleavened bread and herbs. The same night that the Feast of the Passover is being observed by the Israelites, the Angel of Death passes over the land of Egypt in the last plague, the death of the first born. The Angel of Death enters every Egyptian home where there is no blood on the doorposts, and the first born of every Egyptian family is slain, from the first born in Pharaohs household to the first born of the captive in the dungeons. The Angel of Death, however, passes by every Jewish home, as God had promised to Moses that where He saw the blood on the doorposts He would pass them over and the plague should not be upon them. In Pharaohs palace Pharaoh and his court are feasting, when the Angel of Death enters and Pharaohs own first born is slain. Pharaoh is overcome with grief at this terrible visitation and sends for Moses and Aaron immediately. The death of his first born softens the heart of Pharaoh and when Moses and Aaron now appear before him he commands them to take the Children of Israel and to depart out of the land of Egypt. Moses and Aaron give the command to the Hebrew people, who immediately gather together their possessions and prepare to leave the land of their bondage with reverent and thankful hearts. With Moses and Aaron as leaders, the Israelites begin their exodus from Egypt, the land of the Pharaohs, where they had been slaves for so many years.
- No more popular fad has ever struck the feminine fancy than the peachbasket hat. This is a creation of headgear that for size outstrips anything yet designed by the disordered mind of the modiste. As a "skypiece" it is a "skyscraper," and in decoration it looks like a combination horticultural and food exhibition. Nevertheless, this mammoth "lid" was seized onto by the feminine world with the avidity of a boy for his first baseball suit. It is only natural that our friend, Mrs. Jones, should experience this obsession, and what woe it preambled! The Jones family are seated at breakfast. Mr. Jones is reading the morning paper. An account of a kidnapping by gypsies engages his attention, and he is filled with horror at the anticipation of the possible abduction of his young hopeful, a baby one year old. He tries to impress Mrs. J., but she is fascinated by the millinery "ads." The situation for Jones becomes more tense when on going outside he sees a couple of the odious gypsies with a child. Mrs. Jones takes herself off to buy a peachbasket, leaving baby in charge of the nurse, who, being of a romantic nature, enlists the services of the gypsies to tell her fortune. Mrs. Jones returns and almost catches the nursemaid, who is quite beside herself at her near discovery. Mrs. Jones places the huge box containing the hat on the table, while the nurse, placing the baby on the floor, assists in extricating the hat from its crate. Putting on the hat, Mrs. J. goes into the next room, followed by the maid, to view the effect in the mirror. .Mr. Jones now arrives, and his first thought is for baby; he cares naught for the peachbasket hat. Baby is nowhere to be seen. The nurse, in her excitement, does not remember where she placed it. Through the house they rush fruitlessly; out on the road and on after the disappearing gypsies, who are overtaken only to find that the baby the woman carries is not a Jones. The clouds of despair o'ershadow the couple in their dining-room, when suddenly the hat box on the floor is seen to move. There, under the hollow cube of pasteboard, is found baby Jones, the box having been blown by a gust of wind off the table over the child.
- During the latter part of our great Civil War, when the Union Army had pushed their operations into the South Atlantic States, the general in command of the campaign was very much harassed by the miraculous way in which his plans became known to the enemy. Numerous attempts were made to discover the source of the enemy's information, but they proved futile. It was not until several years after the close of the war that he learned it was due to the daring work of a young girl spy. The daughter of a Southern family, left motherless in early childhood, her life had become embittered by the death of her father and only brother during one of the early struggles of the great conflict. She had consecrated her entire life to the cause of their beloved Southland. Scene 1: Nan Receives Her Orders. Scene 2: The Wires are Tapped. Scene 3: Nan Escapes with the Tapped Dispatches. Scene 4: Nan Eludes Her Pursuers. A Clever Ruse. Scene 5: Nan's Horse Found. Again Suspected. Scene 6: Nan is Joined by Her Confederate and They Escape. Scene 7: The Pursuit. Scene 8: The Dispatches Delivered.
- A man drops a string of wet cotton onto a photographic plate, and it proceeds to create designs and drawings, rather like an ancient Etch-a-Sketch.
- While caring for his sick daughter, a doctor is called away to the sickbed of a neighbor. He finds the neighbor gravely ill, and ignores his wife's pleas to come home and care for his own daughter, who has taken a turn for the worse.
- The story, while not biographical, is founded on incidents in his life, showing his devotion for his sick wife, Virginia. Desperate from his utter helplessness to ameliorate his dying wife's suffering, owing to extreme destitution, he is in a frenzy of grief, when a raven is seen to perch on a bust of Pallas above the door of their cold, cheerless apartment. An inspiration! He sets to work, and that masterpiece. "The Raven," is the fruit. During his work he has divested himself of his coat, putting it over his wife to protect her from the cold. The poem finished, he rushes coatless and hatless to the publisher, where he meets with scant attention. One editor, however, thinks the work possesses some merit and offers ten dollars for it. Ten dollars for the greatest jewel in the diadem of fame - think of it! Poe thinks of the comforts, meager though they needs must be, for his poor wife and accepts the offer. Hastening to the store, he procures food, a heavy comfortable for the cot, and medicine, and with much lighter heart returns home. Spreading the quilt tenderly over Virginia, he takes her hand and gazes fondly into her sightless eyes, but the cold, unresponsive hand tells him the awful truth. "My God, she is dead!" and he falls prostrate across the cot.
- Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction. Not content with this he follows Galora and would have killed him were it not for the timely arrival of a policeman, who arrests him. Here he boasts of what he did at the home, and Galora makes a mad race to save his child, who is still dangling five stories from the ground; several times Mrs. Galora has approached the window to hang out clothes, etc., but was always called away by some fortuitous happening, until Galora bursts in followed by two policemen, who have given chase, thinking him crazy. They are now in a quandary as to how to rescue the child, for to raise the window meant certain death. At last Galora suggests they let down the top sash and he is held by the feet as head down he lifts the baby from its perilous position into the room. While the subject is intensely thrilling, it is totally devoid of gruesomeness.
- Buck Minor was the most detested man in Wolf Hollow, partly because he was quarrelsome and treacherous, partly because he abused and neglected his little wife, Molly, whom all the camp adored, and for whose sake it tolerated Buck. A bright baby girl was Molly's only comfort and gave her courage to endure the hardships which otherwise must have crushed her. The opening scene of the story shows a street in Wolf Hollow. Buck is on one of his usual rampages, and running into an athletic cowpuncher who is in town to spend his money, he makes an insulting remark and is soundly drubbed by the younger Hercules of the plains. Buck is proud of his fistic ability, and his defeat by a stranger before the denizens of the camp is more than he can stand, so he determines to pull up stakes and migrate to other parts. Stumbling along home to his cabin, he bursts into the one little room where his patient wife is rocking the little child to sleep, and with an angry growl informs her that he is going to "pull his freight" out of Wolf Hollow forever, and that she must accompany him, but leave the baby behind. Molly clasps the child wildly to her breast and begs piteously to be allowed to take her little one, but Buck is obdurate and gains his point by threatening to kill the infant unless she consents to leave it. Scrawling a note which he intends to leave, offering the child to anyone who may find it, he makes preparations for his immediate departure. Clinging wildly to her little one, the distracted mother is soon dragged from the house and told to mount one of the horses waiting without. Thus we see them riding away toward the setting sun, an inhuman father rejoicing in the prospects of shaking the dust of the hater camp from off his boots, a broken-hearted mother choking with sobs, thinking only of the helpless baby alone and deserted in the little cabin on the hill. Slippery Ann, a half-witted girl of the camp, meets Buck and his wife while on her return from a journey into the foothills, and is entrusted with the note Buck has written regarding the child. Hurrying on to Wolf Hollow. Ann turns the note over to Judge Honk, the father of the camp and dispenser of law and justice. The Judge is greatly exercised over the heartlessness of Buck, and calling the inhabitants of the camp about him, soon organizes a rescue party to repair to the deserted cabin of the Minors' and ascertains what truth there was in the strange letter. No time is lost in reaching the shack on the hill, and there, sure enough, lying on the bed is the infant. Taking it up rather gingerly in his arms, as though he were afraid of breaking it. Judge Honk heads the procession out the door and down the hill to the camp where a mass meeting is at once held to discuss ways and means of taking care of the kid. Cherokee Jim, the bartender of the "thirst emporium," suggests that they raffle off the youngster and whoever draws the winning card shall be the kid's adopted daddy. The raffle is quickly pulled off, and Ben Brooks, a good-natured, big-hearted cowpuncher, draws the lucky number. Ben almost reneges when he realizes what he has on his hands, but the cheers of good wishes of the rest of the bunch brace him up and they all retire to the "thirst parlor" to have one on the new daddy. After that "Ben's Kid" (as the baby is christened) becomes the one absorbing topic of conversation. Around the camp that night in the bunk house, a half-dozen sleepy punchers are trying to get some rest, while Ben in his bare feet is prancing around the room, jolting the baby up and down, while the youngster, terrified at its new surroundings, is making the welkin ring with its screams. "Fatty Carter," the heaviest weight on the range, does an Indian war dance, but to no avail. At last they all agree that the kid is sick, and a puncher is at once dispatched on the fastest bronco on the ranch to bring Judge Honk to the scene of battle at once (every one, of course, having absolute faith in the ability and knowledge of the Judge in all matters) to bring them out of the difficulty. The Judge soon arrives loaded down with mustard, and old-fashioned remedies of all kinds, and at once starts in to bring order out of chaos. Now, to return to Buck and his heartbroken wife. All afternoon they have traveled until near nightfall. The horses are unsaddled, the pack removed from the lead animal, and preparations are made to camp till morning. Now Molly has been turning over in her mind a plan, although a desperate one, it seems, the only loophole out of her present misery. Waiting until Buck has fallen into a sound slumber, she cautiously steals away from the camp fire and makes for a clump of trees in which are fettered the horses. Releasing her pony, she springs on his back and dashes away in the black night over the homeward trail. Aroused by the sound of her horses' hoofs. Buck awakes, and with a terrible oath upon realizing that Molly has outwitted him, goes crashing through the brush to his horse, and quickly saddling him, gallops away in pursuit of the fleeing woman, determined to overtake and kill her rather than let her escape from him for good. But he does not reckon on the swiftness of Molly's mount, and though he plies both whip and spur, his jaded horse is unable to gain a foot on the game little sorrel. On over rocks, through the stream, now down the slope of the mountain and across the gulch speeds the desperate woman, every nerve pounding on her brain, and every muscle strained to its utmost tension, her lips moving in silent prayer that she might outstrip the dread pursuer and regain the child fur whom her mother's heart cries out in bitter anguish. At last, brave girl, the goal is reached. Her way leads past the ranch on which Ben Brooks and the U.X. outfit are quartered, and seeing a light in the bunk house, the terrified woman heads her horse toward the beacon ray of hope. She barely reaches the door when the infuriated husband dashes up, bursting into the room. Molly startles the boys and the Judge into action. Buck, losing his head beyond control, follows her. "Save me," shrieks the terrified Molly. In an instant Buck finds himself in the grasp of a dozen willing hands. With a strength born of frenzy, he dashes them aside and draws his gun to shoot the cowering girl, when his aim is spoiled by quick action on Ben's part, and the Judge gets the bullet in his arm. Howling with pain, he yells to the punchers to hang the "varmint." But Buck is too quick for them, and knocking down a couple of the buys, he rushes his way out the door, and throwing himself into the saddle, plunges away into the night. No time is lost in going after him. Twenty swift riders are in the saddle before ten minutes have elapsed and they are off after the hated Buck, whose horse, already worn out from the other chase, is soon overtaken. A lariat hurls through the air and settles down about his neck, thus ending all hopes of escape for the fugitive. A letter written a year later to the Judge tells us what they did to Buck, while Molly, the pretty widow, is persuaded to let Ben retain his title to the kid by allowing Judge Honk to tie the knot, and Mr. and Mrs. Brooks start out on life's journey together, taking with them the good will and well wishes of the entire camp. -- The Moving Picture World, June 26, 1909