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1-7 of 7
- Actor
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John Hoyt was born on 5 October 1905 in Bronxville, New York, USA. He was an actor and writer, known for When Worlds Collide (1951), Spartacus (1960) and Brute Force (1947). He was married to Dorothy Marion Oltman and Marion Virginia Burns. He died on 15 September 1991 in Santa Cruz, California, USA.- Actor
- Director
- Additional Crew
Jeff Corey was a film and television character actor, as well as one of the top acting teachers in America.
Corey was born Arthur Zwerling on August 10, 1914 in New York City, New York, to Mary (Peskin), a Russian Jewish immigrant, and Nathan Zwerling, an Austrian Jewish immigrant. He was an indifferent student, but after taking a drama class in high school, young Corey became hooked. His talent earned him a scholarship to the Feagin School of Dramatic Arts, the top acting school in New York City at the time. Corey then became a professional actor, a career choice which saved him from a life selling sewing machines, he later said.
His first gig after acting school was with a Shakespearean repertory company, after which he became a member of a traveling troupe that entertained children. After Leslie Howard closed his Broadway production of Hamlet in December 1936, he took the play on the road with Corey cast as Rosencrantz in 1937. In 1939, Corey appeared as part of the Federal Theater Project's (FTP) Living Newspaper dramatic showcase in the Life and Death of an American, co-starring with Arthur Kennedy, and featuring the music of Alex North. He made his film debut in a bit part in the Federal Theater's sole movie production, ...One Third of a Nation... (1939). Starring Sylvia Sidney, Leif Erickson and future Oscar-winning director Sidney Lumet, the movie, which was released by Paramount, was a progressive exegesis on the hazards of tenement slum conditions. Congress terminated FTP funding on June 30, 1939, mainly due to objections to the leftist political tones of many FTP productions (see Tim Robbins' movie Cradle Will Rock (1999) about the pressures faced by the FTP in 1939).
In 1940, Corey, who had married his wife Hope in 1938, moved to Hollywood, where he appeared in studio productions through 1943, including The Devil and Daniel Webster (1941), My Friend Flicka (1943) and Joan of Arc (1948). He also had a hand in establishing the Actors Lab, where he appeared in a wide variety of plays, including "Abe Lincoln in Illinois", "Miss Julie" and "Prometheus". He also produced "Juno and the Paycock" for the Lab. He joined the United States Navy Photographic Service in 1943 and was assigned to the aircraft carrier Yorktown as a motion picture combat photographer. He earned three citations while serving during the war, including one for shooting footage on the Yorktown during a kamikaze attack on the ship. The citation, which was awarded in October 1945, read: "His sequence of a Kamikaze attempt on the Carrier Yorktown, done in the face of grave danger, is one of the great picture sequences of the war in the Pacific, and reflects the highest credit upon Corey and the U.S. Navy Photographic Service."
After the war, Corey returned to Hollywood and resumed his acting career, specializing in character parts and playing heavies in films such as The Killers (1946) and Brute Force (1947), both of which starred another returning war vet, Burt Lancaster. His appearance as the psychiatrist in Home of the Brave (1949), one of his best screen performances, promised a long and productive career in Hollywood, but the first phase of his cinema career was cut short in 1951 when he was subpoenaed to appear before the House Committee on Un-American Activities (HUAC) after being named as a former Communist Party member by actor Marc Lawrence.
HUAC had scheduled hearings in Los Angeles as part of its crusade to ferret out Communist influence in Hollywood. Appearing before HUAC in Los Angeles in September 1951, the 37-year-old Corey refused to testify, instead invoking his 5th Amendment rights. The movie industry ruled that anyone invoking their constitutional right not to testify would be blacklisted, and Corey was, missing out on an entire decade of work in films and television during the 1950s. Ironically, Lawrence, whom Corey despised for the rest of his life, pointing out that he had remained stateside on a health deferment while Corey risked his life during the war, was virtually absent from American films and television during the same decade, having to make his living in Italy along with American expatriates who had been blacklisted.
In the book on Hollywood blacklistees "Tender Comrades", Corey explained that he had been a member of the Communist Party, and that while he no longer was in 1951, he could not in good conscience turn informer. "Most of us were retired reds," Corey said. "We had left it, at least I had, years before. The only issue was, did you want to just give them their token names so you could continue your career, or not? I had no impulse to defend a political point of view that no longer interested me particularly. They just wanted two new names so they could hand out more subpoenas."
After being blacklisted, Corey used his G.I. Bill benefits to study speech therapy at UCLA while supporting his family as a common laborer. At the request of a fellow student, Corey organized a class in speech that he taught in the garage of his home in Hollywood Hills home. He expanded his curriculum to acting, accepting $10 a month in "tuition" per month from each student that allowed them to attend weekly classes. Eventually, he expanded the garage to create a small theater where his students performed scenes. Corey's reputation as a teacher grew, and by the mid-1950s, he had become the premier acting coach in Hollywood. Although studios refused to hire the blacklisted Corey as an actor, they did send contract players to study with him.
Corey's class, which became known as the Professional Actors Workshop, attracted directors, screenwriters and established actors seeking insight into the craft. Corey's Workshop has been described by the National Observer as "A major influence in the motion picture industry." Corey was a Stanislavskian teaching the popular Method technique of sense-memory popularized by such other acting gurus as Lee Strasberg and Stella Adler, which sought to tap into the actor's own emotions and psyche. Corey's own teaching technique was eclectic: He focused on one-on-one work with an individual actor, seeking through improvisational exercises to get the actor to tap into his/her subconscious and to use their imagination to come up with a theme that would elucidate their character.
His students included Robert Blake, pop singer Pat Boone, Richard Chamberlain, singer/actress Cher, director-producer Roger Corman, James Dean, Kirk Douglas, Jane Fonda, Peter Fonda, Michael Forest, Sally Kellerman, Irvin Kershner, Shirley Knight, Penny Marshall, Rita Moreno, Jack Nicholson, Leonard Nimoy, Anthony Perkins, Rob Reiner, singer/actress/director Barbra Streisand, future Academy Award-winning screenwriter Robert Towne and Robin Williams. Of Corey the teacher, three-time Oscar-winner Jack Nicholson said after he had become a major movie star, "Acting is life study, and Corey's classes got me into looking at life as an artist."
Corey also tutored experienced actors who had trouble with a role, or who just needed insight into playing a character. One of the already-established actors Corey tutored was three-time Oscar nominee Kirk Douglas, who came to Corey for help in playing the title role in Spartacus (1960). It was Douglas who, along with Otto Preminger, ended the blacklist by hiring Dalton Trumbo to write the screenplays for Spartacus (1960) and Exodus (1960), respectively. Two years after the Trumbo-penned films debuted on the big screen, Corey again was working in films and television. In 1962, he was cast in the film The Yellow Canary (1963) when one of his acting students, pop singer Pat Boone, pressured 20th-Century Fox into hiring him. Now off the blacklist, Corey became a busy character actor in movies and on television. Corey made his reputation as an actor's actor whom other actors loved to work with. Always good with actors, Corey also directed some episodes of television series.
In addition to his acting work, Corey continued teaching. He was Professor of Theater Arts at California State University in Northridge, and was artist in residence at Ball State, in Indiana, the University of Illinois in Bloomington, Chapman College's World Campus Afloat, the University of Texas in Austin, and at the Graduate School of Creative Writing at New York University. He also conducted acting seminars at Emory University in Atlanta, and for the Canadian Film Institute in Vancouver, British Columbia.
On August 16, 2002, six days after his 88th birthday, Corey died in a Santa Monica, California hospital, of complication from a fall. He was survived by his wife of 64 years, Hope, three daughters, and grandchildren.- Actor
- Soundtrack
Whit Bissell came to Hollywood in the 1940s, and by the time he retired he had appeared in more than 200 movies and scores of TV series. He is best known for playing the evil scientist who turned Michael Landon into a half beast in the 1957 cult classic film I Was a Teenage Werewolf (1957). Bissell specialized in playing doctors, military officers and other authority figures. On television he was a regular on Bachelor Father (1957) and The Time Tunnel (1966). He also served on the Screen Actors Guild board of directors for 18 years and represented the actors branch in the Academy of Motion Picture Arts and Sciences board of governors.- Actor
- Production Manager
John Harmon was born on 30 June 1905 in Washington, USA. He was an actor and production manager, known for Star Trek (1966), The Monster of Piedras Blancas (1959) and King of the Underworld (1939). He died on 6 August 1985 in Los Angeles, California, USA.- William H. O'Brien was born on 19 July 1891 in Peak Hill, New South Wales, Australia. He was an actor, known for I've Been Around (1935), Once a Gentleman (1930) and The Sky Raiders (1931). He died on 18 April 1981 in Los Angeles, California, USA.
- Music Department
- Writer
- Composer
Richard Wagner was a German composer best known for his operas, primarily the monumental four-opera cycle "Der Ring des Nibelungen". He was born Wilhelm Richard Wagner on May 22, 1813, in Leipzig, Germany. He was the ninth child in the family of Carl Wagner, a police clerk. Richard was only six months old when his father died, and he was brought up by his mother Johanna and stepfather Ludwig Geyer, an actor and playwright. Young Wagner studied piano from the age of 7 and soon developed ability to play by ear and improvise. At age 15 he wrote piano transcriptions of Ludwig van Beethoven's "9th Symphony" and orchestral overtures. He studied at the University of Leipzig, and also took composition and conducting lessons with the cantor of St. Thomas in Leipzig.
Wagner's early operas did not meet with success, leaving him in serious financial difficulties. From 1836-1839 he was a music director in Riga Opera, where his wife, Minna Planer, was a singer, and her extramarital escapades were the talk of the town. The Wagners amassed such significant debts that they had to escape from creditors and fled Riga. They spent 1840 and 1841 in London and Paris, where Richard worked as an arranger for other composers.
Giacomo Meyerbeer promoted Wagner's third opera, "Rienzi", to performance by the Dresden Court Theatre, where the opera was staged to considerable acclaim. In 1842 the Wagners moved to Dresden and lived there for six years. Eventually Richard was appointed the Royal Saxon Court Conductor. At that time he completed and staged "Der fliegende Hollander" (aka "The Flying Dutchman") and "Tannhauser".
Wagner was exposed to many conflicting political influences, ranging from Marxism and liberalism on the left to German nationalism on the right to the anarchism of Mikhail Bakunin. After the revolution of 1848-49, Wagner fled from Germany to Paris, then to Zurich, and found himself penniless, unemployed and depressed (he had also suffered from a severe skin infection for many years). At that time Wagner was unable to compose or perform music, and he expressed himself in writing essays: "The Art-Work of the Future", describing "Gesamtkunstwerk," or "total artwork" uniting opera, ballet, visual arts and stagecraft.
Wagner's four "Ring" operas gradually evolved, and he completed the libretto by 1852. Another year of suffering went by, until he began composing "Das Rheingold" (aka "The Rhine Gold") in November 1853, following it with "Die Walkure" (aka "The Valkyrie") in 1854. In 1856 he began work on "Siegfried", but put the unfinished opera aside and focused on his new idea: "Tristan und Isolde" (aka "Tristan and Isolde"), which was composed between 1857 and 1859. In 1861 Germany ended the political ban on Wagner, and in 1862 he ended his troubled marriage to Minna.
"Tristan and Isolde" was initially accepted for production in Vienna. The opera had over 70 rehearsals between 1861 and 1864, but remained unperformed and gained a reputation for being unplayable. The young Bavarian King Ludwig II, an admirer of Wagner's operas since his childhood, had settled the composer's debts and financed his opera productions. Finally "Tristan and Isolde" was produced in Munich, and premiered under the baton of Hans von Bulow in June 1865. It was the first Wagner premiere in 15 years.
Cosima von Bulow, the wife of the conductor, Hans von Bulow, and the eldest daughter of pianist/composer Franz Liszt, had an indiscreet affair with Wagner, and their illegitimate daughter, Isolde, was born in 1865. The affair scandalized Munich, and Wagner fell into disfavor among members of the court who were jealous of his friendship with the king. Ludwig was pressured to ask Wagner to leave Munich. However, from 1866 to 1872 the king placed Wagner and his family at Tribshen villa on Lake Luzern, Switzerland. There Richard married Cosime in August 1870. Inspired composer created one of his most beloved works, the "Siegfried Idyll" for 15 players, written as a gift to Cosima, and premiered on Christmas day, 1870.
In 1872 Wagner moved to Bayreuth with a plan that his "Ring" cycle to be performed in a new, specially designed opera house. King Ludwig supported the composer with another large grant in 1874, and the Wagners bought Villa Wahnfried and made permanent home in Bayreuth. In August 1876 the new opera "Festspielhaus" opened with the premiere of "The Ring" and has been the site of the Bayreuth Festival ever since.
Richard Wagner died of a heart attack on February 13, 1883, while wintering in Venice. He was laid to rest in the garden of his Villa Wahnfried in Bayreuth. The Wagner Museum in Lucerne, Switzerland, is now a museum of period musical instruments and art collection of the Wagner family. One room is dedicated to the history of the Wagner Festivals in Lucerne. The Wagner Museum allows visitors to take photos of the documents about the Wagner family's help to the Jewish musicians and intellectuals who fled the Nazi regime in the 1930s.
Documents reveal that the Wagner family were assisting Jewish musicians and intellectuals who fled the Nazi regime in finding employment in Switzerland and other lands, such as the USA and Palestine. Documents, photographs and letters illustrate the bold activity of Arturo Toscanini with Vladimir Horowitz and the Wagner family members in getting funds from the government of Benito Mussolini and using those funds to accommodate Jewish musicians and intellectuals under the umbrella of the annual Wagner Festival in Lucerne. The Wagner Festival Symphony Orchestra employed many Jewish musicians who later joined the Israel Philarmonic Orchestra (then known as the "Palestine Orchestra").- Stunts
- Actor
- Soundtrack
Tom Steele was born on 12 June 1909 in Carluke, Lanarkshire, Scotland, UK. He was an actor, known for The Blues Brothers (1980), Scarface (1983) and Zombies of the Stratosphere (1952). He died on 30 October 1990 in Los Angeles, California, USA.