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Tall (5'10"), lovely, statuesque Seattle native Jean Elizabeth Smart was born on September 13, 1951. The second of four children born to a teacher and his wife, she developed an early interest in acting and attended the University of Washington following her graduation from Seattle's Ballard High School. She attained a BA degree in fine arts there.

Jean's first professional season was with the Oregon Shakespeare Festival where she went on to perform in Shakespeare's Much Ado About Nothing" and "A Moon for the Misbegotten," among others. During the late 1970's she built up a strong resume in regional theater with such companies as the Seattle Repertory Theatre ("Equus," "Fallen Angels"), ACT ("A Christmas Carol"), Pittsburgh Public Theatre (as Lady Macbeth), Alaska Repertory Theatre ("Terra Nova"), and Alliance Theatre ("A History of the American Film"). Her first significant break came with a starring role in the potent, critically-acclaimed lesbian drama "Last Summer at Bluefish Cove," which earned her an Off-Broadway Drama Desk nomination in 1980. She capped this honor with a Los Angeles Drama Critics award in 1983 when she repeated her triumph on the West Coast.

Jean made a highly auspicious Broadway debut in 1981 playing Marlene Dietrich in "Piaf" starring Jane Lapotaire, and it was the subsequent TV taping of that show, Piaf (1984), that brought about major Hollywood interest. A regular on the short-lived sitcoms Teachers Only (1982), Reggie (1983) and Maximum Security (1984), Jean hit pure gold in her fourth attempt as the delightfully ditzy Charlene Frazier on Designing Women (1986). The show was an instant hit and it was here that she would meet future husband Richard Gilliland, who played the recurring role of co-player Annie Potts' boyfriend J.D. for several seasons.

Feeling confined and fearing typecasting, Jean left the show in 1991 to find more challenging work. She drew major acclaim, giving a chilling portrayal of a true-to-life serial killer in the TV movie Overkill: The Aileen Wuornos Story (1992), long before Charlize Theron copped an Oscar for her equally chilling cinematic version. In other TV movies, Jean earned strong applause for her roles as a mentally challenged woman in The Yarn Princess (1994); as a concerned rural mother in Marjorie Kinnan Rawlings' classic The Yearling (1994); as an attorney involved in a high-profile murder case in Undue Influence (1996); as a wife who discovers her longtime husband is gay in A Change of Heart (1998); co-starring with real-life husband Richard Gilliland in Audrey's Rain (2003) as new parents after her sister commits suicide; and as an FBI profiler in Killer Instinct: From the Files of Agent Candice DeLong (2003).

On stage, Jean she earned a Tony nomination for her delightfully madcap part in the Moss Hart/George S. Kaufman classic comedy farce "The Man Who Came to Dinner" opposite Nathan Lane. The Broadway show was later made as a TV movie, The Man Who Came to Dinner (2000), with both Lane and Smart.

Having made her debut with a small role in the crimer Hoodlums (1980), films would never be as strong a venue for Jean as the stage or TV. She did, however, show off her versatility in both comedy and drama with secondary roles with such films as Flashpoint (1984), the Goldie Hawn vehicle Protocol (1984), Fire with Fire (1986), Project X (1987), Mistress (1992), Edie & Pen (1996) and The Odd Couple II (1998). Jean topped the decade off well with two independent films -- earning an Independent Spirit Award nomination for her role as Sarah Polley's ill-natured mother in Guinevere (1999), and first-billed in the mother/daughter road trip dramedy Forever Fabulous (1999) co-starring Jennifer Elise Cox.

Remaining extremely busy into the millennium, Jean went on to win bookend Emmy awards for her guest appearances on the sitcom Frasier (1993) and earned two more Emmy nominations for her potent perms in the crime drama 24 (2001) starring Kiefer Sutherland. She also graced a host of other series with regular/recurring roles on the romantic comedy In-Laws (2002); the crimer The District (2000); the family comedy Center of the Universe (2004) (co-starring John Goodman); the animated program Kim Possible (2002) (as the voice of Dr. Ann Possible); the mystery comedy Samantha Who? (2007) starring Christina Applegate; the revamped crimer Hawaii Five-0 (2010) (as the governor); the crime dramedy Harry's Law (2011); the dark thriller Fargo (2014); the action sci-fi drama Legion (2017); and the detective series Mare of Easttown (2021).

More recent films include Youth in Revolt (2009), Barry Munday (2010), Hope Springs (2012), Waking (2013), Warren (2014), Miss Meadows (2014), The Accountant (2016), Life Itself (2018) and Brampton's Own (2018).

Diagnosed with juvenile diabetes at age 13, Jean has played an active part over the years in public awareness. She has two children with her late husband Richard, son Connor and adopted son (from China) Forrest.

On the viewing horizon since the late 1980s, actress Maura Tierney has been a steady product of independent features, some hits and some misses, for close to a decade and a half. An odd and compelling beauty, she came from an upscale Bostonian family and was raised in the Hyde Park district.

Born February 3, 1965, the eldest child of three of Pat, a real estate agent, and Joseph M. Tierney, a prosperous politician and city councilman, Maura Lynn Tierney initially studied at New York University. She left school prior to graduation when she hooked up with the Circle-in-the-Square theater school. Following some stage plays including "Baby with the Bathwater" and "Danny and the Deep Blue Sea," she moved to the West Coast in the late 1980s finding minor roles here and there in TV-movies and making the rounds on episodic shows such as Growing Pains (1985), Family Ties (1982) and Law & Order (1990). She met actor/husband Billy Morrissette after both were fired from the set of an eventually-scrapped Ralph Macchio series.

After a few other failed pilots and a short-lived TV series, Maura made a minor film debut with The Linguini Incident (1991) and progressed to leading lady status in the B-movie spoof Dead Women in Lingerie (1991), which didn't go over well. She finally hit paydirt on TV when she won a female co-lead as smart but insecure newswriter Lisa Miller on the comedy series NewsRadio (1995). The show sailed along for a number of seasons due to the fine comedy instincts of Dave Foley, Andy Dick and the late Saturday Night Live (1975) player Phil Hartman. The show lost its oomph, however, as well as its audience after Hartman's tragic 1998 gunshot slaying, despite an assured replacement in fellow Saturday Night Live (1975) alumni Jon Lovitz. The show couldn't escape its bad aura, and it was gone the following year.

Maura's work on the TV sitcom thrust her into the film comedy limelight with prominent roles in such films as the Jim Carrey vehicle Liar Liar (1997). She also showed up as sly, darker-edged femmes in the thriller Primal Fear (1996), Primary Colors (1998) and Instinct (1999).

Into the millennium, Maura received one of her best art-house roles as a heavy in her husband's feature Scotland, Pa. (2001) which he wrote and directed. Following that came a mixture of offbeat parts in such films as the mystery thriller Insomnia (2002) starring Al Pacino and Robin Williams; the romantic comedy Welcome to Mooseport (2004) with Gene Hackman and Ray Romano; the Paul Rudd dramedy Diggers (2006); the sports comedy Semi-Pro (2008) with Will Ferrell and Steve Guttenberg; the Tina Fey/Amy Poehler slapstick comedy Baby Mama (2008); and, more recently, Nature Calls (2012), Anything (2017) and Beautiful Boy (2018) opposite Steve Carell.

She also found steady TV work with the role of Abby, who was first a nurse and then a doctor, in the long-established and critically-acclaimed medical drama series ER (1994), where she remained on the staff until the show left the air in 2009. She also found recurring roles on Rescue Me (2004), The Good Wife (2009) and The Affair (2014), and co-starred in the short-lived legal drama The Whole Truth (2010) with Rob Morrow.

Forest Steven Whitaker has packaged a king-size talent into his hulking 6' 2", 220 lb. frame. He won an Academy Award for his performance as Ugandan dictator Idi Amin in the film The Last King of Scotland (2006), and has also won a Golden Globe and a BAFTA. He is the fourth African-American male to win an Academy Award for Best Actor, following in the footsteps of Sidney Poitier, Denzel Washington, and Jamie Foxx.

Whitaker was born on July 15, 1961 in Longview, Texas, to Laura Francis (Smith), a special education teacher, and Forest Steven Whitaker, an insurance salesman. His family moved to South Central Los Angeles in 1965. The athletically-inclined Whitaker initially found his way into college via a football scholarship. Later, however, he transferred to USC where he set his concentration on music and earned two more scholarships training as an operatic tenor. This, in turn, led to another scholarship at Berkeley with a renewed focus on acting and the performing stage.

Whitaker made his film debut at the age of 21 in the raucous comedy Fast Times at Ridgemont High (1982) wherein he played, quite naturally, a footballer. He went on to play another sports-oriented student, a wrestler, in his second film Vision Quest (1985). He gained experience on TV as well with featured spots on such varied shows as Diff'rent Strokes (1978) and Cagney & Lacey (1981), not to mention the TV-movie Civil War epic North & South: Book 1, North & South (1985) and its sequel. The movie that truly put him on the map was The Color of Money (1986). His one big scene as a naive-looking pool player who out-hustles Paul Newman's Fast Eddie Felson was pure electricity. This led to more visible roles in the "A" class films Platoon (1986), Stakeout (1987), and Good Morning, Vietnam (1987), which culminated in his breakout lead portrayal of the tortured jazz icon 'Charlie "Bird" Parker' in Clint Eastwood's passion project Bird (1988), for which Whitaker won the Cannes Film Festival award for "best actor" and a Golden Globe nomination. Whitaker continued to work with a number of well-known directors throughout the 1990s.

While his "gentle giant" characters typically display innocence, indecision, and timidity along with a strong underlying humanity, he has certainly not shied away from the edgier, darker corners of life as his occasional hitmen and other menacing streetwise types can attest. Although in only the first section of the film, he was memorable as the IRA-captured British soldier whose bizarre relationship with a mysterious femme fatale serves as the catalyst for the critically-lauded drama The Crying Game (1992). Always a willing participant to push the envelope, he's gone on to enhance a number of lesser films. Among those was his plastic surgeon in Johnny Handsome (1989), gay clothing designer in Robert Altman's Ready to Wear (1994), alien hunter in Species (1995), absentee father confronted by his estranged son in Smoke (1995), and Mafia hitman who models himself after the samurai warrior in Ghost Dog: The Way of the Samurai (1999), among many others. As would be expected, he's also had his share of epic-sized bombs, notoriously the L. Ron Hubbard sci-fi disaster Battlefield Earth (2000). On the TV front, he was the consulting producer and host of a revamped Rod Serling's cult series classic The Twilight Zone (2002), which lasted a disappointing one season.

In the early 1990s, Whitaker widened his horizons to include producing/directing and has since gained respect behind the camera as well. He started things off co-producing the violent gangster film A Rage in Harlem (1991), in which he co-starred with Gregory Hines and Robin Givens, and then made his successful directorial debut with the soulful Waiting to Exhale (1995), showcasing a legion of distaff black stars. He also directed co-star Whitney Houston's music video of the movie's theme song ("Shoop Shoop"). He also helmed the fluffy romantic comedy First Daughter (2004) with Katie Holmes and Michael Keaton. Whitaker also served as an executive producer on First Daughter. He had previously executive produced several made-for-television movies, most notably the 2002 Emmy-award winning Door to Door, starring William H. Macy. He produced these projects through his production company, Spirit Dance Entertainment, which he shut down in 2005 to concentrate on his acting career.

In 2002, he co-starred in Joel Schumacher's thriller, Phone Booth, with Kiefer Sutherland and Colin Farrell. That year, he also co-starred with Jodie Foster in Panic Room.

Whitaker's greatest success to date is the 2006 film, The Last King of Scotland. His performance earned him the 2007 Academy Award for Best Actor in a Leading Role, For that same role, he also received the Golden Globe Award, the Screen Actors Guild Award, a BAFTA Award, and many critical accolades. He has also received several other honors. In September 2006, the 10th Annual Hollywood Film Festival presented him with its "Hollywood Actor of the Year Award," He was also honored at the Santa Barbara International Film Festival 2007, receiving the American Riviera Award. Previously, in 2005, the Deauville Festival of American Film paid tribute to him. In 2007, Forest Whitaker won the Cinema for Peace Award 2007.

In 2007, Whitaker co-starred in The Great Debaters with fellow Oscar winner Denzel Washington, and in 2008, Whitaker played opposite Keanu Reeves in Street Kings and Dennis Quaid in Vantage Point.

In 2009, Forest co-starred in the Warner Bros. film "Where the Wild Things Are," directed by Spike Jonze, which was a mix of live-action, animation and puppetry as an adaptation of the Maurice Sendak classic children's book. Around the same time, he also starred n "Repossession Mambo", with Jude Law, "Hurricane Season", "Winged Creatures", and "Powder Blue". He appeared in the Olivier Dahan film "My Own Love Song", opposite Renée Zellweger, and was part of the Africa Movie Academy Awards in 2009, in Nigeria.

He is married to former model Keisha Whitaker and has three children by her. His younger brothers Kenn Whitaker and Damon Whitaker are both actors as well.

Forest was given a star on the Hollywood Walk in April of 2007. In November 2007, Whitaker was the creative mind behind DEWmocracy.com, a website that let people decide the next flavor of Mountain Dew in a "People's Dew" poll. He directed a short film and created the characters for the video game. Whitaker has done extensive humanitarian work, he has been involved with organizations like, Penny Lane, an organization that provides assistance to abused teenagers. PETA and Farm Sanctuary, organizations that protect animals' rights. Close friends with Neurosurgeon Dr. Keith Black, Forest has helped raise awareness and funds for Dr. Blacks research. During the last couple of years, he has become a spokesperson for Hope North Ugandan orphanage and Human Rights Watch. In the year 2001 Forest received a Humanitas Prize. He was recently honored by The City of Los Angeles with the Hope of Los Angeles Award. And his entire clan received the LA BEST Family Focus Award. Last year he joined forces with "Idol Gives Back" and "Malaria No More"; he has become a GQ Ambassador supporting and fundraising for Hope North. He was a Surrogate for Barack Obama's campaign supporting him across the United States.

Whitaker's multimedia company, Spirit Dance Entertainment, includes film, television and music production. He works closely with a number of charitable organizations, giving back to his community by serving as an Honorary Board Members for Penny Lane, an organization that provides assistance to abused teenagers, the Human Rights Watch and The Hope North organization.

Multi-talented, multi-award-winning actress Kathleen (Doyle) Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor.

Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award.

By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981.

Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old.

Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull, however, and was never a strong consideration when the roles transferred to the screen. Her award-winning stage went to established film stars. First Sissy Spacek took over her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice.

It was Kathy's fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991.

Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998), receiving praise and a "Best Supporting Actress" nomination.

Kathy has continued to work prolifically on TV as a 14-time Emmy winner or nominee thus far. She has also taken to directing a couple of TV-movies on the sly. As most actors, she has been in hit and miss TV shows. On the hit side, she has earned a Golden Globe and Emmy nomination for her portrayal of Jay Leno's manager playing tough politics in The Late Shift (1995) and played to the hilt the cruel-minded orphanage operator, Miss Hannigan, in Annie (1999) for which she also earned an Emmy nom. She has done some eye-catching, offbeat turns on regular series such as Six Feet Under (2001) (for which she also earned a DGA award for helming an episode), The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. She also won an Emmy for a guest episode on the hit sitcom Two and a Half Men (2003).

Interesting millennium filming have included a Catholic school's Mother Superior in the comic drama Bruno (2000); Jesse James' mother in American Outlaws (2001); a quirky, liberal mom in About Schmidt (2002) for which she earned another "Best Supporting Actress" Oscar nomination; a brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011); Queen Victoria in the adventurous remake of Around the World in 80 Days (2004); wacky parent types in the comedies Failure to Launch (2006) and Relative Strangers (2006); Mother Claus in the seasonal farce Fred Claus (2007); an over-gushy foster mother in the dramedy The Great Gilly Hopkins (2015); and a wrenching performance as the mother of a suspected terrorist in Richard Jewell (2019) for which she earned her third "Best Supporting Actress" Oscar nomination.

Divorced from husband Campisi since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.

The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.

Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.

Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).

Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).

Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.

Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).

During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.

Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".

Originally from Portland, Maine to a musically inclined family (her mother was once an opera singer) and on stage from the age of 5, singer/actress Linda Lavin graduated from The College of William and Mary with a theater degree.

Linda pounded the New York pavements in the early 1960s searching for work following some stock roles in New Jersey, and gradually made a dent within the New York musical comedy scene with roles in "Oh, Kay!" (1960), "A Family Affair," (1962), "It's a Bird...It's a Plane...It's Superman" (1966) (her standout number was "You've Got Possibilities") and "On a Clear Day, You Can See Forever" (1966). She also won kudos for her straight acting roles in "Little Murders" (1969 Drama Desk award) and "Last of the Red Hot Lovers" (1969 Tony nomination). A one-time member of Paul Sills' Compass Players comedy troupe back in the late 1950s, she served as a replacement in Sills' "Story Theater" Broadway production in 1971.

Television beckoned in the 1970s and utilized her singing talents in a small-screen version of Damn Yankees! (1967) starring Phil Silvers and Lee Remick. After a one-season false start as Det. Janice Wentworth on the sitcom Barney Miller (1975), it did not take long for the talented lady to become a household name in another. As the titular waitress/mother in the sitcom Alice (1976), based on the award-winning Alice Doesn't Live Here Anymore (1974) starring Oscar-winner Ellen Burstyn, Lavin won deserved stardom. During the nine seasons (1976-1985) the show was on the air, she nabbed two Golden Globe awards and an Emmy nomination. Ever the singer, she even warbled "There's a New Girl in Town" over the opening credits of the show to the delight of her fans.

Following this success, Linda lavished her attentions once again on the stage. She earned renewed respect, in addition to several critic's awards, for her diversified Broadway work in "Broadway Bound" (1987 Tony award), "Death Defying Acts" (1995 Obie award), "The Diary of Anne Frank" (1998 Tony nomination: as the high-strung Mrs. Van Daan) and "Tales of the Allergist Wife" (2000 Tony nomination). She later appeared in a PBS-TV version of Collected Stories (2002) and in 2010 revived it on Broadway, earning a Tony nomination for her efforts. She has also occasionally directed for the stage.

Linda was married and divorced twice to actors -- Ron Leibman and Kip Niven -- and in 2005 married her third husband, actor Steve Bakunas, who is also an artist and musician. After her "Alice" heyday, the actress would again return to series work, albeit the short-lived Room for Two (1992) and Conrad Bloom (1998).

Millennium credits include penetrating/amusing TV work on "The Sopranos," "Law & Order: Criminal Intent," "The O.C.," "Madame Secretary," "Santa Clarita Diet" and "Room 104," plus regular roles on three comedy series -- Sean Saves the World (2013), 9JKL (2017) and Yvette Slosch, Agent (2020) (title role). As for stage work, Linda returned to Broadway where she received fine reviews for her starring role in Carol Burnett's autobiographical play "Hollywood Arms" (2002) portraying Burnett's grandmother. The piece was co-written by Burnett's late daughter, Carrie Hamilton. Linda also received excellent reviews in "Collected Stories" (2010). Subsequent Broadway shows included brief runs of "The Lyons" (2012) and "My Mother's Brief Affair."

Lovely, Julia (O'Hara) Stiles, of Irish, English and German heritage, was born on March 28, 1981 in New York City, the outgoing daughter and eldest of three children of a Greenwich Village artist mother, Judith Newcomb Stiles, and an elementary school teacher father, John O'Hara.

Encouraged to take modern dance lessons, she was introduced to Shakespeare and theater at an early age. When she was 11, she made her stage debut as a child actress with the experimental off-Broadway La MaMa Theatre. Her passion grew and by the next year was performing professionally and working in commercials. A bright, precocious student, she was seriously considered for the child vampire role of Claudia in Interview with the Vampire (1994) but lost out in the end to Kirsten Dunst. She continued training at New York's Professional Children's School and, at 15, made her cinematic bow with I Love You, I Love You Not (1996) with Claire Danes.

Julia was next featured as the daughter of Harrison Ford in The Devil's Own (1997), with her breakout role occurring on TV with the hard-hitting mini-movie Before Women Had Wings (1997), which was produced by Oprah Winfrey and dealt with child abuse. Her wish to play Shakespeare was granted threefold with her participation in 10 Things I Hate About You (1999), which was based on the Bard's "The Taming of The Shrew" and earned her the Chicago Film Critics Award as volatile teen Kat; an updated version of Hamlet (2000) which paired her Ophelia with Ethan Hawke; and another updated version of "Othello" entitled O (2001), which involved her high school character of Desi (Desdemona) in a mixed romantic relationship with African-American Mekhi Phifer. The violent-edged film, made in 1998, was not released until three years later due to the Colorado shootings at Columbine High School.

In addition, Julia later portrayed Viola off-Broadway in a Shakespeare-in-the-Park production of "Twelfth Night" in 2002. She temporarily interrupted her career after deciding to enroll at Columbia University in 2000, where she earned a degree in English. Stiles has also returned to the stage, appearing in David Mamet's "Oleanna" in London, a role she would reprise on Broadway in 2009, opposite Bill Pullman and directed by Doug Hughes.

Moving into mainstream roles by the millennium, Julia took on a role that would carry her through the decade, co-starring with Matt Damon in popular Bourne series: The Bourne Identity (2002), The Bourne Supremacy (2004) and The Bourne Ultimatum (2007). During the time between Bourne films, she appeared in ensemble dramas, appearing opposite Julia Roberts in Mona Lisa Smile (2003), won offbeat notice in the title role of Carolina (2003) with Shirley MacLaine and Randy Quaid. She also returned to her indie film roots, with films such as Between Us (2012) and the comedy farce, It's a Disaster (2012).

In 2010, Julia switched gears and headed to series television, joining the cast of Dexter (2006) for the show's fifth season as Lumen Pierce, a performance that earned her Emmy and Golden Globe support nominations. In 2012, she followed this up with leads in two other TV series, the social drama Blue (2012) and the dramatic thriller Riviera (2017).

Married to camera assistant Preston Cook and with one son, Julia's more recent filming has included prominent roles in The Great Gilly Hopkins (2015), Misconduct (2016), Jason Bourne (2016), Trouble (2017), Hustlers (2019) and The God Committee (2021).

e recent work includes

The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.

She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.

During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).

In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).

Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.

Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.

Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).

Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).

Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).

This stunning and resourceful actress has been primarily a film player thus far. Only recently has she been opening herself up more to doing television (the series Gemini Division (2008), which she executive-produced), and animated voice-overs. Dawson's powerhouse talent stands out the most in edgy, urban filming that dates back to 1995 when she was only sixteen.

A rags-to-riches article entitled "Rosario Dawson: From Tenement to Tinseltown" probably says it all. Rosario was born on May 9, 1979 in New York City. Her mother, Isabel Celeste, of Puerto Rican and Afro-Cuban descent, is a singer, and her stepfather, who raised her, Greg Dawson, of Irish descent, is a construction laborer. Her parents, who married when both were teenagers, eventually divorced. Rosario and her younger brother, Clay Dawson, had it hard while growing up, and were cared for by family members, most of whom were poverty-stricken, and some of whom were HIV-positive.

Her career actually started as a child when she made a minor showing on the children's show, Sesame Street (1969). As the story goes, she was "discovered" as an adolescent on her front porch step by two photographers. One of them, Harmony Korine, was an aspiring screenwriter who thought the inexperienced sixteen-year-old was ideal for the controversial cult film Kids (1995), in which she would portray a sexually active adolescent. It took time for Rosario's film career to kick in after that, but by the late 1990s, she had nabbed several independent films. Since then, she has moved into main-stream hits (and misses) and has surprised viewers with her earthy, provocative, uninhibited approach to her roles.

Reflecting New York's tougher, tawdrier side as assorted streetwalkers, homeless mothers, drug addicts, etc., her film highlights have included Light It Up (1999), Edward Burns' Sidewalks of New York (2001), Spike Lee's 25th Hour (2002) and Shattered Glass (2003). For Oliver Stone, she portrayed the duped bride of Colin Farrell's famed B.C. Macedonian warrior, Alexander (2004) (as in "...the Great"), which featured a notoriously violent-tinged nude/sex scene.

Expanding her horizons beyond film, she has always expressed interest in singing. She hooked up with Prince for the re-release of his 1980s hit "1999" and appeared in The Chemical Brothers' video for the song "Out of Control" from the album "Surrender". She is also featured on the Outkast track, "She Lives in My Lap". On stage, she co-starred as Julia in a revival of "Two Gentlemen of Verona" at the Public Theater's "Shakespeare in the Park" and appeared in "The Vagina Monologues".

She lucked into and got to show off her singing chops in the film adaptation of the hit New York musical Rent (2005), when Daphne Rubin-Vega, the original Mimi, became pregnant and was unable to reprise her exotic dancer role. Rosario also appeared as a prostitute in the adaptation of the graphic novel Sin City (2005). Of late, she has turned to producing. One of those, Descent (2007), had her playing a college coed who is brutally attacked and raped by a fellow student. Her more popular ventures have thus far included the role of Valerie Brown in the live-action version of the comic strip Josie and the Pussycats (2001), the Will Smith starrer Men in Black II (2002), Eagle Eye (2008) with Shia LaBeouf and Seven Pounds (2008), again with Smith, in which she offered one of her more tender-hearted performances as a woman with a potentially fatal heart condition.

More recent millennium films opposite some of Hollywood's top leading movie men include the tense actioneer Unstoppable (2010) with Denzel Washington and Chris Pine; the comedy/fantasy Zookeeper (2011) opposite Dalekmania (1995); romantic dramedy 10 Years (2011) with Channing Tatum; crime drama Fire with Fire (2012) with Bruce Willis; romantic comedy Top Five (2014) with Chris Rock; and action adventure Zombieland: Double Tap (2019) with Woody Harrelson. She has also top-lined independent films with her own feisty characters such as the thriller Unforgettable (2017) and the title role in the dramedy Krystal (2017).

Focusing also on TV projects, Rosario has graced such action series/mini-series as Daredevil (2015), Iron Fist (2017) and The Defenders (2017), as well as the comedy Jane the Virgin (2014) and animated cartoon series The Last Kids on Earth (2019).

Off-camera, the still-single Dawson is highly active in political, social and environmental causes and has been involved with such organizations/charities/campaigns as the Lower East Side Girls Club, Global Cool, the O.N.E. Campaign, Oxfam, Amnesty International, Parents, Families and Friends of Lesbians and Gays, Control Arms, International Rescue Committee, Voto Latino (which she founded), Conservation International, Doctors Without Borders, National Geographic Society, The Nature Conservancy and Save the Children. In October 2008, she lent her voice to the RESPECT! Campaign, a movement aimed at preventing domestic violence.

Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.

He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1974). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).

Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.

Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).

Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).

Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.

Southern-bred Mary-Louise Parker was born on August 2, 1964 in Fort Jackson, South Carolina, the youngest of four children of Judge John Morgan Parker, and the former Caroline Louise Morell. She is of mostly Swedish, English, and Scottish descent. Her father's occupation took the family both around the country and abroad while growing up.

Parker showed potential in her teens and majored in acting in her college years, graduating from the North Carolina School of the Arts. Beginning her acting career with a part on the daytime soap Ryan's Hope (1975), Mary decided to test the waters in New York, and after work on the off-Broadway stage in the late 1980s, made her Broadway debut with "Prelude to a Kiss" in 1990, where she won the Theatre World Award, the Clarence Derwent Award and a Tony nomination.

Films and TV quickly followed and she quickly gained attention. She provided both poignant and amusing as the token femme friend to a group of gay men in the AIDS drama Longtime Companion (1989), but really caught fire with her feisty, standout performance in Fried Green Tomatoes (1991), holding her own against such female powerhouses as Jessica Tandy, Kathy Bates and Mary Stuart Masterson. Dubbed by some as the "long-suffering girl next door," she played such noble offbeat miserables and cast-asides in Grand Canyon (1991), Naked in New York (1993), Bullets Over Broadway (1994), The Client (1994) Boys on the Side (1995), in which she was the AIDS victim this time, The Portrait of a Lady (1996), The Maker (1997), Let the Devil Wear Black (1999), Red Dragon (2002) and Pipe Dream (2001).

Preferring quality over quantity, she perfected her craft with offbeat roles in independent features and did not abandon her theater roots. She copped a slew of acting prizes for her stage work in "How I Learned to Drive" (1996) and, most notably, "Proof" in 2000, wherein she won nearly every award there is to attain, including the prestigious Tony. Her marquee name still does not command what it should, but a picture or production with Mary-Louise Parker in it usually guarantees a strong critical reception. Unmarried, she did enter into a longtime companionship with actor Billy Crudup after the twosome appeared opposite each other in the 1996 play, "Bus Stop". They went their separate ways in 2003, amid major controversy (she was pregnant at the time).

Mary Louise continues to divide her time equally and skillfully on TV, film and the stage. The powerful TV miniseries adaptation of Tony Kushner heralded award-winning Broadway play Angels in America (2003), directed by Mike Nichols, earned the actress supporting performance Golden Globe and Emmy awards. She also earned a Tony nomination for the Broadway show, "Reckless", a year later but truly turned heads and wowed audiences the year after that in the highly acclaimed 7-season Showtime series Weeds (2005), earning another Golden Globe and several Emmy nominations for her amazing performance as Nancy Botwin, a relatively naïve suburban housewife and mother who courts serious trouble with the law and drug cartels when she turns into a neighborhood drug dealer for sustenance after her husband dies suddenly.

Into the millennium, Mary has continued with compelling work in such films as RED 2 (2013), R.I.P.D. (2013), Jamesy Boy (2014), Behaving Badly (2014), Chronically Metropolitan (2016), Golden Exits (2017) and Red Sparrow (2018). TV roles have included recurring roles on The Blacklist (2013) and the sci-fi thriller Mr. Mercedes (2017).

Her first child is eighteen-year-old William Atticus Parker -- a director, writer and actor. Adopting a second child from Ethiopia, Mary Louise was acknowledged in 2013 for her significant contributions to Hope North, an organization that works in the educating and healing of young victims caught in Uganda's civil war. Her memoir-in-letters, Dear Mr. You, came out in 2015.

An extremely gifted, versatile performer adept at both comedy and drama, actress/singer Katey Sagal became a household name in the late 1980s as the fabulously brazen, undomesticated Peg Bundy on the enduring Fox series Married... with Children (1987). During its lengthy run she received three Golden Globe and two American Comedy Award nominations. As popular and identifiable as her Peg Bundy persona was, Katey assertively moved on after the show went off the air, not only starring in other sitcoms and television movies, but portraying characters that were polar opposites of the outrageous role that first earned her nationwide attention. For example, in 2008 she took on the role of Gemma Teller Morrow, the matriarch of a Hell's- Angels-esque California biker gang, on the series Sons of Anarchy (2008), and in 2011 her portrayal earned her a Golden Globe Award for Best Performance by an Actress in the Television Series--Drama.

Catherine Louise Sagal was born on January 19, 1954, to director and singer Sara Zwilling and noted television and film director Boris Sagal. The Los Angeles native began performing at age 5 and studied voice and acting at the California Institute of the Arts in Valencia, California.

A singing waitress during her "salad" years, she started performing with the band "The Group With No Name," then caught a break after hooking up with Gene Simmons and his 1970s rock band KISS. In the meantime, she gained valuable experience as a backup recording singer for Simmons and other established stars like Bob Dylan, Olivia Newton-John, Etta James, and Tanya Tucker. She was also dynamic performing live with diva Bette Midler as one of her "Harlettes" in Bette's wildly avant-garde stage shows during the late 1970s and early 1980s.

In 1985, while performing on stage in a musical, she was spotted by talent agents who subsequently cast her as Mary Tyler Moore's feisty co-worker Jo Tucker in Mary (1985), a short-lived comedy series. From that point on she focused on film and television. In 1987 she won the role of voluptuous "housewife" Peg Bundy in the irreverent comedy Married... with Children (1987), and the rest is history.

In addition to her busy on-camera scheduling, Katey has retraced her steps to her first love: singing and songwriting. With the support of her record label Valley Entertainment, she released the album "Room" in 2004 that combined classics like "Feel a Whole Lot Better" and "(For the Love of) Money" with original songs she penned, including "Life Goes Round," "Daddy's Girl," and "Wish I Were a Kid." "Room" is her first CD since her 1994 debut "Well."

In her post-Bundy career, Katey has continued to demonstrate a strong range, playing a much more responsible parent in the popular sitcom 8 Simple Rules (2002), co-starring the late John Ritter and valiantly moving to single-household-head after Ritter's sudden passing in 2003 with highly successful results.

She has earned earned equally-fine kudos for her television movies like Chance of a Lifetime (1998), a charming romantic comedy that also co-starred John Ritter, God's New Plan (1999), a tearjerker in which she played a dying mother, and the Disney offerings Smart House (1999) and Mr. Headmistress (1998). The voice of Turanga Leela, the beautiful one-eyed sewer mutant in the animated series Futurama (1999), she has also guested on Ghost Whisperer (2005), Lost (2004), Boston Legal (2004), CSI: Crime Scene Investigation (2000), and Eli Stone (2008). Feature films have included Maid to Order (1987), The Good Mother (1988), the Sundance Film Festival favorite Dropping Out (2000), Following Tildy (2002), and the indie I'm Reed Fish (2006).

Playing Jack's mother in a live-action/adventure retelling of Jack and the Beanstalk (2009) that also featured the talents of Christopher Lloyd, James Earl Jones, and Chevy Chase, Katey's more recent efforts include recurring role on TV's Lost (2004), a role in the mini-series The Bastard Executioner (2015) and a regular role in the series Superior Donuts (2017). She would also join the cast of the sitcom The Conners (2018) as a love interest to widower Dan John Goodman.

Following brief marriages to musician Freddie Beckmeier, Fred Lombardo, and former Steppenwolf drummer and "Mighty Ducks" hockey film advisor Jack White, Katey resides in the Los Angeles area with fourth husband writer/producer/director/creator Kurt Sutter, whose acclaimed work includes The Shield (2002) and the offbeat Sons of Anarchy (2008), which Sutter created. She had three children by White: Ruby (died at birth), Sarah, and Jackson; and one daughter by Sutter, Esme Louise.

Initially an indie film favorite, actor Jon Favreau has progressed to strong mainstream visibility into the millennium and, after nearly two decades in the business, is still enjoying character stardom as well as earning notice as a writer/producer/director.

The amiable, husky-framed actor with the tight, crinkly hair was born in Queens, New York on October 19, 1966, the only child of Madeleine (Balkoff), an elementary school teacher, and Charles Favreau, a special education teacher. His father has French-Canadian, German, and Italian ancestry, and his mother was from a Russian Jewish family. He attended the Bronx High School of Science before furthering his studies at Queens College in 1984. Dropping out just credits away from receiving his degree, Jon moved to Chicago where he focused on comedy and performed at several Chicago improvisational theaters, including the ImprovOlympic and the Improv Institute. He also found a couple of bit parts in films.

While there, he earned another bit role in the film, Rudy (1993), and met fellow cast mate Vince Vaughn. Their enduring personal friendship would play an instrumental role in furthering both their professional careers within just a few years. Jon broke into TV with a role on the classic series, Seinfeld (1989) (as "Eric the Clown"). After filming rudimentary roles in the movies Mrs. Parker and the Vicious Circle (1994), Notes from Underground (1995) and Batman Forever (1995), he decided to do some risk taking by writing himself and friend Vaughn into what would become their breakthrough film. Swingers (1996), which he also co-produced, centers on Jon as a luckless, struggling actor type who is emotionally shattered after losing his girlfriend, but is pushed back into the L.A. social scene via the help of cool, worldly, outgoing actor/buddy Vaughn. These two blueprint roles went on to define the character types of both actors on film.

In 1997, Jon appeared favorably on several episodes of the popular TV sitcom, Friends (1994), as "Pete Becker", the humdrum but extremely wealthy suitor for Courteney Cox's "Monica" character, and also appeared to fine advantage on the Tracey Takes On... (1996) comedy series. He later took on the biopic mini-movie, Rocky Marciano (1999), portraying the prizefighter himself in a highly challenging dramatic role and received excellent reviews. Other engagingly offbeat "everyman" films roles came Jon's way -- the ex-athlete in the working class film, Dogtown (1997); a soon-to-be groom whose bachelor party goes horribly awry in the comedy thriller Very Bad Things (1998); a newlywed opposite Famke Janssen in Love & Sex (2000); a wild and crazy linebacker in The Replacements (2000); as Ben Affleck's legal partner in Daredevil (2003); and another down-and-out actor in The Big Empty (2003). He wrote and directed himself and Vaughn as two fellow boxers who involve themselves in criminal activity in Made (2001). Both he and Vaughn produced. He also directed the highly popular Will Ferrell comedy Elf (2003), in which he had a small part.

Jon went on to re-team favorably with his friend, Vince Vaughn, who enjoyed a meteoric rise into the comedy star ranks, in such light-weight features as The Break-Up (2006), Four Christmases (2008) and Couples Retreat (2009), the last of which he co-wrote with Vaughn.

Jon has made even greater strides as a writer, producer and/or director in recent years with the exciting mega-box office action-packed Iron Man (2008), starring Robert Downey Jr., and its sequels, Iron Man 2 (2010) and Iron Man 3 (2013). Jon's character of "Happy Hogan" would be featured in a number of Marvel Comic adventures. Other offerings behind the scenes have included the adventure dramedy Chef (2014), in which he also starred in the title role; the revamped film version of The Avengers (2012) also starring Downey Jr., and it's sequels Avengers: Age of Ultron (2015), Avengers: Infinity War (2018) and Avengers: Endgame (2019); and the animated Disney features The Jungle Book (2016) and The Lion King (2019) and the TV series The Chef Show (2019).

Favreau's marriage to Joya Tillem on November 24, 2000, produced son Max and two daughters, Madeleine and Brighton Rose. Joya is the niece of KGO (AM) lawyer and talk show host, Len Tillem. On the sly, the actor/writer/producer/director enjoys playing on the World Poker Tour.

After this feisty, highly offbeat actress from Chattanooga, Tennessee, broke into TV in the 1980s, she immediately set herself apart from the norm with a prime role as new owner Bud Cort's female friend in the bizarre mini-movie Bates Motel (1987). This rather inauspicious beginning would also set Lori Petty off on a career as a kinetic fighter and a misfit, types for which she would be best known.

Lori was born on October 14, 1963, and spent her childhood traveling the US with her father, a Pentecostal minister. Her keen talents first lent themselves toward being a graphic artist in Omaha, Nebraska, but an impulsive desire to act quickly took precedence and soon she was off to New York, where she took acting classes and pounded the pavement for jobs.

Going nowhere fast, she eventually headed for Los Angeles and finally found an "in". Following a number of mediocre TV roles, she won a bit of attention on the short-lived series Booker (1989) as a lippy secretary, then hit pay dirt in secondary roles as an outrageous Cyndi Lauper wannabe in Cadillac Man (1990) and as Patrick Swayze's ex-girlfriend/waitress who hooks up with Keanu Reeves in Point Break (1991).

It looked like mainstream stardom might happen for the tomboy actress, especially after getting cast as Geena Davis' bratty baseball-playing sister in the highly successful A League of Their Own (1992). However, while Lori proved to be an intriguing, kooky sort, she also proved more difficult to cast. Such disparate roles as a kind-hearted animal trainer in Free Willy (1993) and the sole female recruit in Pauly Shore's inane comedy In the Army Now (1994) only proved the point.

She seemed bent towards playing scrappy, hard-edged figures alongside the big action guys but started off on the wrong foot when she was replaced by Sandra Bullock in Sylvester Stallone's Demolition Man (1993) due to "artistic differences". She did play a lone female cop in the thriller The Glass Shield (1994), then found her true calling as the bizarre cartoon heroine Tank Girl (1995), which was billed as "a post-apocalyptic comedy." Playing along the same hard lines, Lori portrayed an FBI agent who teams up with a Tokyo policewoman Yûki Amami in the crime thriller Countdown (1996); played a butch lesbian in the social comedy Relax... It's Just Sex (1998); and an aggressive, tough-talking stripper at odds with the Mafia in the potboiler The Arrangement (1999). She ended the decade on TV as Max, a motel clerk, in the crime drama fantasy series Brimstone (1998).

Into the millennium, the crop-haired, tough-as-nails actress continued to take it to the limit. Following roles in the action films Firetrap (2001) and Route 666 (2001), Lori co-starred alongside the similarly tough-styled Gina Gershon in Prey for Rock & Roll (2003) as members of a punk rock band. She later starred in the creature vs. human horror opus Cryptid (2006); had a small part (First Murderer) in a contemporary Hollywood updating of Shakespeare's Richard III (2007); a deputy in the cross-country sports movie Chasing 3000 (2010); a doctor in the horror thriller Dead Awake (2016); a starring role as a lady Marine in Fear, Love, and Agoraphobia (2018); and a campy role in the low-budget horror flick A Deadly Legend (2020).

On TV, Lori would be seen as a guest in such shows as "The Beast," "NYPD Blue," "CSI: NY," "Masters of Horror," "House," "Prison Break," "Hawaii Five-0," and, more notably, in the recurring and amusing role of loony, paranoiac Lolly in the women's prison series Orange Is the New Black (2013). On the other side of the camera, the still-single Lori wrote and directed the film The Poker House (2008) starring Jennifer Lawrence, a re-dramatization of Lori's teenage years in Iowa. The film earned awards at the Los Angeles Film Festival

Award-winning actor Mark Ruffalo was born on November 22, 1967, in Kenosha, Wisconsin, of humble means to father Frank Lawrence Ruffalo, a construction painter and Marie Rose (Hebert), a stylist and hairdresser; his father's ancestry is Italian and his mother is of half French-Canadian and half Italian descent. Mark moved with his family to Virginia Beach, Virginia, where he lived out most of his teenage years. Following high school, Mark moved with his family to San Diego and soon migrated north, eventually settling in Los Angeles.

Mark first took classes at the Stella Adler Conservatory and subsequently co-founded the Orpheus Theatre Company, an Equity-Waiver establishment, where he worked in nearly every capacity. From acting, writing, directing and producing to running the lights and building sets while building his resume.

Moving into film and TV, Mark's inauspicious movie debut was the drifter role of Christian in the horror opus Mirror Mirror 2: Raven Dance (1994) and returned to the film series in the role of Joey with Mirror Mirror 3: The Voyeur (1995). He continued on through the 1990's rather indistinctly with more secondary roles in the horror film The Dentist (1996) starring madman Corbin Bernsen; an amusing perf in the obscure dramedy The Last Big Thing (1996); a third billed role in the Jerry Stiller/Anne Meara bickering senior comedy A Fish in the Bathtub (1998); and the war drama Ceremony... The Ritual of Love (1976) directed by Ang Lee.

Bartending for nearly nearly a decade to make ends meet and discouraged enough to give it up, a chance meeting and resulting collaboration with playwright/screenwriter Kenneth Lonergan approaching the millennium changed everything. Ruffalo won NY success in Lonergan's 1996 off-Broadway play "This Is Our Youth," a story about troubled young adults. This led to his male lead in Lonergan's Oscar-winning film drama You Can Count on Me (2000), playing the ne'er-do-well brother of Laura Linney. The performance drew rave reviews and invited comparisons to an early Marlon Brando.

Ruffalo never looked back. Notable roles in The Last Castle (2001), XX/XY (2002), and Windtalkers (2002) followed, although in 2002 Ruffalo was diagnosed with an acoustic neuroma, a type of brain tumor. Though the tumor was benign, the resulting surgery led to a period of partial facial paralysis, from which he fully recovered. In 2003, Ruffalo scored leading roles alongside two popular female stars, playing a police detective opposite Meg Ryan in In the Cut (2003) and the love interest of Gwyneth Paltrow in the comedy View from the Top (2003).

Though both films were high-profile box office disappointments, Ruffalo went on to four notable (if highly disparate) films in 2004 -- We Don't Live Here Anymore (2004), Eternal Sunshine of the Spotless Mind (2004), 13 Going on 30 (2004), and Collateral (2004) -- which solidified his ability to be both a popular leading man and an acclaimed ensemble player in either comedy or drama.

After 2004, Ruffalo was consistently at work, with leads in popular Hollywood films and independent productions that continued to solidify him as one of film's most consistently strong actors: Just Like Heaven (2005), All the King's Men (2006), Zodiac (2007), Reservation Road (2007), and The Brothers Bloom (2008). He also made his Broadway debut as Moe Axelrod in the play "Awake and Sing!"

In 2010 Ruffalo achieved something of a breakthrough, by directing the indie film Sympathy for Delicious (2010), which won him the Special Jury Prize at the Sundance Film Festival, and co-starring as the sperm-donor father to lesbian couple Annette Bening and Julianne Moore in The Kids Are All Right (2010). His role in the idiosyncratic domestic comedy/drama earned him Academy Award, Independent Spirit Award, Screen Actors Guild, and BAFTA nominations for Best Supporting Actor. He went on to earn two more Best Supporting Actor nominations as an Olympic-winning wrestling champion in Foxcatcher (2014) and as a journalist working to uncover the Catholic Church sex abuse scandal in Spotlight (2015). In 2017, the actor returned to Broadway in Arthur Miller's "The Price."

High-profile roles in Martin Scorsese's Shutter Island (2010) and Longeran's long-delayed film Margaret (2011) followed before Ruffalo's appearance as Dr. Bruce Banner, aka The Hulk, in Joss Whedon's movie blockbuster The Avengers (2012). Garnering highly positive reviews for a role in which actors Eric Bana and Edward Norton could not find success in previous films made Ruffalo a box office action star in addition to a critically-acclaimed actor. He returned to the Banner/Hulk role frequently in such Marvel movies as Iron Man 3 (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017), Avengers: Infinity War (2018), Captain Marvel (2019) and Avengers: Endgame (2019),

Reunited with former co-star Gwyneth Paltrow in the sex-addiction comedy-drama Thanks for Sharing (2012), he went on to earn a Golden Globe nomination for playing a bipolar Dad in Infinitely Polar Bear (2014). Ruffalo also took on the lead in Ryan Murphy's adaptation of Larry Kramer's AIDS-drama play The Normal Heart (2014) and earned a SAG Award and Emmy Nomination. He later took home the Emmy playing twin brothers, one a paranoid schizophrenic, in I Know This Much Is True (2020).

Ruffalo has been married to actress Sunrise Coigney since 2000; the couple has three children, two sons and a daughter.

Critically hailed for his forceful, militant, authoritative figures and one of Hollywood's most talented and versatile performers, Laurence (John) Fishburne III has been the recipient of numerous awards, including a number of NAACP Image honors.

Born in Augusta, Georgia on July 30, 1961, to Hattie Bell (Crawford), a teacher, and Laurence John Fishburne, Jr., a juvenile corrections officer. His mother transplanted her family to Brooklyn after his parents divorced. At the age of 10, the young boy appeared in his first play, "In My Many Names and Days," at a cramped little theater space in Manhattan. He continued on but managed to avoid the trappings of a child star per se, considering himself more a working child actor at the time. Billing himself as Larry Fishburne during this early phase, he never studied or was trained in the technique of acting.

In 1973, at the age of 12, young Laurence won a recurring role on the daytime soap One Life to Live (1968) that lasted three seasons. He subsequently made his film debut in the ghetto-themed Cornbread, Earl and Me (1975). At 14 Francis Ford Coppola cast him in Apocalypse Now (1979), which filmed for two years in the Philippines. Laurence didn't work for another year and a half after that long episode. A graduate of Lincoln Square Academy, Coppola was impressed enough with Laurence to hire him again down the line with featured roles in Rumble Fish (1983), The Cotton Club (1984) and Gardens of Stone (1987).

Throughout the 1980s, he continued to build up his film and TV credit list with featured roles despite little fanfare. A recurring role as Cowboy Curtis on the kiddie show Pee-wee's Playhouse (1986) helped him through whatever lean patches there were at the time. TV guest appearances at this time included "Trapper John," "M*A*S*H*," "Hill Street Blues," "Miami Vice," "Spenser: For Hire" and "The Equalizer."

With the new decade (1990s) came out-and-out stardom for Laurence. A choice lead in John Singleton's urban tale Boyz n the Hood (1991) catapulted him immediately into the front of the film ranks. Set in LA's turbulent South Central area, his potent role as a morally minded divorced father who strives to rise above the ignorance and violence of his surroundings, Laurence showed true command and the ability to hold up any film.

On stage, Laurence would become invariably linked to playwright August Wilson and his 20th Century epic African-American experience after starring for two years as the eruptive ex-con in "Two Training Running." For this powerful, mesmerizing performance, Laurence won nearly every prestigious theater award in the books (Tony, Outer Critics Circle, Drama Desk and Theatre World). It was around the time of this career hallmark that he began billing himself as "Laurence" instead of "Larry." More awards and accolades came his way. In addition to an Emmy for the pilot episode of the series "Tribeca," he was nominated for his fine work in the quality mini-movies The Tuskegee Airmen (1995) and Miss Evers' Boys (1997).

On the larger screen, both Laurence and Angela Bassett were given Oscar nominations for their raw, seething portrayals of rock stars Ike and Tina Turner in the film What's Love Got to Do with It (1993). To his credit, he managed to take an extremely repellent character and make it a sobering and captivating experience. A pulp box-office favorite as well, he originated the role of Morpheus, Keanu Reeves' mentor, in the exceedingly popular futuristic sci-fi The Matrix (1999), best known for its ground-breaking special effects. He wisely returned for its back-to-back sequels.

Into the millennium, Laurence extended his talents by making his screenwriting and directorial debut in Once in the Life (2000), in which he also starred. The film is based on his own critically acclaimed play "Riff Raff," which he staged five years earlier. In 1999, he scored a major theater triumph with a multi-racial version of "The Lion in Winter" as Henry II opposite Stockard Channing's Eleanor of Acquitaine. On film, Fishburne has appeared in a variety of interesting roles in not-always-successful films. Never less than compelling, a few of his more notable parts include an urban speed chess player in Searching for Bobby Fischer (1993); a military prisoner in Cadence (1990); a college professor in Singleton's Higher Learning (1995); a CIA operative in Bad Company (1995); the title role in Othello (1995) (he was the first black actor to play the part on film); a spaceship rescue team leader in the sci-fi horror Event Horizon (1997); a Depression-era gangster in Hoodlum (1997); a dogged police sergeant in Clint Eastwood's Mystic River (2003); a spelling bee coach in Akeelah and the Bee (2006); and prominent roles in the mainstream films Predators (2010) and Contagion (2011). He returned occasionally to the theatre. In April 2008, he played Thurgood Marshall in the one-man show "Thurgood" and won a Drama Desk Award. It was later transferred to the TV screen and earned an Emmy nomination.

In the fall of 2008, Fishburne replaced William Petersen as the male lead investigator on the popular CBS drama CSI: Crime Scene Investigation (2000), but left the show in 2011 to refocus on films and was in turn replaced by Ted Danson. Having since had a regular role as "Pops" in the comedy Black-ish (2014), he has also been seen on the bigger screen in the Superman movies Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016) as Daily Planet chief Perry White; played a hired assassin in the thriller Standoff (2016); portrayed a minister and former Vietnam War vet in Last Flag Flying (2017); and essayed the role of a revengeful prison warden in Imprisoned (2018).

Fishburne has two children, Langston and Montana, from his first marriage to actress Hajna O. Moss. In September 2002, Fishburne married Cuban-American actress Gina Torres.

The very lovely, vivacious and smart-looking Joanna Cassidy was born in Camden, New Jersey, and raised in nearby Haddonfield, a borough located in Camden County. She grew up in a creative environment as the daughter and granddaughter of artists. At an early age she engaged in painting and sculpture and went on to major in art at Syracuse University in New York. During her time there she married Kennard C. Kobrin in 1964, a doctor in residency, and found work as a fashion model to help work his way to a degree. The couple eventually moved to San Francisco, where her husband set up a psychiatric practice; Joanna continued modeling and gave birth to a son and daughter. Following their divorce ten years later, she decided to move to Los Angeles in a bid for an acting career.

In between modeling chores and occasional commercial gigs, the reddish-haired beauty found minor, decorative work as an actress in such action fare as Steve McQueen's thriller Bullitt (1968), the Jason Robards drama Fools (1970), The Laughing Policeman (1973) starring Walter Matthau and The Outfit (1973) with Robert Duvall. Her first co-starring role came opposite George C. Scott in the offbeat comedy caper The Bank Shot (1974).

Television became an important medium for her in the late 1970s, with guest parts on all the popular shows of the time, both comedic and dramatic, including Dallas (1978). Trapper John, M.D. (1979), Taxi (1978), Starsky and Hutch (1975), Charlie's Angels (1976), Lou Grant (1977) and a recurring role on Falcon Crest (1981). A regular on the sketch/variety show Shields and Yarnell (1977), which showcased the popular mime couple, Joanna languished in three failed series attempts--The Roller Girls (1978), 240-Robert (1979) and The Family Tree (1983)--before hitting the jackpot with the sitcom Buffalo Bill (1983) opposite Dabney Coleman, in which she finally had the opportunity to demonstrate her flair for offbeat comedy. The show became that's season's critical darling, with Coleman playing a vain, sexist, obnoxious talk show host (a variation of his popular 9 to 5 (1980) film character) and Joanna received a Golden Globe for her resourceful portrayal of Jo Jo White, the director of his show and romantic foil for Coleman, who stood toe-to-toe with his antics.

The 1980s also brought about positive, critical reception for Joanna on film as well, especially in a number of showy portrayals, notably her snake-dancing replicant in the futuristic sci-fi thriller Blade Runner (1982), her radio journalist involved with Nick Nolte and Ed Harris in the political drama Under Fire (1983) and her co-starring role in a wacky triangle with Bob Hoskins and a hyperkinetic hare in the highly ambitious part toon/part fantasy film Who Framed Roger Rabbit (1988). Back on the TV front she was seen in recurring roles on L.A. Law (1986), Diagnosis Murder (1993), The District (2000) and Boston Legal (2004).

Since then Joanna has juggled a number of quality film and TV assignments, a definitive highlight being her Emmy-nominated recurring role as a quirky, capricious mother/psychiatrist in the cult cable series Six Feet Under (2001). More recently she has taken part in more controversial film work that contain stronger social themes such as Anthrax (2001), a Canadian political thriller whose storyline feeds on the fear of terrorism; The Virgin of Juarez (2006), which chronicled the murders of hundreds of Mexican women; and the gay-themed pictures Kiss the Bride (2007) and Anderson's Cross (2010).

Off-camera Joanna is devoted to her art (painting, sculpting) and is a dedicated animal activist as well as golfer and antique collector. She presently resides in the Los Angeles area with her dogs.

Blessed with a piercing, blue-eyed glint, brawny looks, cocky "tough guy" stance and effortless charisma, TV's Christopher Meloni has grabbed audiences' attention, male and female alike, finding breakthrough small screen stardom playing both sides of the law. Audiences first were taken in by his sexually arresting portrayal of a sociopathic killer in the gripping prison drama Oz (1997) on cable TV. Although his small screen roots were in 90s situation comedy, the network powers-that-be wisely discovered his power and allure as a dramatic star and quickly handed him his own prime-time crime series, Law & Order: Special Victims Unit (1999), as a not-quite-by-the-book crime detective. This one-two punch of "Oz" and Law & Order: Special Victims Unit (1999) put Meloni, who seems to grow sexier with age, on the map and well on top, where he remains today.

Christopher Peter Meloni was born on April 2, 1961, in Washington, D.C., the son of Cecile (Chagnon) and Charles Robert Meloni, an endocrinologist. Of Italian and French-Canadian parentage, he attended St. Stephen's School and played quarterback for his high school team. Developing an interest in acting rather early in life, he attended the University of Colorado at Boulder following high school graduation. He initially majored in acting but wound up earning a degree in history in 1983. Acting won out in the long run, however, and Chris relocated to New York where he studied with acting guru Sanford Meisner at the renowned Neighborhood Playhouse. Supplementing his income during these lean years by taking advantage of his powerful physique (as construction worker, bouncer, personal trainer), Meloni worked his way up the acting ladder via parts in commercials.

With a full head of hair in the early days, he broke into series TV in 1989, the first being the already-established cable football comedy 1st & Ten (1984). In this sitcom, which was HBO's very first back in 1984, Chris played ex-con quarterback Vito Del Greco (aka "Johnny Gunn"). The series' star Delta Burke had already left the cast by the time Chris came aboard in its final season. A second sitcom arrived almost immediately with the stereotypical Italian family sitcom The Fanelli Boys (1990) featuring Chris as dim-eyed, skirt-chasing Frankie Fanelli, one of the four "dees, dem and dos" sons of Brooklynite widow Theresa Fanelli (Ann Morgan Guilbert). Despite a strong, boisterous cast, the show was painfully obvious and met an early demise. True to nature, Chris gave voice and added to the fun as a cocky, mooching high school teen who knows the "how to's" of attracting pretty girl dinos in the animated prehistoric series Dinosaurs (1991).

He also made a manly mark in mini-movies with co-starring roles in such "women" dramas as In a Child's Name (1991) starring Valerie Bertinelli, Something to Live for: The Alison Gertz Story (1992), which top-lined Molly Ringwald, Without a Kiss Goodbye (1993) as the caring husband of Lisa Hartman, and the Connie Sellecca starrer A Dangerous Affair (1995). An interchangeable ability to convey both heartfelt sympathy and virile menace did not go by unnoticed. After minor parts on the big screen with Clean Slate (1994), Junior (1994) and 12 Monkeys (1995), Chris drew strong notices in the featured role of gangster Johnnie Marzzone in the classic neo-noir Bound (1996), which earned cult status for its sexually-charged lesbian sub-storyline.

A tough recurring part on NYPD Blue (1993), a typical mafia role in the mini-series The Last Don (1997) and another short-lived comedic series lead (Leaving L.A. (1997)) finally led to a big payoff in the brutal and brilliant cable series Oz (1997). Christopher's introduction to the Oz prison as bisexual psychopath Chris Keller was powerhouse casting and he drew immediate notice and critical applause into the show's second season. Unflinching in its blood-soaked presentation of life behind bars, Chris' raw animal magnetism was unparalleled on the show and his steamy, erotic couplings with another male prisoner on screen promoted him swiftly to gay icon status. Undaunted by the possible career-damaging effects that could occur, Chris' frank acceptance and acknowledgment was admirable indeed and his outright support of human rights causes earned him high marks.

The father of two (daughter Sophia Eva Pietra (born March 23, 2001), and son Dante Amadeo (born January 2, 2004), he has been married since 1995 to production designer 'Sherman Williams' (The Dark Backward (1991)). Chris' sudden burst of cable notoriety earned him his own prime time NBC series. With the veteran "Law & Order" program developing a sister spin-off, Law & Order: Special Victims Unit (1999), Meloni raised the bar with his trenchant pairing with co-star Mariska Hargitay as partners of a special victims crime unit. Despite the show's reality-driven approach, Meloni and Hargitay's dynamite chemistry carried the show to a new level. Allowing their characters' more serious flaws to surface, Meloni, in particular, managed to convey Detective Stabler's private pain and personal turmoil with a raw poignancy. Both he and Hargitay have been honored with Emmy award nominations for their work here (she has won). Occasionally appearing on stage, Chris' theater credits include "The Rainmaker" (as Starbuck) (1998) and "Comers" (1998), both at the Williamstown Theatre Festival. He earned standout reviews as Eddie Carbone in Arthur Miller's "A View from the Bridge," which he performed at Dublin's Gate Theatre in 2005. In 2006 he joined the campy proceedings at an Actors' Fund of America Benefit of the soap opera spoof "Die, Mommie Die!" starring drag illusionist and "Oz" alumnus Charles Busch.

Going well over a decade's worth of service to the series that made him a household name, Meloni finally retired his TV detective in 2011. Throughout the show's run he continued to flaunt his humorous side, showing up on such parody shows as Mad TV (1995) and cracking up on the various night time TV haunts. On film he continues to shatter his dramatic image in such fare as The Souler Opposite (1998), Wet Hot American Summer (2001), Harold & Kumar Go to White Castle (2004) and its sequel Harold & Kumar Escape from Guantanamo Bay (2008). While he has not found outright stardom on the big screen (he has nominally played "other man" roles in such popular films as Runaway Bride (1999) and Nights in Rodanthe (2008)), Chris has more than proved his staying power since he left the popular series.

More recently, he moved forward as a writer/producer/director/star of the comedy film Dirty Movie (2011), which also has in its cast "L&O: SVU" co-star Diane Neal. In addition, Chris supplied the voice of DC Comics classic character Hal Jordan (aka Green Lantern) in the animated movie Green Lantern: First Flight (2009). He also has held regular roles on the series True Blood (2008) in 2012 and Surviving Jack (2014) as well as strong cinematic parts in the Superman film Man of Steel (2013) and in Small Time (2014).

British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998).

Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"

Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.

Clive made his film debut in the British-made Vroom (1990) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.

In 1997, Clive had a huge hit on the London stage with "Closer," a cynical, contemporary ensemble piece about relationships. Controversy surrounded him again in the film role of Max in Bent (1997) playing a brash, reckless homosexual lothario in decadent pre-war Germany who finds unconditional love while interned in a Nazi war camp. His biggest film break, however, was in Mike Hodges' Croupier (1998), as a struggling writer-turned-casino employee who gets in over his head with a femme fatale scam artist. English audiences stayed away in droves but the U.S. embraced the film and Hollywood took notice of Clive, who was virtually unknown outside of England. Despite playing detective Ross Tanner in a series of successful "Second Sight" mini-movies and finding critical acclaim on stage with "The Day in the Death of Joe Egg" in 2001, Clive has focused primarily on film, including the offbeat Brit romantic comedy Greenfingers (2000), the classy and popular Robert Altman period piece Gosford Park (2001), the Matt Damon star-vehicle The Bourne Identity (2002), and the title role in King Arthur (2004). He has since reached the top rungs of the Hollywood ladder with the film version of his stage smash Closer (2004), in which he received an Academy Award nomination and won both the Golden Globe and BAFTA awards for "Supporting Actor." He also had noteworthy roles opposite Denzel Washington in Inside Man (2006); and Julianne Moore and Michael Caine in Children of Men (2006), as well as handling a few biopics, playing Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I in the film Elizabeth: The Golden Age (2007) and Ernest Hemingway (Emmy nomination) in Hemingway & Gellhorn (2012) also starring Nicole Kidman.

More recent films include starring roles in The International (2009), Duplicity (2009), The Boys Are Back (2009), Trust (2010), Intruders (2011), Blood Ties (2013), Last Knights (2015), The Confirmation (2016) and Anon (2018). He also played Claudius in a retelling of "Hamlet" per Ophelia's perspective in Ophelia (2018); and played in support to Will Smith in the sci-fi thriller Gemini Man (2019).

Owen is married to former actress Sarah-Jane Fenton, who played Juliet to his Romeo at the Young Vic in 1998. The couple has two daughters.

American character actor and playwright Wallace Shawn has one of those fun, delightfully mischievously gnomish faces made for entertaining. Though he got out of the acting starting gate rather late, he quickly excelled film and TV while managing to turn himself into comedy egghead or loser types. Woody Allen's slightly threatened character in the movie Manhattan (1979) amusingly describes Wallace's benign gent as "a homunculus", which may be a pretty fair description of this predominantly bald, wan, pucker-mouthed, butterball-framed, slightly lisping gent. Shawn made his movie debut at age 36 in Allen's heralded classic in a brief but telling scene as Diane Keaton's ex-husband.

The 5'2" Jewish actor was born Wallace Michael Shawn into privilege on November 12, 1943 in New York City, as the son of Cecille (Lyon) (1906-2005), a journalist, and William Shawn (1907-1992), renowned and long-time editor of The New Yorker. His brother, Allen Shawn, went on to become a composer. Wallace was educated at both Harvard University, where he studied history, and Magdalen College, Oxford. Wallace initially taught English in India on a Fulbright scholarship, and then English, Latin and drama back in New York. However, a keen interest in writing and acting soon compelled him to leave his cushy position and pursue a stage career as both playwright and actor.

During his distinguished career, Wallace churned out several plays. "Our Late Night", the first of his works to be performed, was awarded an off-Broadway Obie in 1975. This was followed by "A Thought in Three Parts" (1976);, "The Mandrake" (1977) (which he translated from the original Italian and made his acting debut), "Marie and Bruce" (1979), "Aunt Dan and Lemon" (1985) and "The Fever," for which he received his second Obie for "Best New Play" during the 1990-91 season.

A popular supporting player of comedy and the occasional drama, Shawn's assorted kooks, creeps, brainiacs and schmucks possessed both endearing and unappetizing qualities. He earned his best early notices partnered with theatre director/actor Andre Gregory in the unique Louis Malle-directed film My Dinner with Andre (1981). Shawn co-wrote the improvisatory, humanistic piece with brother Allan as the composer. Shawn and Gregory would collaborate again for Malle in another superb, original-concept film Vanya on 42nd Street (1994).

Among Shawn's offbeat films have been Bruce Paltrow's A Little Sex (1982); James Ivory's The Bostonians (1984); Stephen Frears' Prick Up Your Ears (1987); Rob Reiner's The Princess Bride (1987); Alan Rudolph's The Moderns (1988) and Mrs. Parker and the Vicious Circle (1994); and Paul Bartel's Scenes from the Class Struggle in Beverly Hills (1989). He also appeared in several other Woody Allen offerings including Radio Days (1987), Shadows and Fog (1991), The Curse of the Jade Scorpion (2001), Melinda and Melinda (2004) and the title role in Rifkin's Festival (2020).

Since the 1990s, he has lent his vocal talents to a considerable number of animated pictures including A Goofy Movie (1995), Toy Story (1995) (and its sequels), The Jungle Book: Mowgli's Story (1998), The Incredibles (2004), Chicken Little (2005), Happily N'Ever After (2006), Cats & Dogs: The Revenge of Kitty Galore (2010) and Animal Crackers (2017). TV voices have included The Pink Panther (1993), The Lionhearts (1998), Family Guy (1999), Kung Fu Panda: Legends of Awesomeness (2011), The Stinky & Dirty Show (2015) and The Bug Diaries (2019).

Millennium films graced with Shawn's participation include Southland Tales (2006), Kit Kittredge: An American Girl (2008), Jack and the Beanstalk (2009), The Speed of Thought (2011) and Vamps (2012). He co-starred as Halvard Solness and wrote the screen adaptation for Ibsen's classic play A Master Builder (2013) co-starring Julie Hagerty, and went on to appear in Don Peyote (2014), Maggie's Plan (2015), Robo-Dog (2015), Drawing Home (2016), Another Kind of Wedding (2017), Book Club (2018) and Marriage Story (2019).

Over the decades, Shawn has scurried about effortlessly with a number of television guest appearances including "Taxi," "Homicide: Life on the Streets," "Ally McBeal," "Law & Order: Criminal Intent," "Sex and the City," "Desperate Housewives," "The Daily Show," "The 7D," "Life in Pieces," "The Good Fight," "Mr. Robot" and "Search Party. He has also drummed up a few recurring roles for himself in the process, including The Cosby Show (1984), Murphy Brown (1988), Clueless (1996) (based on the hit film Clueless (1995), revisiting his teacher role), Murphy Brown (1988), Star Trek: Deep Space Nine (1993), Crossing Jordan (2001), The L Word (2004), Gossip Girl (2007), The Good Wife (2009), Mozart in the Jungle (2014), and, more recently, as Dr. Sturgis in the comedy Young Sheldon (2017).

Boyish-looking Peter Sarsgaard was born on March 7, 1971, at Scott Air Force Base, in Bellville, Illinois, to Judy Lea (Reinhardt) and John Dale Sarsgaard, an engineer who worked for the Air Force and later Monsanto and IBM. He is a graduate of St. Louis' Washington University, where he majored in history and literature.

Initially trained with the Actors' Studio in New York, Peter began in comedy and became a co-founder of the comedy improvisational group Mama's Pot Roast. Such off-Broadway productions included Horton Foote's "Laura Dennis" and John Cameron Mitchell's "Kingdom of Earth."

He made his screen debut in Tim Robbins' Dead Man Walking (1995) and was given more sizable roles in Desert Blue (1998) and The Man in the Iron Mask (1998), as the ill-fated son of the Musketeer Athos, played by John Malkovich. Peter then started gracing the art-house circuit, making a violent, searing impression as a homophobic killer in Boys Don't Cry (1999) starring two-time Oscar-winner Hilary Swank as a trans-gendered teen.

Other impressionable offbeat roles for Peter that have thrilled critics from coast to coast include Shattered Glass (2003), which earned him a slew of awards including the prestigious National Society of Film Critics Award. Prior to that, he showed off his versatility with portrayals ranging from a Russian nuclear reactor officer in K-19: The Widowmaker (2002) to a drug addict in The Salton Sea (2002). Other heralded performances include Garden State (2004) and, notably, Kinsey (2004).

On TV, Peter appeared in recurring/regular roles in several critically applauded series and mini-series including The Killing (2011), The Slap (2015), Wormwood (2017) (as ill-fated Army scientist Frank Olson), The Looming Tower (2018) and Running Naked in the Universe (2019). More recent films include Knight and Day (2010), the villain in the DC Comics entry Green Lantern (2011), the Woody Allen drama Blue Jasmine (2013), Experimenter (2015), Jackie (2016) (as Bobby Kennedy), The Magnificent Seven (2016), Loving Pablo (2017), The Sound of Silence (2019) and Human Capital (2019).

In 2009, Sarsgaard married actress Maggie Gyllenhaal and have two children. He co-starred in the movie she wrote and directed -- The Lost Daughter (2021) starring Olivia Colman.

Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story.

The New York-born actress (August 16, 1946) is the daughter of a night club singer, Margot Warren (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under Lee Strasberg at his Actors Studio, the youngest student to ever be accepted at the time.

Looking for on-camera work, the teenager appeared unbilled as Shelley Winters's young daughter in the melodrama The Chapman Report (1962) and was given a bit in the daytime TV show "The Doctors." The slender, young hopeful gathered early musical stage experience in such shows as "Bye Bye Birdie" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and won Broadway's "Most Promising Newcomer" Award. She subsequently received the Theatre World Award for her lead work as a "cat burglar" opposite Elliott Gould in the very short-lived (8 performances) musical "Drat! The Cat!" in 1965.

The attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the Richard Rodgers/Oscar Hammerstein II TV musical production of Cinderella (1965) with Stuart Damon as her Prince and a glittering, all-star cast in support. The Walt Disney people immediate signed the exquisite "Cinderella" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.

Rebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her more mature goal, she was hired in 1970 to replace Barbara Bain in the long-running espionage series Mission: Impossible (1966) when Bain left over contractual issues. Audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.

After only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure Seven in Darkness (1969) as one of several blind survivors; the love drama Love Hate Love (1971) co-starring Ryan O'Neal; a failed pilot in the title role of Cat Ballou (1971); a mild western as one of The Daughters of Joshua Cabe (1972); the exotic "silent star" biopic The Legend of Valentino (1975); the rags-to-riches story Harold Robbins' 79 Park Avenue (1977), for which she won a Golden Globe award; the epic WWII story Pearl (1978); and the social melodramas Betrayal (1978) and Portrait of a Stripper (1979). Lesley also impressed with her starring roles in the Civil War miniseries Beulah Land (1980) and as a Polish-Jewish immigrant in Evergreen (1985). On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite Pernell Roberts's Rhett Butler in a 1973 Broadway-bound musical version of "Gone with the Wind: The Musical." The show quickly died on the West Coast before ever reaching New York.

In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical Victor/Victoria (1982). Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by Alan Rudolph -- Choose Me (1984) and Songwriter (1984). Warren went on to receive a Golden Globe nomination supporting Willie Nelson and Kris Kristofferson in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly "cougar" type opposite young blond and boyish Christopher Atkins in the critically-panned drama A Night in Heaven (1983). She also played Miss Scarlet in the movie version of the board game Clue (1985).

Award-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries Harold Robbins' 79 Park Avenue (1977). She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (Powers Boothe) in Family of Spies (1990), as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in Baja Oklahoma (1988). In 1997, she returned to Broadway with the musical revue "Dream" co-starring Margaret Whiting, which focused on classic "Golden Age" standards.

Entering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the Losing Grace (2001), Secretary (2002), My Tiny Universe (2004), When Do We Eat? (2005), The Shore (2005), Stiffs (2010), I Am Michael (2015), The Sphere and the Labyrinth (2015) and 3 Days with Dad (2019). Among her later TV credits are "Touched by an Angel," "The Practice," "Less Than Perfect," "American Princess," and a recurring role as an overly dependent mom named Jinx in the mystery crime series In Plain Sight (2008). Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on Will & Grace (1998) and Desperate Housewives (2004).

Lesley has a son, actor/producer Christopher Peters, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec and sometime actor Ron Taft, a former vice-president at Columbia.

The award-worthy actor, now enjoying an over five decade career, has a resume that includes everything from Shakespeare to Seinfeld -- from the villainous Senator on Ozark to the wise judge on Lincoln Lawyer.

Born on June 28, 1946, in Philadelphia, Pennsylvania, the son of Clair, an architect and musician, and Marian (Holman) Davison, a secretary, Bruce's parents divorced when he was just three. He developed a burgeoning interest in acting while majoring in art at Penn State and after accompanying a friend to a college theater audition. Making his professional stage debut in 1966 as Jonathan in "Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Bad" at the Pennsylvania Festival Theatre, he made it to Broadway within just a couple of years (1968) with the role of Troilus in "Tiger at the Gates" at the Vivian Beaumont Theatre. The year after that he was seen off-Broadway in "A Home Away from Home" and appeared at the Lincoln Center in the cast of "King Lear."

Success in the movies came immediately for the perennially youthful-looking actor after he and a trio of up-and-coming talents (Barbara Hershey [then known as Barbara Seagull], Richard Thomas and Catherine Burns) starred together in the poignant but disturbing coming-of-age film Last Summer (1969). From this he was awarded a starring role opposite Kim Darby in The Strawberry Statement (1970), an offbeat social commentary about 60s college radicalism, and in the cult horror flick Willard (1971) in which he bonded notoriously with a herd of rats.

Moving further into the 70s decade, his film load did not increase significantly as expected and the ones he did appear in were no great shakes. With the exception of his co-starring role alongside Burt Lancaster in the well-made cavalry item Ulzana's Raid (1972) and the powerful low-budget Short Eyes (1977) in which he played a child molester, Bruce's film roles were underwhelming, such as his elder Patrick Dennis in the Lucille Ball musical film version of Mame (1974), as well as The Jerusalem File (1972), Mother, Jugs & Speed (1976), Grand Jury (1976) and Brass Target (1978).

As such, Bruce wisely looked elsewhere for rewarding work and found it on the stage and on the smaller screen. Earning strong theatrical roles in "The Skin of Our Teeth," "The Little Foxes" and "A Life in the Theatre," he won the Los Angeles Drama Critics Award for his work in "Streamers" in 1977. On TV, he scored in mini-movie productions of Mourning Becomes Electra (1978), Deadman's Curve (1978) (portraying Dean Torrence of the surf-era pop duo Jan and Dean) and, most of all, Summer of My German Soldier (1978) co-starring Kristy McNichol as a German prisoner of war in the American South who falls for a lonely Jewish-American girl. In 1972 Bruce married actress Jess Walton who appeared briefly as a college student in The Strawberry Statement (1970) and later became a daytime soap opera fixture. The marriage was quickly annulled the following year.

The 1980s was also dominated by strong theater performances. Bruce took over the role of the severely deformed John Merrick as "The Elephant Man" on Broadway; portrayed Clarence in "Richard III" at the New York Shakespeare Festival; was directed by Henry Fonda in "The Caine Mutiny Court Martial"; played a moving Tom Wingfield opposite Jessica Tandy's Amanda in "The Glass Menagerie"; received a second Los Angeles Drama Critics Award for his work in the AIDS play "The Normal Heart"; and finished off the decade gathering up fine reviews in the amusing A.R. Gurney period piece "The Cocktail Hour". While hardly lacking for work on film (Kiss My Grits (1982), Crimes of Passion (1984), Spies Like Us (1985), and The Ladies Club (1985)), few of them made use of his talents and range.

It was not until he was cast in the ground-breaking gay drama Longtime Companion (1989) that his film career revitalized. Giving a quiet, finely nuanced, painfully tender performance as the middle-aged lover and caretaker of a life partner ravaged by AIDS, Bruce managed to stand out amid the strong ensemble cast and earn himself an Oscar nomination for "Best Supporting Actor". Although he lost out to the flashier antics of Joe Pesci in the mob drama Goodfellas (1990) that year, Bruce was not overlooked -- copping Golden Globe, Independent Spirit, New York Film Critics and National Society of Film Critics awards. Other gay-themed films also welcomed his presence, including The Cure (1995) and It's My Party (1996). The actor eventually served as a spokesperson for a host of AIDS-related organizations, including Hollywood Supports, and has been active with foundations that assist abused children.

Bruce has been all over the screen since his success in Longtime Companion (1989). Predominantly seen as mature, morally responsible dads and politicians, his genial good looks and likability have on occasion belied a weak or corrupt heart. Bruce married actress Lisa Pelikan in 1986 and they have one son, Ethan, born in 1996. (Color of Justice (1997)). Popular films have included Six Degrees of Separation (1993) starring Will Smith, the family adventure film Far from Home: The Adventures of Yellow Dog (1995) and the box-office hit X-Men (2000) and its sequel in the role of Senator Kelly. More controversial art-house showcases include Dahmer (2002), as serial killer Jeffrey Dahmer's father, and Hate Crime (2005), as a bigoted, murderous pastor.

Into the millennium, Bruce has played mature gents and several high-level officials in such films as The Dead Girl (2006), Christmas Angel (2009), Camp Hell (2010), Black Beauty (2015), Displacement (2016), 9/11 (2017), Along Came the Devil (2018), Itsy Bitsy (2019)

Divorced from second wife Lisa Pelikan, Bruce is happily married to Michele Correy and has a daughter with her, Sophia Lucy, born in 2006. They live in the Los Angeles area.

A fireball of talent and a musical force to be reckoned with, singer/actress Patti LuPone was born on April 21, 1949 in Northport on Long Island, New York, of Italian heritage. Her parents, Orlando Joseph LuPone, a school administrator, and mother Angela Louise (Patti), a librarian, eventually divorced. She was christened Patti in honor of her great-grand-aunt, the renowned 19th-century opera singer Adelina Patti.

Trained in dance, her early days as a teen were spent as part of a 60s sibling group called "The Lupone Trio," which was comprised of Patti and older twin brothers William and Robert LuPone, the latter moving on to a daunting career of his own. A graduate of Northport High School, she attended the Drama Division of The Juilliard School and became part of its first graduating class, which also included future stars Kevin Kline and David Ogden Stiers.

In 1972 the legendary John Houseman reshaped said graduating class and formed The Acting Company, which earned a strong reputation on tour as a classical repertory group. Gaining invaluable acting experience, she stayed with the company until 1975. Making her NY theater debut in "The School for Scandal" (1972), she went on to play major roles in "The Hostage," "The Lower Depths," "The Three Sisters" (her Broadway debut), "Measure for Measure," "Scapin," "Edward II," and "The Time of Your Life," among others. However, it was in musicals that she would reign supreme. She played Lucy in a version of "The Beggar's Opera" (1973) and went on to earn distinction in "The Robber Bridegroom" (Tony nomination) (1975), "The Baker's Wife" (1976) and "Working" (1978).

Her incredible pipes and assured countenance eventually earned her the role of a lifetime with "Evita" (1979). As Argentina's calculating and beloved Eva Peron, Patti grabbed the international spotlight with a rare dramatic fury and brilliance. Her electrifying performance earned her both the Tony and Drama Desk awards, and the resulting stardom officially launched her film and TV career.

Minor roles in King of the Gypsies (1978) and 1941 (1979) led to a co-starring role with Tom Skerritt in the vigilante crimer Fighting Back (1982). Continuing to show off her singing prowess, she originated the role of Fantine in the London production of "Les Misérables" and became the first American to win the prestigious Olivier Award (for her work in both "Les Miz" and "The Cradle Will Rock") in 1985. She nabbed a second Drama Desk Award and another Tony nomination for her Reno Sweeney in "Anything Goes" (1987).

Twice nominated for Emmy awards on TV, she impressed as Lady Bird opposite Randy Quaid's President Lyndon Baines Johnson in the mini-movie LBJ: The Early Years (1987) and scored a resounding hit on the dramatic series Life Goes On (1989) as Libby Thatcher, the loving, protective mother of a son (played by Chris Burke) afflicted with Down Syndrome. This groundbreaking program was the first of its kind to center its theme around a mentally handicapped character. The show ran a durable four seasons and its title song, "Ob-La-Di, Ob-La Da" by Lennon/McCartney, featured Patti's vocals. A round of guest shots over the years have included "Law & Order," "Frazier," "Touched by an Angel," "Will & Grace" (hilariously spoofing her diva image), and a recurring spot on the critically-acclaimed Oz (1997). On film she was well represented by Witness (1985) and in Driving Miss Daisy (1989) as Dan Aykroyd's materialistic wife and minor nemesis to Jessica Tandy.

The concert stage has been a commanding venue for Patti over the years with a number of successful one-woman singing showcases such as "The Lady with the Torch," "Matters of the Heart" and "Coulda, Woulda, Shoulda," winning an Outer Critics Circle Award for her "Patti LuPone on Broadway" in 1995. Stage concert versions of "Pal Joey," "Passion," "A Little Night Music," "Can-Can" and "Candide" have greatly added to her enduring popularity, in addition to her three solo evenings at Carnegie Hall. Powerhouse leads in "Sunset Boulevard" (1993) and "Master Class" (1996) have ensured her diva-like place as one of America's contemporary singing immortals. She earned another Tony nomination more recently for her inventive spin on the monstrous Mrs. Lovett in "Sweeney Todd" (2005). Since then she has added to her Broadway musical gallery as Rose in "Gypsy" (2008) and as Helena Rubinstein in "War Paint" (2017). She also played the aggressive, scene-stealing role of Joanne ("The Ladies Who Lunch") in a film concert version of Company (2011).

Broaching the millennium and beyond, occasional film appearances have included supporting roles in Family Prayers (1993), Summer of Sam (1999), City by the Sea (2002), Union Square (2011), Parker (2013), The Comedian (2016) and Last Christmas (2019). On the smaller screen, she lent her assertive presence in recurring fashion with 30 Rock (2006), American Horror Story (2011), Penny Dreadful (2014), Anthem: Homunculus (2019) and Pose (2018) and a sturdy role in the mini-series Hollywood (2020).

Married since 1988 to camera operator Matthew Johnston, Patti has one son, Josh, who appeared in a small role in Patti's concert version of "Passion."

Offbeat, unconventionally pretty, and utterly mesmerizing, Ellen Barkin was born on April 16, 1954 in the Bronx, New York, to Evelyn (Rozin), a hospital administrator, and Sol Barkin, a chemical salesman. Her parents were both from Russian Jewish families. Raised in the South Bronx and Queens, New York area, she wanted to be an actress as early as her teens and was eventually accepted into Manhattan's High School of the Performing Arts.

Barkin then attended Hunter College and received her degree after double majoring in history and drama. At one point she wanted to teach ancient history, but instead turned her thoughts back to her first love: acting. Barkin then continued her education at New York's Actor's Studio. Fearful of the auditioning process, she studied acting for seven years before finally landing her first audition. While continuing her studies, she worked as a waitress at the avant-garde Ocean Club. Performing off-Broadway in such plays "Shout Across the River" (1979), "Extremities" (1983), "Fool for Love" (1984) and "Eden Court" (1985), she was applauded across the board for her first film lead in Diner (1982) opposite Mickey Rourke and Daniel Stern, and pursued sexy tough-cookie status thereafter with such quirky roles in The Big Easy (1986) starring Dennis Quaid and Siesta (1987) with Irish actor Gabriel Byrne, whom she married in 1987 and separated from in 1993 after producing a son and daughter. She and Byrne divorced in 1999.

With trademark squinting eyes and slightly off-kilter facial features, Barkin continued the fascination of her seamy/steamy girl-from-the-wrong-side-of-the-tracks status most notably opposite Al Pacino in the thriller Sea of Love (1989). In addition, she was well cast as Robert De Niro's abused wife in This Boy's Life (1993), and portrayed "Calamity Jane" in Wild Bill (1995) with earnest. Other impressionable offbeat projects included roles in Fear and Loathing in Las Vegas (1998), Drop Dead Gorgeous (1999) and Mercy (2000). On TV, she was well-cast in the mini-movie Blood Money (1988) and won an Emmy award for her gripping performance in Before Women Had Wings (1997) opposite Oprah Winfrey as another abused wife who, in this case, turns her violent anger on her own daughters.

In 2000, Barkin married billionaire Ronald O. Perelman, eleven years her senior and chairman of the Revlon company, and put her career relatively on hold, appearing sporadically in edgy films like She Hate Me (2004) and Palindromes (2004). Barkin and Perelman went through an acrimonious divorce in 2006.

Just prior to her divorce in late 2005, Barkin ventured into independent film production with Applehead Pictures, a company she set up with her brother George Barkin, who is a scriptwriter and former editor-in-chief of National Lampoon and High Times, and former Independent Film Channel executive Caroline Kaplan. In her first major acting appearance since her divorce from Perelman, Barkin co-starred in Ocean's Thirteen (2007) with George Clooney, Matt Damon, Brad Pitt and former co-star Pacino. She followed up Ocean's with a supporting role in Antoine Fuqua's Brooklyn's Finest (2009), Happy Tears (2009) with Parker Posey and Demi Moore, and Twelve (2010).

Barkin has produced features over time, including Letters to Juliet (2010) and Another Happy Day (2011) (she also starred in the latter project). On the small screen, she appeared in an episode of Modern Family (2009) and her new NBC show, The New Normal (2012), got a sneak peek during the Olympics.

More recent sightings have included the films The Chameleon (2010), Very Good Girls (2013), The Cobbler (2014), Hands of Stone (2016) and Active Adults (2017). She has had regular roles on the TV series The New Normal (2012) and Animal Kingdom (2016).