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Born Alexander Viespi, Jr. in Floral Park, New York in 1933, handsome, often mustachioed Alex Cord was stricken with polio at the age of 12. Confined to a hospital and iron lung for a long time, he overcame the illness after being sent to a Wyoming ranch for therapy. He soon regained his dream and determination of becoming a jockey or professional horseman.

A high school dropout at the age of sixteen, he grew up to be too tall to be a jockey so he joined the rodeo circuit and earned a living riding bulls and bareback horses. During another extended hospital stay, this time suffering major injuries after being thrown by a bull at a rodeo in New York City's Madison Square Garden, he reevaluated his life's direction and decided to finish his high school education by way of night school. A voracious reader during his long convalescence, he later studied and received his degree in literature at New York University.

Prodded by an interest in acting, Alex received dramatic training at the Actors Studio and began his professional career in summer stock (The Compass Players in St. Louis, Missouri) and at the American Shakespeare Festival in Stratford, Connecticut where he played "Laertes" in a production of "Hamlet". A British producer saw his promise and invited him to London where he co-starred in four plays ("Play With a Tiger", "The Rose Tattoo", "A Midsummer Night's Dream" and "The Umbrella"). He was nominated for the "Best Actor Award" by the London Critics' Circle for the first-mentioned play.

He sought a Hollywood "in" and found one via his equestrian skills in the early 1960s. Steady work came to him on such established western TV series as Laramie (1959) and Branded (1965) and that extended itself into acting roles on crime action series (Route 66 (1960) and Naked City (1958)). Gaining a foothold in feature films within a relatively short time, he starred or co-starred in more than 30 feature films, including Get Off My Back (1965), Stagecoach (1966), Stiletto (1969) and The Brotherhood (1968).

After his film career declined in the late 1970s he turned to action adventure overseas with the "spaghetti western" A Minute to Pray, a Second to Die (1967) [A Minute to Pray, A Second to Die] and the British war drama The Last Grenade (1970) with Stanley Baker and Richard Attenborough. Around that time as well, he played the murderer opposite Sam Jaffe's old man in Edgar Allan Poe's dramatic short, The Tell-Tale Heart (1971). It was TV, however, that provided more career stability. Cord has more than 300 credits, including roles in Hotel (1983), Fantasy Island (1977), Simon & Simon (1981), Jake and the Fatman (1987), Mission: Impossible (1966), Walker, Texas Ranger (1993) and Murder, She Wrote (1984). He situated himself in a number of series, notably Airwolf (1984), in which he co-starred with Jan-Michael Vincent and Ernest Borgnine as the mysterious white-suited, eye-patched, cane-using "Michael Archangel".

Later commercial interest was drawn from his title role in Grayeagle (1977), a remake of the John Wayne film, The Searchers (1956), in which he played the Indian kidnapper of Ben Johnson's daughter. Lana Wood, sister of star Natalie Wood (who appeared in the original), also co-starred in this film. Alex can still be seen from time to time in low-budget films and the occasional television appearance, but other interests took up his time. His last film role was in the dismissible thriller Fire from Below (2009) in support of Kevin Sorbo.

Alex's love for horses extended itself into work for numerous charities and benefits. He was a regular competitor in the Ben Johnson Pro-Celebrity Rodeos that raised money for children's charities, and he is one of the founders of the Chukkers for Charity Celebrity Polo Team which has raised more than $3 million for worthy causes. He chairs "Ahead with Horses", an organization that provides therapeutic riding programs for the physically and emotionally challenged. Alex also turned to writing, thus far publishing several novels including A Feather in the Rain (2005), Days of the Harbinger (2013), The Man Who Would Be God (2014 and High Moon (2016). He has also sold three screenplays.

The actor's three marriages all ended in divorce. His second wife was British-born actress Joanna Pettet and third, Susannah, was a horse trainer. He had three children -- Toni Aluisa, Wayne and Damien Zachary. His son by Pettet, Damien, died tragically in 1995 of a heroin overdose at the age of 26.

As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...

Born in Floral Park, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.

He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.

Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.

The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).

During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.

E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Tom Llamas (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).

Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.

In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.

Stephen Roberts was born on 25 July 1917 in Floral Park, Long Island, New York, USA. He was an actor, known for Gog (1954), Julius Caesar (1953) and Alfred Hitchcock Presents (1955). He died on 26 October 1999 in Woodland Hills, Los Angeles, California, USA.

Frank Zwick was born on 20 September 1983 in Floral Park, Long Island, New York, USA. He is an actor, known for I Am Legend (2007), Blue Bloods (2010) and Hard Boiled Haggerty (2005).

Geoffrey Erb was born on 28 December 1945 in Floral Park, Long Island, New York, USA. He was a cinematographer, known for The Bone Collector (1999), The Equalizer (1985) and The Burning Zone (1996). He was married to Patricia. He died on 20 June 2013 in East Quogue, New York, USA.

Robert Stattel was born on 20 November 1932 in Floral Park, Long Island, New York, USA. He is an actor, known for Great Performances (1971), Kojak (1973) and Ryan's Hope (1975).

Andy Steig was born on 17 July 1981 in Floral Park, Long Island, New York, USA. He is a producer and actor, known for Transporter 2 (2005), Memphis Rising: Elvis Returns (2011) and Tear (2005).

Chris Bacarella was born on 2 March 1987 in Floral Park, Long Island, New York, USA. Chris is a cinematographer and producer, known for Love's a Bitch, and Then You Die (2011), Aboard the Carousel (2014) and Between the Forest and the Field (2012).

Werner Bundschuh was born on 23 February 1941 in Floral Park, Long Island, New York, USA. He was a cinematographer and editor, known for Toughing It Out (1976), Nova (1974) and In Search of the Real America (1977). He was married to Patience. He died on 19 July 2011 in Royalston, Massachusetts, USA.

Pete Richert was born on 29 October 1939 in Floral Park, Long Island, New York, USA.

Jennifer M. Leary was born on 26 July 1996 in Floral Park, Long Island, New York, USA. She is a production manager, known for Rachel Unraveled (2017) and Clean This House (2007).