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- Actress
- Producer
- Soundtrack
Tall (5'10"), lovely, statuesque Seattle native Jean Elizabeth Smart was born on September 13, 1951. The second of four children born to a teacher and his wife, she developed an early interest in acting and attended the University of Washington following her graduation from Seattle's Ballard High School. She attained a BA degree in fine arts there.
Jean's first professional season was with the Oregon Shakespeare Festival where she went on to perform in Shakespeare's Much Ado About Nothing" and "A Moon for the Misbegotten," among others. During the late 1970's she built up a strong resume in regional theater with such companies as the Seattle Repertory Theatre ("Equus," "Fallen Angels"), ACT ("A Christmas Carol"), Pittsburgh Public Theatre (as Lady Macbeth), Alaska Repertory Theatre ("Terra Nova"), and Alliance Theatre ("A History of the American Film"). Her first significant break came with a starring role in the potent, critically-acclaimed lesbian drama "Last Summer at Bluefish Cove," which earned her an Off-Broadway Drama Desk nomination in 1980. She capped this honor with a Los Angeles Drama Critics award in 1983 when she repeated her triumph on the West Coast.
Jean made a highly auspicious Broadway debut in 1981 playing Marlene Dietrich in "Piaf" starring Jane Lapotaire, and it was the subsequent TV taping of that show, Piaf (1984), that brought about major Hollywood interest. A regular on the short-lived sitcoms Teachers Only (1982), Reggie (1983) and Maximum Security (1984), Jean hit pure gold in her fourth attempt as the delightfully ditzy Charlene Frazier on Designing Women (1986). The show was an instant hit and it was here that she would meet future husband Richard Gilliland, who played the recurring role of co-player Annie Potts' boyfriend J.D. for several seasons.
Feeling confined and fearing typecasting, Jean left the show in 1991 to find more challenging work. She drew major acclaim, giving a chilling portrayal of a true-to-life serial killer in the TV movie Overkill: The Aileen Wuornos Story (1992), long before Charlize Theron copped an Oscar for her equally chilling cinematic version. In other TV movies, Jean earned strong applause for her roles as a mentally challenged woman in The Yarn Princess (1994); as a concerned rural mother in Marjorie Kinnan Rawlings' classic The Yearling (1994); as an attorney involved in a high-profile murder case in Undue Influence (1996); as a wife who discovers her longtime husband is gay in A Change of Heart (1998); co-starring with real-life husband Richard Gilliland in Audrey's Rain (2003) as new parents after her sister commits suicide; and as an FBI profiler in Killer Instinct: From the Files of Agent Candice DeLong (2003).
On stage, Jean she earned a Tony nomination for her delightfully madcap part in the Moss Hart/George S. Kaufman classic comedy farce "The Man Who Came to Dinner" opposite Nathan Lane. The Broadway show was later made as a TV movie, The Man Who Came to Dinner (2000), with both Lane and Smart.
Having made her debut with a small role in the crimer Hoodlums (1980), films would never be as strong a venue for Jean as the stage or TV. She did, however, show off her versatility in both comedy and drama with secondary roles with such films as Flashpoint (1984), the Goldie Hawn vehicle Protocol (1984), Fire with Fire (1986), Project X (1987), Mistress (1992), Edie & Pen (1996) and The Odd Couple II (1998). Jean topped the decade off well with two independent films -- earning an Independent Spirit Award nomination for her role as Sarah Polley's ill-natured mother in Guinevere (1999), and first-billed in the mother/daughter road trip dramedy Forever Fabulous (1999) co-starring Jennifer Elise Cox.
Remaining extremely busy into the millennium, Jean went on to win bookend Emmy awards for her guest appearances on the sitcom Frasier (1993) and earned two more Emmy nominations for her potent perms in the crime drama 24 (2001) starring Kiefer Sutherland. She also graced a host of other series with regular/recurring roles on the romantic comedy In-Laws (2002); the crimer The District (2000); the family comedy Center of the Universe (2004) (co-starring John Goodman); the animated program Kim Possible (2002) (as the voice of Dr. Ann Possible); the mystery comedy Samantha Who? (2007) starring Christina Applegate; the revamped crimer Hawaii Five-0 (2010) (as the governor); the crime dramedy Harry's Law (2011); the dark thriller Fargo (2014); the action sci-fi drama Legion (2017); and the detective series Mare of Easttown (2021).
More recent films include Youth in Revolt (2009), Barry Munday (2010), Hope Springs (2012), Waking (2013), Warren (2014), Miss Meadows (2014), The Accountant (2016), Life Itself (2018) and Brampton's Own (2018).
Diagnosed with juvenile diabetes at age 13, Jean has played an active part over the years in public awareness. She has two children with her late husband Richard, son Connor and adopted son (from China) Forrest.- Actress
- Producer
- Soundtrack
On the viewing horizon since the late 1980s, actress Maura Tierney has been a steady product of independent features, some hits and some misses, for close to a decade and a half. An odd and compelling beauty, she came from an upscale Bostonian family and was raised in the Hyde Park district.
Born February 3, 1965, the eldest child of three of Pat, a real estate agent, and Joseph M. Tierney, a prosperous politician and city councilman, Maura Lynn Tierney initially studied at New York University. She left school prior to graduation when she hooked up with the Circle-in-the-Square theater school. Following some stage plays including "Baby with the Bathwater" and "Danny and the Deep Blue Sea," she moved to the West Coast in the late 1980s finding minor roles here and there in TV-movies and making the rounds on episodic shows such as Growing Pains (1985), Family Ties (1982) and Law & Order (1990). She met actor/husband Billy Morrissette after both were fired from the set of an eventually-scrapped Ralph Macchio series.
After a few other failed pilots and a short-lived TV series, Maura made a minor film debut with The Linguini Incident (1991) and progressed to leading lady status in the B-movie spoof Dead Women in Lingerie (1991), which didn't go over well. She finally hit paydirt on TV when she won a female co-lead as smart but insecure newswriter Lisa Miller on the comedy series NewsRadio (1995). The show sailed along for a number of seasons due to the fine comedy instincts of Dave Foley, Andy Dick and the late Saturday Night Live (1975) player Phil Hartman. The show lost its oomph, however, as well as its audience after Hartman's tragic 1998 gunshot slaying, despite an assured replacement in fellow Saturday Night Live (1975) alumni Jon Lovitz. The show couldn't escape its bad aura, and it was gone the following year.
Maura's work on the TV sitcom thrust her into the film comedy limelight with prominent roles in such films as the Jim Carrey vehicle Liar Liar (1997). She also showed up as sly, darker-edged femmes in the thriller Primal Fear (1996), Primary Colors (1998) and Instinct (1999).
Into the millennium, Maura received one of her best art-house roles as a heavy in her husband's feature Scotland, Pa. (2001) which he wrote and directed. Following that came a mixture of offbeat parts in such films as the mystery thriller Insomnia (2002) starring Al Pacino and Robin Williams; the romantic comedy Welcome to Mooseport (2004) with Gene Hackman and Ray Romano; the Paul Rudd dramedy Diggers (2006); the sports comedy Semi-Pro (2008) with Will Ferrell and Steve Guttenberg; the Tina Fey/Amy Poehler slapstick comedy Baby Mama (2008); and, more recently, Nature Calls (2012), Anything (2017) and Beautiful Boy (2018) opposite Steve Carell.
She also found steady TV work with the role of Abby, who was first a nurse and then a doctor, in the long-established and critically-acclaimed medical drama series ER (1994), where she remained on the staff until the show left the air in 2009. She also found recurring roles on Rescue Me (2004), The Good Wife (2009) and The Affair (2014), and co-starred in the short-lived legal drama The Whole Truth (2010) with Rob Morrow.- Actress
- Producer
- Director
Lovely, Julia (O'Hara) Stiles, of Irish, English and German heritage, was born on March 28, 1981 in New York City, the outgoing daughter and eldest of three children of a Greenwich Village artist mother, Judith Newcomb Stiles, and an elementary school teacher father, John O'Hara.
Encouraged to take modern dance lessons, she was introduced to Shakespeare and theater at an early age. When she was 11, she made her stage debut as a child actress with the experimental off-Broadway La MaMa Theatre. Her passion grew and by the next year was performing professionally and working in commercials. A bright, precocious student, she was seriously considered for the child vampire role of Claudia in Interview with the Vampire: The Vampire Chronicles (1994) but lost out in the end to Kirsten Dunst. She continued training at New York's Professional Children's School and, at 15, made her cinematic bow with I Love You, I Love You Not (1996) with Claire Danes.
Julia was next featured as the daughter of Harrison Ford in The Devil's Own (1997), with her breakout role occurring on TV with the hard-hitting mini-movie Before Women Had Wings (1997), which was produced by Oprah Winfrey and dealt with child abuse. Her wish to play Shakespeare was granted threefold with her participation in 10 Things I Hate About You (1999), which was based on the Bard's "The Taming of The Shrew" and earned her the Chicago Film Critics Award as volatile teen Kat; an updated version of Hamlet (2000) which paired her Ophelia with Ethan Hawke; and another updated version of "Othello" entitled O (2001), which involved her high school character of Desi (Desdemona) in a mixed romantic relationship with African-American Mekhi Phifer. The violent-edged film, made in 1998, was not released until three years later due to the Colorado shootings at Columbine High School.
In addition, Julia later portrayed Viola off-Broadway in a Shakespeare-in-the-Park production of "Twelfth Night" in 2002. She temporarily interrupted her career after deciding to enroll at Columbia University in 2000, where she earned a degree in English. Stiles has also returned to the stage, appearing in David Mamet's "Oleanna" in London, a role she would reprise on Broadway in 2009, opposite Bill Pullman and directed by Doug Hughes.
Moving into mainstream roles by the millennium, Julia took on a role that would carry her through the decade, co-starring with Matt Damon in popular Bourne series: The Bourne Identity (2002), The Bourne Supremacy (2004) and The Bourne Ultimatum (2007). During the time between Bourne films, she appeared in ensemble dramas, appearing opposite Julia Roberts in Mona Lisa Smile (2003), won offbeat notice in the title role of Carolina (2003) with Shirley MacLaine and Randy Quaid. She also returned to her indie film roots, with films such as Between Us (2012) and the comedy farce, It's a Disaster (2012).
In 2010, Julia switched gears and headed to series television, joining the cast of Dexter (2006) for the show's fifth season as Lumen Pierce, a performance that earned her Emmy and Golden Globe support nominations. In 2012, she followed this up with leads in two other TV series, the social drama Blue (2012) and the dramatic thriller Riviera (2017).
Married to camera assistant Preston Cook and with one son, Julia's more recent filming has included prominent roles in The Great Gilly Hopkins (2015), Misconduct (2016), Jason Bourne (2016), Trouble (2017), Hustlers (2019) and The God Committee (2021).
e recent work includes- Producer
- Actor
- Writer
Although younger brother Dwayne Hickman (born 1934) is probably the better-remembered sibling today with his cult following as TV's favorite lovestruck teenager Dobie Gillis and a few "Beach Party" films, it is Darryl Hickman who is certainly the more prolific brother in the movies. At one time, he was deemed one of Hollywood's most talented child stars of World War II and post-war film.
Hickman was born in Hollywood, California on July 28, 1931, to Milton Hickman, an insurance salesman, and his wife Katherine, a mother-turned-stage mother. Taking dance classes at age 3, Darryl's looks and talent were discovered by his dance school director who eventually had him placed with a child troupe at age 5 (Meglin School for Kiddies). Paramount Studios subsequently took notice and signed him to a contract, making his unbilled film debut as Ronald Colman's son in the classic adventure The Prisoner of Zenda (1937). The child then appeared briefly in a second Colman film, If I Were King (1938). Darryl would grow up within the studio system and on the studio sets. Fellow classmates would include such stars as Jackie Cooper.
Appearing in the Bing Crosby musical biopic The Star Maker (1939), Crosby took notice of young Darryl's promise and referred him to his talent agent brother Everett Crosby. Everett was impressed as well, and took Darryl under his wing. Placed in the Paramount films Untamed (1940) and The Way of All Flesh (1940), the boy was eventually featured in his most prominent role, that of young, impoverished Winfield Joad in the classic film The Grapes of Wrath (1940). MGM quickly showed interest and bought out the boy's Paramount contract.
A popular loan-out child player, Darryl appeared in a "poverty row" version of one of Jack London's more popular adventure stories Sign of the Wolf (1941); appeared in 12-year-old Shirley Temple's last film for Fox Young People (1940); showed up in Universal's Mob Town (1941) and another Fox film Young America (1942). While at MGM, Darryl found himself working with the studio's top echelon of stars including Spencer Tracy, Katharine Hepburn, Robert Taylor and Mickey Rooney. Notable in-house roles included that of "Flip" in Men of Boys Town (1941), "Johnny Smith" in Joe Smith, American (1942), "(young) Blackie" in Northwest Rangers (1942); "Jeb" in the Tracy/Hepburn drama Keeper of the Flame (1942), "Etienne" in Assignment in Brittany (1943), and as young "Lionel" in the classic "Americana" film The Human Comedy (1943).
Darryl progressed from child to juvenile parts with equal skill. He was featured in the role of WWI flying ace Eddie Rickenbacker as a lad in the biopic Captain Eddie (1945) starring Fred MacMurray and also featuring brother Dwayne; played composer Ira as a teenager in the Gershwin story Rhapsody in Blue (1945); reunited with Shirley Temple in the "Corliss Archer" comedy Kiss and Tell (1945); played the ill-fated brother-in-law of evil Gene Tierney in the drama Leave Her to Heaven (1945); portrayed the younger version of Van Heflin in the film noir The Strange Love of Martha Ivers (1946); tangled with priest Pat O'Brien as a young troublemaker in the "Boy's Town"-like crime drama Fighting Father Dunne (1948); was upgraded to Shirley Temple's boyfriend in the light comedy A Kiss for Corliss (1949); played a prep school problem along with co-star Dean Stockwell in the comedy The Happy Years (1950) and a disturbed ranch caretaker along with equally disturbed older sister Mercedes McCambridge in the heavy meller Lightning Strikes Twice (1951).
Darryl attended the Immaculate Heart Grammar School in Los Angeles as well as the studio schools at Paramount and then MGM. In September of 1951, 20-year-old Darryl, who had grown unhappy and disenchanted with Hollywood and the studio system in its inability to protect child actors, abandoned his career and entered a monastery, the Passionist Seminary, with the intent on becoming a priest. Within a year, however, he left when he realized he was not cut out for a life in the priesthood.
Trying to regain his acting momentum proved admirable and challenging. He began on 50's TV with guest shots on such shows as "Sky King," "The Lone Ranger," "Annie Oakley," "Biff Baker, U.S.A., "Perry Mason," "Public Defenders," "Alfred Hitchcock Presents," "Wanted: Dead or Alive," "Gunsmoke," "The Millionaire" and several anthology programs. He also guested on brother Dwayne's popular "Dobie Gillis" TV show. On the film front, he found featured roles in Destination Gobi (1953), Island in the Sky (1953), Prisoner of War (1954), Tea and Sympathy (1956), The Persuader (1957) and The Tingler (1959).
By the early 1960s, as film and TV offers began to dry up, Darryl wisely moved behind the scenes. Starting out as a TV writer, he eventually became a program executive. In the '70s he briefly attempted TV producing. In later years he would also become a respected acting coach in the Los Angeles area. Never leaving acting altogether, he made 60's and 70's guest appearances on such shows as "Walt Disney's Wonderful World of Color," "Dr. Kildare," "Love, American Style," "All in the Family" and "Maude," before finding an "in" with an abundance of '80s animated voice work: Space Stars (1981), Pac-Man (1982), The Biskitts (1983), The Greatest Adventure: Stories from the Bible (1985) and A Pup Named Scooby-Doo (1988). One of his last visible appearances was in a 1999 episode of "The Nanny."
Darryl married actress Pamela Lincoln, whom he first met on the film set of The Tingler (1959). They had two children, but divorced in 1982.
On the date of his death he was married to production assistant Lynda Farmer Hickman.- Actor
- Writer
- Producer
In both career and in real life, Bobby Cannavale tends to choose the unconventional way of doing things. In the beginning, his decisions may have cost the dark, swarthily good-looking actor some acting roles and/or good-paying parts but, in the end, his strong work ethic and sense of self, despite a lack of formal training, allowed him to take a successful path off the crowded acting trail. From character goofball and cut-up, he has broken into the leading man ranks with his recent starring role as a reincarnated matchmaker in the TV series Cupid (2009).
Born Roberto M. Cannavale on May 3, 1971, in Union City, New Jersey, to an Italian-American father, Sal, and a Cuban mother, Isabel, he was involved in various activities at his Union City Catholic school, St. Michaels, while growing up. An altar boy, choir boy and lector, he also appeared in the church school's various musicals including his very first, "Guys and Dolls", in which he showed up as one of the gangsters, and "The Music Man", appearing as the lisping, scene-stealing tyke, "Winthrop".
Bobby's parents divorced when he was five years old and his mother moved the family to Puerto Rico for a couple of years. Eventually, they returned to the States and settled in Coconut Creek, Florida, where he attended high school. Restless and uncomfortable in any sort of regimented setting, he often got suspended for playing the class clown. Graduating in the late 1980s, and bitten by the acting bug, Bobby chose to return to the New York/New Jersey area in order to jump start an acting career. Working in bars to support himself, he again avoided the confines of an acting school and, instead, gained experience as a "reader" on occasion with the Naked Angels theatre company. During this time (1994), he met and married Jenny Lumet, the actress-daughter of director Sidney Lumet. They had son, Jake, the following year. The couple divorced in 2003.
Spotted by playwright Lanford Wilson while performing in an East Village production of Larry Kramer's "The Normal Heart", Bobby was invited to join Wilson's prestigious Circle Repertory Theatre. As a "reader" for the company, he eventually earned stage parts in "Chilean Holidays" (1996) and in Wilson's "Virgil Is Still the Frog Boy." He also went on to serve as understudy to Mark Linn-Baker in a 1998 production of "A Flea in Her Ear" and later replaced him. A noticeable role in the company's play, "The Most Fabulous Story Ever Told" by Paul Rudnick led to Bobby's being cast in the recurring role of a tugboat operator in the TV series Trinity (1998). Having only appeared in bit parts thus far in such movies as Night Falls on Manhattan (1996), directed by Lumet, and I'm Not Rappaport (1996), it was "Trinity" creator John Wells who caught Bobby's stage performance and handed him this career-making break on camera.
Bobby's "nice-guy" aura and blue-collar charm proved invaluable, if a bit restrictive. Once the "Trinity" series ended, Wells cast the 6'3" lug with the trademark caterpillar brows and crooked smile as lovelorn paramedic "Bobby Caffey" in his series Third Watch (1999). The character became quite popular but Bobby, again feeling restricted and wishing to broaden his horizon as an actor, asked to be released from the show -- but "in a big way". Creator Wells obliged and had the paramedic fatally shot in the chest and then experience a "beyond the grave" union with his character's deceased, ne'er-do-well dad.
Bobby next joined the cast of father-in-law Sidney Lumet's acclaimed TV courtroom drama 100 Centre Street (2001), starring Alan Arkin, cast against type as a brazenly opportunistic prosecutor. He subsequently earned recurring roles on Ally McBeal (1997) (in 2002) and Six Feet Under (2001) (in 2004). As for films, Bobby was featured in Gloria (1999), The Bone Collector (1999), Washington Heights (2002) and The Guru (2002) by the time he scored as the gregarious food truck driver in the critically-hailed indie film The Station Agent (2003), which paired him intriguingly opposite the diminutive actor Peter Dinklage.
Unwilling to shirk away from more controversial roles such as his gay drug dealer who has the hots for a fellow prisoner in the acclaimed series Oz (1997) or his closeted dancing neophyte in the film comedy Shall We Dance? (2004) starring Richard Gere, Bobby continued to elevate his status seesawing between film (Shortcut to Happiness (2003), Happy Endings (2005), Romance & Cigarettes (2005)) and TV assignments (the miniseries Kingpin (2003)). He earned big viewer points and an Emmy Award for his recurring portrayal of Will's dour cop/boyfriend on the hit sitcom Will & Grace (1998) in 2004. Elsewhere, on stage, he merited attention in such productions as "Hurlyburly" and earned a Tony Award nomination for his 2007 Broadway debut in "Mauritius."
After five consecutive failed pilots, Bobby has come front-and-center with his quirky starring role in the ABC series Cupid (2009), plus recurring roles in Cold Case (2003) and Nurse Jackie (2009), and his second Emmy-winning part in Boardwalk Empire (2010). He continues to rake up credits on the big screen with (The Merry Gentleman (2008), Diminished Capacity (2008), The Take (2007), 100 Feet (2008), Roadie (2011), Blue Jasmine (2013), link=tt2883512], Ant-Man (2015), I, Tonya (2017), Boundaries (2018) and The Irishman (2019), and with fascinating continuing/regular roles on such TV series as Cupid (2009), Cold Case (2003), Boardwalk Empire (2010), Nurse Jackie (2009), Vinyl (2016), Mr. Robot (2015) and Homecoming (2018), this dark, brutish character has plenty of staying power in both comedy and drama.- Actress
- Director
- Producer
Multi-talented, multi-award-winning actress Kathleen (Doyle) Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor.
Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award.
By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981.
Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old.
Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull, however, and was never a strong consideration when the roles transferred to the screen. Her award-winning stage went to established film stars. First Sissy Spacek took over her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice.
It was Kathy's fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991.
Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998), receiving praise and a "Best Supporting Actress" nomination.
Kathy has continued to work prolifically on TV as a 14-time Emmy winner or nominee thus far. She has also taken to directing a couple of TV-movies on the sly. As most actors, she has been in hit and miss TV shows. On the hit side, she has earned a Golden Globe and Emmy nomination for her portrayal of Jay Leno's manager playing tough politics in The Late Shift (1996) and played to the hilt the cruel-minded orphanage operator, Miss Hannigan, in Annie (1999) for which she also earned an Emmy nom. She has done some eye-catching, offbeat turns on regular series such as Six Feet Under (2001) (for which she also earned a DGA award for helming an episode), The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. She also won an Emmy for a guest episode on the hit sitcom Two and a Half Men (2003).
Interesting millennium filming have included a Catholic school's Mother Superior in the comic drama Bruno (2000); Jesse James' mother in American Outlaws (2001); a quirky, liberal mom in About Schmidt (2002) for which she earned another "Best Supporting Actress" Oscar nomination; a brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011); Queen Victoria in the adventurous remake of Around the World in 80 Days (2004); wacky parent types in the comedies Failure to Launch (2006) and Relative Strangers (2006); Mother Claus in the seasonal farce Fred Claus (2007); an over-gushy foster mother in the dramedy The Great Gilly Hopkins (2015); and a wrenching performance as the mother of a suspected terrorist in Richard Jewell (2019) for which she earned her third "Best Supporting Actress" Oscar nomination.
Divorced from husband Campisi since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.- Actress
- Soundtrack
Actress J. Smith-Cameron was born Jean Isabel Smith in Louisville, Kentucky, and raised in Greenville, South Carolina, the daughter of an architect. She was known simply as J. Smith by her fellow students at Florida State University School of Theatre program in the mid-1970s. Despite her age, she made for a completely believable teenage Anne Frank in "The Diary of Anne Frank", was a touching and memorable Helen Keller in "The Miracle Worker", was wonderfully bizarre as Honey in "Who's Afraid of Virginia Woolf?" and demonstrated great skill and versatility in an all-female version of "The Taming of the Shrew". Smith's older sister, actress Jo Ann Smith (who later became a teacher), also attended FSU at the same time and performed in a production of the classic Iranian allegory, "The Butterfly" ("Shaparak Khanoom") by Bijan Mofid and directed by his actor/brother, Ardavan Mofid.
She made her film debut while studying at FSU, starring in the acclaimed low-budget production of Gal Young Un (1979), directed by Victor Nunez, who later directed Ulee's Gold (1997). The film, shot in Florida, starred and featured several fellow FSU alumni, including David Peck, Marc H. Glick, Tim McCormack, Gil Lazier (FSU acting teacher), and Randy Ser (who later won an Emmy as production designer for the Whitney Houston version of Cinderella (1997)). The film was not released until 1979, several years after her college graduation. Following college, she added the hyphenated Cameron to her moniker as both a tribute to her great-grandmother and to avoid confusion once she joined Actors' Equity.
As "J. Smith-Cameron", she made her Broadway debut as the crazy, suicidal "Babe" in Beth Henley's "Crimes of the Heart" (as a replacement). She went on to make an award-worthy New York impression with a Tony nomination for "Our Country's Good" (1991), winning an Outer Critics Circle award for "Lend Me a Tenor" (1989), and an Obie for her no-holds-barred performance in "As Bees in Honey Drown" (1997). Other stage successes have included "Wild Honey", "The Memory of Water", "Night Must Fall", "Tartuffe", and "After the Night and the Music".
Her TV and film work has become stronger and more frequent with each decade. She has shown that, even in the smallest role, she can draw attention to herself, as evinced by her hysterically funny bit as a sexual compulsive in the gay film Jeffrey (1995). She has played various wife and/or mother parts, some more stable than others, in such films as Mighty Aphrodite (1995), Harriet the Spy (1996) and The Rage: Carrie 2 (1999). She also had strong roles in TV guest spots on such shows as The Days and Nights of Molly Dodd (1987), in a recurring role, plus such East Coast-based television series as "The Equalizer", "Homicide: Life on the Street", "Spin City", and "Law & Order".
She met and married playwright/film writer Kenneth Lonergan. They have a daughter, Nellie, who was featured as Mabel, the secretary, in Lonergan's Oscar-nominated breakthrough play-turned-film You Can Count on Me (2000), which made film stars out of Laura Linney and Mark Ruffalo, and was particularly effective in Margaret (2011). Other film projects have included The First Wives Club (1996), In & Out (1997), Bittersweet Place (2005), Man on a Ledge (2012), Like Sunday, Like Rain (2014), and, most recently, True Blood (2008) (as a shape-shifter), as a tormented mother in Rectify (2013), and as "Gerri" in the social drama Succession (2018).- Actress
- Writer
- Producer
After this feisty, highly offbeat actress from Chattanooga, Tennessee, broke into TV in the 1980s, she immediately set herself apart from the norm with a prime role as new owner Bud Cort's female friend in the bizarre mini-movie Bates Motel (1987). This rather inauspicious beginning would also set Lori Petty off on a career as a kinetic fighter and a misfit, types for which she would be best known.
Lori was born on October 14, 1963, and spent her childhood traveling the US with her father, a Pentecostal minister. Her keen talents first lent themselves toward being a graphic artist in Omaha, Nebraska, but an impulsive desire to act quickly took precedence and soon she was off to New York, where she took acting classes and pounded the pavement for jobs.
Going nowhere fast, she eventually headed for Los Angeles and finally found an "in". Following a number of mediocre TV roles, she won a bit of attention on the short-lived series Booker (1989) as a lippy secretary, then hit pay dirt in secondary roles as an outrageous Cyndi Lauper wannabe in Cadillac Man (1990) and as Patrick Swayze's ex-girlfriend/waitress who hooks up with Keanu Reeves in Point Break (1991).
It looked like mainstream stardom might happen for the tomboy actress, especially after getting cast as Geena Davis' bratty baseball-playing sister in the highly successful A League of Their Own (1992). However, while Lori proved to be an intriguing, kooky sort, she also proved more difficult to cast. Such disparate roles as a kind-hearted animal trainer in Free Willy (1993) and the sole female recruit in Pauly Shore's inane comedy In the Army Now (1994) only proved the point.
She seemed bent towards playing scrappy, hard-edged figures alongside the big action guys but started off on the wrong foot when she was replaced by Sandra Bullock in Sylvester Stallone's Demolition Man (1993) due to "artistic differences". She did play a lone female cop in the thriller The Glass Shield (1994), then found her true calling as the bizarre cartoon heroine Tank Girl (1995), which was billed as "a post-apocalyptic comedy." Playing along the same hard lines, Lori portrayed an FBI agent who teams up with a Tokyo policewoman Yûki Amami in the crime thriller Countdown (1996); played a butch lesbian in the social comedy Relax... It's Just Sex (1998); and an aggressive, tough-talking stripper at odds with the Mafia in the potboiler The Arrangement (1999). She ended the decade on TV as Max, a motel clerk, in the crime drama fantasy series Brimstone (1998).
Into the millennium, the crop-haired, tough-as-nails actress continued to take it to the limit. Following roles in the action films Firetrap (2001) and Route 666 (2001), Lori co-starred alongside the similarly tough-styled Gina Gershon in Prey for Rock & Roll (2003) as members of a punk rock band. She later starred in the creature vs. human horror opus Cryptid (2006); had a small part (First Murderer) in a contemporary Hollywood updating of Shakespeare's Richard III (2007); a deputy in the cross-country sports movie Chasing 3000 (2010); a doctor in the horror thriller Dead Awake (2016); a starring role as a lady Marine in Fear, Love, and Agoraphobia (2018); and a campy role in the low-budget horror flick A Deadly Legend (2020).
On TV, Lori would be seen as a guest in such shows as "The Beast," "NYPD Blue," "CSI: NY," "Masters of Horror," "House," "Prison Break," "Hawaii Five-0," and, more notably, in the recurring and amusing role of loony, paranoiac Lolly in the women's prison series Orange Is the New Black (2013). On the other side of the camera, the still-single Lori wrote and directed the film The Poker House (2008) starring Jennifer Lawrence, a re-dramatization of Lori's teenage years in Iowa. The film earned awards at the Los Angeles Film Festival- Actor
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Award-winning actor Mark Ruffalo was born on November 22, 1967, in Kenosha, Wisconsin, of humble means to father Frank Lawrence Ruffalo, a construction painter and Marie Rose (Hebert), a stylist and hairdresser; his father's ancestry is Italian and his mother is of half French-Canadian and half Italian descent. Mark moved with his family to Virginia Beach, Virginia, where he lived out most of his teenage years. Following high school, Mark moved with his family to San Diego and soon migrated north, eventually settling in Los Angeles.
Mark first took classes at the Stella Adler Conservatory and subsequently co-founded the Orpheus Theatre Company, an Equity-Waiver establishment, where he worked in nearly every capacity. From acting, writing, directing and producing to running the lights and building sets while building his resume.
Moving into film and TV, Mark's inauspicious movie debut was the drifter role of Christian in the horror opus Mirror Mirror 2: Raven Dance (1994) and returned to the film series in the role of Joey with Mirror Mirror 3: The Voyeur (1995). He continued on through the 1990's rather indistinctly with more secondary roles in the horror film The Dentist (1996) starring madman Corbin Bernsen; an amusing perf in the obscure dramedy The Last Big Thing (1996); a third billed role in the Jerry Stiller/Anne Meara bickering senior comedy A Fish in the Bathtub (1998); and the war drama Ceremony... The Ritual of Love (1976) directed by Ang Lee.
Bartending for nearly nearly a decade to make ends meet and discouraged enough to give it up, a chance meeting and resulting collaboration with playwright/screenwriter Kenneth Lonergan approaching the millennium changed everything. Ruffalo won NY success in Lonergan's 1996 off-Broadway play "This Is Our Youth," a story about troubled young adults. This led to his male lead in Lonergan's Oscar-winning film drama You Can Count on Me (2000), playing the ne'er-do-well brother of Laura Linney. The performance drew rave reviews and invited comparisons to an early Marlon Brando.
Ruffalo never looked back. Notable roles in The Last Castle (2001), XX/XY (2002), and Windtalkers (2002) followed, although in 2002 Ruffalo was diagnosed with an acoustic neuroma, a type of brain tumor. Though the tumor was benign, the resulting surgery led to a period of partial facial paralysis, from which he fully recovered. In 2003, Ruffalo scored leading roles alongside two popular female stars, playing a police detective opposite Meg Ryan in In the Cut (2003) and the love interest of Gwyneth Paltrow in the comedy View from the Top (2003).
Though both films were high-profile box office disappointments, Ruffalo went on to four notable (if highly disparate) films in 2004 -- We Don't Live Here Anymore (2004), Eternal Sunshine of the Spotless Mind (2004), 13 Going on 30 (2004), and Collateral (2004) -- which solidified his ability to be both a popular leading man and an acclaimed ensemble player in either comedy or drama.
After 2004, Ruffalo was consistently at work, with leads in popular Hollywood films and independent productions that continued to solidify him as one of film's most consistently strong actors: Just Like Heaven (2005), All the King's Men (2006), Zodiac (2007), Reservation Road (2007), and The Brothers Bloom (2008). He also made his Broadway debut as Moe Axelrod in the play "Awake and Sing!"
In 2010 Ruffalo achieved something of a breakthrough, by directing the indie film Sympathy for Delicious (2010), which won him the Special Jury Prize at the Sundance Film Festival, and co-starring as the sperm-donor father to lesbian couple Annette Bening and Julianne Moore in The Kids Are All Right (2010). His role in the idiosyncratic domestic comedy/drama earned him Academy Award, Independent Spirit Award, Screen Actors Guild, and BAFTA nominations for Best Supporting Actor. He went on to earn two more Best Supporting Actor nominations as an Olympic-winning wrestling champion in Foxcatcher (2014) and as a journalist working to uncover the Catholic Church sex abuse scandal in Spotlight (2015). In 2017, the actor returned to Broadway in Arthur Miller's "The Price."
High-profile roles in Martin Scorsese's Shutter Island (2010) and Longeran's long-delayed film Margaret (2011) followed before Ruffalo's appearance as Dr. Bruce Banner, aka The Hulk, in Joss Whedon's movie blockbuster The Avengers (2012). Garnering highly positive reviews for a role in which actors Eric Bana and Edward Norton could not find success in previous films made Ruffalo a box office action star in addition to a critically-acclaimed actor. He returned to the Banner/Hulk role frequently in such Marvel movies as Iron Man 3 (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017), Avengers: Infinity War (2018), Captain Marvel (2019) and Avengers: Endgame (2019),
Reunited with former co-star Gwyneth Paltrow in the sex-addiction comedy-drama Thanks for Sharing (2012), he went on to earn a Golden Globe nomination for playing a bipolar Dad in Infinitely Polar Bear (2014). Ruffalo also took on the lead in Ryan Murphy's adaptation of Larry Kramer's AIDS-drama play The Normal Heart (2014) and earned a SAG Award and Emmy Nomination. He later took home the Emmy playing twin brothers, one a paranoid schizophrenic, in I Know This Much Is True (2020).
Ruffalo has been married to actress Sunrise Coigney since 2000; the couple has three children, two sons and a daughter.- Actor
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American character actor and playwright Wallace Shawn has one of those fun, delightfully mischievously gnomish faces made for entertaining. Though he got out of the acting starting gate rather late, he quickly excelled film and TV while managing to turn himself into comedy egghead or loser types. Woody Allen's slightly threatened character in the movie Manhattan (1979) amusingly describes Wallace's benign gent as "a homunculus", which may be a pretty fair description of this predominantly bald, wan, pucker-mouthed, butterball-framed, slightly lisping gent. Shawn made his movie debut at age 36 in Allen's heralded classic in a brief but telling scene as Diane Keaton's ex-husband.
The 5'2" Jewish actor was born Wallace Michael Shawn into privilege on November 12, 1943 in New York City, as the son of Cecille (Lyon) (1906-2005), a journalist, and William Shawn (1907-1992), renowned and long-time editor of The New Yorker. His brother, Allen Shawn, went on to become a composer. Wallace was educated at both Harvard University, where he studied history, and Magdalen College, Oxford. Wallace initially taught English in India on a Fulbright scholarship, and then English, Latin and drama back in New York. However, a keen interest in writing and acting soon compelled him to leave his cushy position and pursue a stage career as both playwright and actor.
During his distinguished career, Wallace churned out several plays. "Our Late Night", the first of his works to be performed, was awarded an off-Broadway Obie in 1975. This was followed by "A Thought in Three Parts" (1976);, "The Mandrake" (1977) (which he translated from the original Italian and made his acting debut), "Marie and Bruce" (1979), "Aunt Dan and Lemon" (1985) and "The Fever," for which he received his second Obie for "Best New Play" during the 1990-91 season.
A popular supporting player of comedy and the occasional drama, Shawn's assorted kooks, creeps, brainiacs and schmucks possessed both endearing and unappetizing qualities. He earned his best early notices partnered with theatre director/actor Andre Gregory in the unique Louis Malle-directed film My Dinner with Andre (1981). Shawn co-wrote the improvisatory, humanistic piece with brother Allan as the composer. Shawn and Gregory would collaborate again for Malle in another superb, original-concept film Vanya on 42nd Street (1994).
Among Shawn's offbeat films have been Bruce Paltrow's A Little Sex (1982); James Ivory's The Bostonians (1984); Stephen Frears' Prick Up Your Ears (1987); Rob Reiner's The Princess Bride (1987); Alan Rudolph's The Moderns (1988) and Mrs. Parker and the Vicious Circle (1994); and Paul Bartel's Scenes from the Class Struggle in Beverly Hills (1989). He also appeared in several other Woody Allen offerings including Radio Days (1987), Shadows and Fog (1991), The Curse of the Jade Scorpion (2001), Melinda and Melinda (2004) and the title role in Rifkin's Festival (2020).
Since the 1990s, he has lent his vocal talents to a considerable number of animated pictures including A Goofy Movie (1995), Toy Story (1995) (and its sequels), The Jungle Book: Mowgli's Story (1998), The Incredibles (2004), Chicken Little (2005), Happily N'Ever After (2006), Cats & Dogs: The Revenge of Kitty Galore (2010) and Animal Crackers (2017). TV voices have included The Pink Panther (1993), The Lionhearts (1998), Family Guy (1999), Kung Fu Panda: Legends of Awesomeness (2011), The Stinky & Dirty Show (2015) and The Bug Diaries (2019).
Millennium films graced with Shawn's participation include Southland Tales (2006), Kit Kittredge: An American Girl (2008), Jack and the Beanstalk (2009), The Speed of Thought (2011) and Vamps (2012). He co-starred as Halvard Solness and wrote the screen adaptation for Ibsen's classic play A Master Builder (2013) co-starring Julie Hagerty, and went on to appear in Don Peyote (2014), Maggie's Plan (2015), Robo-Dog (2015), Drawing Home (2016), Another Kind of Wedding (2017), Book Club (2018) and Marriage Story (2019).
Over the decades, Shawn has scurried about effortlessly with a number of television guest appearances including "Taxi," "Homicide: Life on the Streets," "Ally McBeal," "Law & Order: Criminal Intent," "Sex and the City," "Desperate Housewives," "The Daily Show," "The 7D," "Life in Pieces," "The Good Fight," "Mr. Robot" and "Search Party. He has also drummed up a few recurring roles for himself in the process, including The Cosby Show (1984), Murphy Brown (1988), Clueless (1996) (based on the hit film Clueless (1995), revisiting his teacher role), Murphy Brown (1988), Star Trek: Deep Space Nine (1993), Crossing Jordan (2001), The L Word (2004), Gossip Girl (2007), The Good Wife (2009), Mozart in the Jungle (2014), and, more recently, as Dr. Sturgis in the comedy Young Sheldon (2017).- Actress
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The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically-lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.
She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.
During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).
In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).
Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.
Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.
Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).
Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).- Actress
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An extremely gifted, versatile performer adept at both comedy and drama, actress/singer Katey Sagal became a household name in the late 1980s as the fabulously brazen, undomesticated Peg Bundy on the enduring Fox series Married... with Children (1987). During its lengthy run she received three Golden Globe and two American Comedy Award nominations. As popular and identifiable as her Peg Bundy persona was, Katey assertively moved on after the show went off the air, not only starring in other sitcoms and television movies, but portraying characters that were polar opposites of the outrageous role that first earned her nationwide attention. For example, in 2008 she took on the role of Gemma Teller Morrow, the matriarch of a Hell's- Angels-esque California biker gang, on the series Sons of Anarchy (2008), and in 2011 her portrayal earned her a Golden Globe Award for Best Performance by an Actress in the Television Series--Drama.
Catherine Louise Sagal was born on January 19, 1954, to director and singer Sara Zwilling and noted television and film director Boris Sagal. The Los Angeles native began performing at age 5 and studied voice and acting at the California Institute of the Arts in Valencia, California.
A singing waitress during her "salad" years, she started performing with the band "The Group With No Name," then caught a break after hooking up with Gene Simmons and his 1970s rock band KISS. In the meantime, she gained valuable experience as a backup recording singer for Simmons and other established stars like Bob Dylan, Olivia Newton-John, Etta James, and Tanya Tucker. She was also dynamic performing live with diva Bette Midler as one of her "Harlettes" in Bette's wildly avant-garde stage shows during the late 1970s and early 1980s.
In 1985, while performing on stage in a musical, she was spotted by talent agents who subsequently cast her as Mary Tyler Moore's feisty co-worker Jo Tucker in Mary (1985), a short-lived comedy series. From that point on she focused on film and television. In 1987 she won the role of voluptuous "housewife" Peg Bundy in the irreverent comedy Married... with Children (1987), and the rest is history.
In addition to her busy on-camera scheduling, Katey has retraced her steps to her first love: singing and songwriting. With the support of her record label Valley Entertainment, she released the album "Room" in 2004 that combined classics like "Feel a Whole Lot Better" and "(For the Love of) Money" with original songs she penned, including "Life Goes Round," "Daddy's Girl," and "Wish I Were a Kid." "Room" is her first CD since her 1994 debut "Well."
In her post-Bundy career, Katey has continued to demonstrate a strong range, playing a much more responsible parent in the popular sitcom 8 Simple Rules (2002), co-starring the late John Ritter and valiantly moving to single-household-head after Ritter's sudden passing in 2003 with highly successful results.
She has earned earned equally-fine kudos for her television movies like Chance of a Lifetime (1998), a charming romantic comedy that also co-starred John Ritter, God's New Plan (1999), a tearjerker in which she played a dying mother, and the Disney offerings Smart House (1999) and Mr. Headmistress (1998). The voice of Turanga Leela, the beautiful one-eyed sewer mutant in the animated series Futurama (1999), she has also guested on Ghost Whisperer (2005), Lost (2004), Boston Legal (2004), CSI: Crime Scene Investigation (2000), and Eli Stone (2008). Feature films have included Maid to Order (1987), The Good Mother (1988), the Sundance Film Festival favorite Dropping Out (2000), Following Tildy (2002), and the indie I'm Reed Fish (2006).
Playing Jack's mother in a live-action/adventure retelling of Jack and the Beanstalk (2009) that also featured the talents of Christopher Lloyd, James Earl Jones, and Chevy Chase, Katey's more recent efforts include recurring role on TV's Lost (2004), a role in the mini-series The Bastard Executioner (2015) and a regular role in the series Superior Donuts (2017). She would also join the cast of the sitcom The Conners (2018) as a love interest to widower Dan John Goodman.
Following brief marriages to musician Freddie Beckmeier, Fred Lombardo, and former Steppenwolf drummer and "Mighty Ducks" hockey film advisor Jack White, Katey resides in the Los Angeles area with fourth husband writer/producer/director/creator Kurt Sutter, whose acclaimed work includes The Shield (2002) and the offbeat Sons of Anarchy (2008), which Sutter created. She had three children by White: Ruby (died at birth), Sarah, and Jackson; and one daughter by Sutter, Esme Louise.- Actress
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This stunning and resourceful actress has been primarily a film player thus far. Only recently has she been opening herself up more to doing television (the series Gemini Division (2008), which she executive-produced), and animated voice-overs. Dawson's powerhouse talent stands out the most in edgy, urban filming that dates back to 1995 when she was only sixteen.
A rags-to-riches article entitled "Rosario Dawson: From Tenement to Tinseltown" probably says it all. Rosario was born on May 9, 1979 in New York City. Her mother, Isabel Celeste, of Puerto Rican and Afro-Cuban descent, is a singer, and her stepfather, who raised her, Greg Dawson, of Irish descent, is a construction laborer. Her parents, who married when both were teenagers, eventually divorced. Rosario and her younger brother, Clay Dawson, had it hard while growing up, and were cared for by family members, most of whom were poverty-stricken, and some of whom were HIV-positive.
Her career actually started as a child when she made a minor showing on the children's show, Sesame Street (1969). As the story goes, she was "discovered" as an adolescent on her front porch step by two photographers. One of them, Harmony Korine, was an aspiring screenwriter who thought the inexperienced sixteen-year-old was ideal for the controversial cult film Kids (1995), in which she would portray a sexually active adolescent. It took time for Rosario's film career to kick in after that, but by the late 1990s, she had nabbed several independent films. Since then, she has moved into main-stream hits (and misses) and has surprised viewers with her earthy, provocative, uninhibited approach to her roles.
Reflecting New York's tougher, tawdrier side as assorted streetwalkers, homeless mothers, drug addicts, etc., her film highlights have included Light It Up (1999), Edward Burns' Sidewalks of New York (2001), Spike Lee's 25th Hour (2002) and Shattered Glass (2003). For Oliver Stone, she portrayed the duped bride of Colin Farrell's famed B.C. Macedonian warrior, Alexander (2004) (as in "...the Great"), which featured a notoriously violent-tinged nude/sex scene.
Expanding her horizons beyond film, she has always expressed interest in singing. She hooked up with Prince for the re-release of his 1980s hit "1999" and appeared in The Chemical Brothers' video for the song "Out of Control" from the album "Surrender". She is also featured on the Outkast track, "She Lives in My Lap". On stage, she co-starred as Julia in a revival of "Two Gentlemen of Verona" at the Public Theater's "Shakespeare in the Park" and appeared in "The Vagina Monologues".
She lucked into and got to show off her singing chops in the film adaptation of the hit New York musical Rent (2005), when Daphne Rubin-Vega, the original Mimi, became pregnant and was unable to reprise her exotic dancer role. Rosario also appeared as a prostitute in the adaptation of the graphic novel Sin City (2005). Of late, she has turned to producing. One of those, Descent (2007), had her playing a college coed who is brutally attacked and raped by a fellow student. Her more popular ventures have thus far included the role of Valerie Brown in the live-action version of the comic strip Josie and the Pussycats (2001), the Will Smith starrer Men in Black II (2002), Eagle Eye (2008) with Shia LaBeouf and Seven Pounds (2008), again with Smith, in which she offered one of her more tender-hearted performances as a woman with a potentially fatal heart condition.
More recent millennium films opposite some of Hollywood's top leading movie men include the tense actioneer Unstoppable (2010) with Denzel Washington and Chris Pine; the comedy/fantasy Zookeeper (2011) opposite Dalekmania (1995); romantic dramedy 10 Years (2011) with Channing Tatum; crime drama Fire with Fire (2012) with Bruce Willis; romantic comedy Top Five (2014) with Chris Rock; and action adventure Zombieland: Double Tap (2019) with Woody Harrelson. She has also top-lined independent films with her own feisty characters such as the thriller Unforgettable (2017) and the title role in the dramedy Krystal (2017).
Focusing also on TV projects, Rosario has graced such action series/mini-series as Daredevil (2015), Iron Fist (2017) and The Defenders (2017), as well as the comedy Jane the Virgin (2014) and animated cartoon series The Last Kids on Earth (2019).
Off-camera, the still-single Dawson is highly active in political, social and environmental causes and has been involved with such organizations/charities/campaigns as the Lower East Side Girls Club, Global Cool, the O.N.E. Campaign, Oxfam, Amnesty International, Parents, Families and Friends of Lesbians and Gays, Control Arms, International Rescue Committee, Voto Latino (which she founded), Conservation International, Doctors Without Borders, National Geographic Society, The Nature Conservancy and Save the Children. In October 2008, she lent her voice to the RESPECT! Campaign, a movement aimed at preventing domestic violence.- Actress
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Welsh-born stage veteran Dame Siân Phillips is forever identified on television as the tarantula mother/empress Livia in the classic BBC miniseries I, Claudius (1976) (for which she won a BAFTA-TV award), and as the Reverend Mother in the science fiction epic film Dune (1984). Her broad range of roles went from endearing to downright deadly.
She was born Jane Elizabeth Ailwên Phillips on May 14, 1933, in Wales, to Sally (Thomas), a teacher, and David Phillips, a steelworker and policeman. Brought brought up bilingual in both English and Welsh, she performed on the Welsh radio station at age 11. She toured extensively for the Arts Council in Wales in original Welsh plays and in translations from the English classics before becoming an award-winning television actress in her late teens.
Siân attended the University of Wales and trained at the Royal Academy of Dramatic Art (RADA), making her London debut in the title role of "Hedda Gabler" (1957). After a brief marriage, she met and married actor Peter O'Toole in 1959 and appeared frequently with him on stage, including "Ride a Cock Horse" (1965) and "Man and Superman" (1965), and in the movies Becket (1964), Goodbye, Mr. Chips (1969) (which earned her a National Society of Film Critics award and a Golden Globe Award nomination for "Best Supporting Actress"), Murphy's War (1971) and Under Milk Wood (1971). They had two daughters, actresses Kate O'Toole and Pat O'Toole.
While her husky resonant voice served her well as an announcer, newsreader and narrator at different stages of her career, her severely chiseled looks and arch, regal bearing entitled her to perform some of the more notable classics, with critically-acclaimed turns in "Saint Joan", "The Taming of the Shrew" and "The Duchess of Malfi", being just a few. Siân's occasional patricians have also graced such well-mounted films as Young Cassidy (1965), Nijinsky (1980) and The Age of Innocence (1993).
After 20 years of marriage, Siân divorced O'Toole, known for his carousing and hard-living ways. She quickly remarried a much younger actor, Britisher Robin Sachs, but they too would divorce in 1991. Despite her personal turmoil, she continued to delve into her stage work, beginning a new phase of her career in musicals. Her participation in such productions as "Pal Joey" (her musical debut), "Gigi" and "A Little Night Music" ultimately led to her acclaimed one-woman cabaret show "Marlene", a tribute to legendary Marlene Dietrich, which opened to rave reviews in London in 1997. Two years later, she won a Tony Award nomination for this role on Broadway.
Over the years, Siân has distinguished herself regularly in such quality miniseries as Oresteia (1979), Crime and Punishment (1979), Tinker Tailor Soldier Spy (1979), Winston Churchill: The Wilderness Years (1981) (as Clementine Churchill), Smiley's People (1982) (as Lady Smiley), The Two Mrs. Grenvilles (1987) (as the Duchess of Windsor), A Killing on the Exchange (1987), The Snow Spider (1988), The Chestnut Soldier (1991), The Borrowers (1992) and its sequel The Return of the Borrowers (1993) (as Mrs. Driver) and Aristocrats (1999).
She has continued to work into the millennium with elderly roles on stage with "My Old Lady", "Calendar Girls", "Crossing Borders" (a cabaret show), "Les Liaisons Dangereuses", "The Importance of Being Earnest", "Playing for Time" and "Les Blancs", while in movies she appeared in The Gigolos (2006), Love Song (2012), Miss Dalí (2018), Be Happy! (2019), Dream Horse (2020) and was the narrator and grandmother in a rather radical retelling, animated version of A Christmas Carol (2020). Siân was awarded Commander of the Order of the British Empire at the 2000 Queen's Birthday Honours for her services to drama. She was also awarded Dame Commander of the Order of the British Empire at the 2016 Queen's New Years Honours for her services to drama.- Actress
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Southern-bred Mary-Louise Parker was born on August 2, 1964 in Fort Jackson, South Carolina, the youngest of four children of Judge John Morgan Parker, and the former Caroline Louise Morell. She is of mostly Swedish, English, and Scottish descent. Her father's occupation took the family both around the country and abroad while growing up.
Parker showed potential in her teens and majored in acting in her college years, graduating from the North Carolina School of the Arts. Beginning her acting career with a part on the daytime soap Ryan's Hope (1975), Mary decided to test the waters in New York, and after work on the off-Broadway stage in the late 1980s, made her Broadway debut with "Prelude to a Kiss" in 1990, where she won the Theatre World Award, the Clarence Derwent Award and a Tony nomination.
Films and TV quickly followed and she quickly gained attention. She provided both poignant and amusing as the token femme friend to a group of gay men in the AIDS drama Longtime Companion (1989), but really caught fire with her feisty, standout performance in Fried Green Tomatoes (1991), holding her own against such female powerhouses as Jessica Tandy, Kathy Bates and Mary Stuart Masterson. Dubbed by some as the "long-suffering girl next door," she played such noble offbeat miserables and cast-asides in Grand Canyon (1991), Naked in New York (1993), Bullets Over Broadway (1994), The Client (1994) Boys on the Side (1995), in which she was the AIDS victim this time, The Portrait of a Lady (1996), The Maker (1997), Let the Devil Wear Black (1999), Red Dragon (2002) and Pipe Dream (2001).
Preferring quality over quantity, she perfected her craft with offbeat roles in independent features and did not abandon her theater roots. She copped a slew of acting prizes for her stage work in "How I Learned to Drive" (1996) and, most notably, "Proof" in 2000, wherein she won nearly every award there is to attain, including the prestigious Tony. Her marquee name still does not command what it should, but a picture or production with Mary-Louise Parker in it usually guarantees a strong critical reception. Unmarried, she did enter into a longtime companionship with actor Billy Crudup after the twosome appeared opposite each other in the 1996 play, "Bus Stop". They went their separate ways in 2003, amid major controversy (she was pregnant at the time).
Mary Louise continues to divide her time equally and skillfully on TV, film and the stage. The powerful TV miniseries adaptation of Tony Kushner heralded award-winning Broadway play Angels in America (2003), directed by Mike Nichols, earned the actress supporting performance Golden Globe and Emmy awards. She also earned a Tony nomination for the Broadway show, "Reckless", a year later but truly turned heads and wowed audiences the year after that in the highly acclaimed 7-season Showtime series Weeds (2005), earning another Golden Globe and several Emmy nominations for her amazing performance as Nancy Botwin, a relatively naïve suburban housewife and mother who courts serious trouble with the law and drug cartels when she turns into a neighborhood drug dealer for sustenance after her husband dies suddenly.
Into the millennium, Mary has continued with compelling work in such films as RED 2 (2013), R.I.P.D. (2013), Jamesy Boy (2014), Behaving Badly (2014), Chronically Metropolitan (2016), Golden Exits (2017) and Red Sparrow (2018). TV roles have included recurring roles on The Blacklist (2013) and the sci-fi thriller Mr. Mercedes (2017).
Her first child is eighteen-year-old William Atticus Parker -- a director, writer and actor. Adopting a second child from Ethiopia, Mary Louise was acknowledged in 2013 for her significant contributions to Hope North, an organization that works in the educating and healing of young victims caught in Uganda's civil war. Her memoir-in-letters, Dear Mr. You, came out in 2015.- Actor
- Producer
- Art Department
Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.
He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1970). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).
Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.
Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).
Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).
Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.- Actress
- Producer
- Director
This lovely, fresh-faced Lincoln, Nebraska native was born Janine Loraine Gauntt on December 6, 1962, to stalwart Texans Turner and Janice Gauntt. The younger of two children, she grew up in Fort Worth, Texas, and trained, while a child, in ballet, tap, theater, and modeling (from age 3).
A cheerleading beauty into her teens, she moved with her mother to study at New York's Professional Children's School and was lucky enough to be picked up by the famed Wilhelmina Agency as a model (at 15 she was the youngest at the time to ever be signed). After some commercial work, however, she returned to school in Texas and happened by chance to find some minor work on various episodes of Dallas (1978).
This led to a Hollywood attempt at age 17 and a major TV break two years later when she won the role of Laura Templeton on TV's popular daytime soap General Hospital (1963), a role that required her long tresses to go from brunette to blonde. This, in turn, fed into another 1980s regular part on Another World (1964).
Janine subsequently made her film debut in the daytime parody Young Doctors in Love (1982) that featured her along with other soap stars in cameos. In between, she managed find time to attend Pepperdine University but left when she earned a film role in the movie Tai-Pan (1986). At this stage of the game, she tended to specialize in cute and flighty roles, but all that changed when Janine won the role of spunky, crop-haired Alaskan air taxi pilot Maggie O'Connell opposite Rob Morrow on the eccentric prime-time series Northern Exposure (1990). It was role of her career, a meaty, delightfully quirky star turn that made her a household name. The show lasted six seasons.
Since then, she has been able to subsist on a fairly full plate of TV-movie and film assignments. She's top-lined such women's mini-pictures as Stolen Women, Captured Hearts (1997) and A Secret Affair (1999), while in film playing a lady-in-distress co-star to Sylvester Stallone in the action thriller Cliffhanger (1993), "perfect Mom" June Cleaver in a film remake of Leave It to Beaver (1997) and one of Richard Gere's "women" in Dr. T & the Women (2000). She found another series regular role with Strong Medicine (2000) that lasted two years.
Into the millennium, Janine has been featured in such films as Birdie & Bogey (2004), The Night of the White Pants (2006), Maggie's Passage (2009), The Ivy League Farmer (2015), Solace (2015), Occupy, Texas (2016) and a prime role in Runnin' from My Roots (2018). She also appeared for a the 2008 season of the TV series Friday Night Lights (2006).
Janine also moved into directing, writing, and producing on the side, while also dabbling in singing. Janine's daughter, former child actress Juliette Gauntt, who appeared in her mother's film The Night of the White Pants (2006), was born from a relationship with Jerry Jones Jr., the Dallas Cowboys' Vice President and General Counsel.- Actress
- Producer
Offbeat, unconventionally pretty, and utterly mesmerizing, Ellen Barkin was born on April 16, 1954 in the Bronx, New York, to Evelyn (Rozin), a hospital administrator, and Sol Barkin, a chemical salesman. Her parents were both from Russian Jewish families. Raised in the South Bronx and Queens, New York area, she wanted to be an actress as early as her teens and was eventually accepted into Manhattan's High School of the Performing Arts.
Barkin then attended Hunter College and received her degree after double majoring in history and drama. At one point she wanted to teach ancient history, but instead turned her thoughts back to her first love: acting. Barkin then continued her education at New York's Actor's Studio. Fearful of the auditioning process, she studied acting for seven years before finally landing her first audition. While continuing her studies, she worked as a waitress at the avant-garde Ocean Club. Performing off-Broadway in such plays "Shout Across the River" (1979), "Extremities" (1983), "Fool for Love" (1984) and "Eden Court" (1985), she was applauded across the board for her first film lead in Diner (1982) opposite Mickey Rourke and Daniel Stern, and pursued sexy tough-cookie status thereafter with such quirky roles in The Big Easy (1986) starring Dennis Quaid and Siesta (1987) with Irish actor Gabriel Byrne, whom she married in 1987 and separated from in 1993 after producing a son and daughter. She and Byrne divorced in 1999.
With trademark squinting eyes and slightly off-kilter facial features, Barkin continued the fascination of her seamy/steamy girl-from-the-wrong-side-of-the-tracks status most notably opposite Al Pacino in the thriller Sea of Love (1989). In addition, she was well cast as Robert De Niro's abused wife in This Boy's Life (1993), and portrayed "Calamity Jane" in Wild Bill (1995) with earnest. Other impressionable offbeat projects included roles in Fear and Loathing in Las Vegas (1998), Drop Dead Gorgeous (1999) and Mercy (2000). On TV, she was well-cast in the mini-movie Blood Money (1988) and won an Emmy award for her gripping performance in Before Women Had Wings (1997) opposite Oprah Winfrey as another abused wife who, in this case, turns her violent anger on her own daughters.
In 2000, Barkin married billionaire Ronald O. Perelman, eleven years her senior and chairman of the Revlon company, and put her career relatively on hold, appearing sporadically in edgy films like She Hate Me (2004) and Palindromes (2004). Barkin and Perelman went through an acrimonious divorce in 2006.
Just prior to her divorce in late 2005, Barkin ventured into independent film production with Applehead Pictures, a company she set up with her brother George Barkin, who is a scriptwriter and former editor-in-chief of National Lampoon and High Times, and former Independent Film Channel executive Caroline Kaplan. In her first major acting appearance since her divorce from Perelman, Barkin co-starred in Ocean's Thirteen (2007) with George Clooney, Matt Damon, Brad Pitt and former co-star Pacino. She followed up Ocean's with a supporting role in Antoine Fuqua's Brooklyn's Finest (2009), Happy Tears (2009) with Parker Posey and Demi Moore, and Twelve (2010).
Barkin has produced features over time, including Letters to Juliet (2010) and Another Happy Day (2011) (she also starred in the latter project). On the small screen, she appeared in an episode of Modern Family (2009) and her new NBC show, The New Normal (2012), got a sneak peek during the Olympics.
More recent sightings have included the films The Chameleon (2010), Very Good Girls (2013), The Cobbler (2014), Hands of Stone (2016) and Active Adults (2017). She has had regular roles on the TV series The New Normal (2012) and Animal Kingdom (2016).- Actor
- Producer
- Writer
Stylish Rupert James Hector Everett was born on May 29, 1959, in Burnham Deepdale, Norfolk, to Sara (Maclean) and Anthony Michael Everett, a Major in the British Army, who later worked in business. Of royal stock, he is of primarily English, Scottish, and Irish ancestry with a dash of German and Dutch thrown in for good measure.
Everett grew up in privileged circumstances, but the wry, sometimes arrogant intellectual was a rebel from the very beginning. At the age of seven, he was placed into the care of Benedictine monks at Ampleforth College where he trained classically on the piano. He was expelled from the Central School of Speech and Drama in London for clashing with his teachers and instead apprenticed himself at the avant-garde Glasgow Citizen's Theatre in Scotland, performing in such productions as "Don Juan" and "Heartbreak House." He moved from stage to British TV in 1982 with sophisticated appearances on such series as "Strangers" "Play for Today" and "The Agatha Christie Hour" and the more visibly seen mini-series Princess Daisy (1983) and The Far Pavilions (1984).
In 1984, Everett filmed a leading gay role in the acclaimed collegiate-themed picture Another Country (1984), which he had performed earlier on stage in 1981. Earning a BAFTA nomination and shooting to international attention, Rupert became one of England's hottest crossover stars. Top patrician roles in quality films came his way such as Dance with a Stranger (1985) opposite Miranda Richardson and Duet for One (1986) starring Julie Andrews and Alan Bates. The rebel went international instead of Hollywood, however, with top-billing in the Aussie feature The Right Hand Man (1987) with Hugo Weaving; the Italian-made Chronicle of a Death Foretold (1987) and the French drama Tolérance (1989) opposite Ugo Tognazzi.
Again, however, the wickedly sharp and suave actor doused his own star fire by clashing with the press and even his own fans in the late 1980's. In 1989, Everett openly and proudly declared his homosexuality which put an initial damper on his status as a romantic leading man. Appearing sporadically in such featured roles as the Prince of Wales in the majestic drama The Madness of King George (1994) and Lord Rutledge in the family comedy Dunston Checks In (1996), Rupert's popularity was re-energized after playing Julia Roberts' gay confidante to droll effect in the box-office comedy hit My Best Friend's Wedding (1997), earning him both BAFTA and Golden Globe nominations. He continued to impress thereafter, notably in such classical-styled pieces as Shakespeare in Love (1998) (as Christopher Marlowe), A Midsummer Night's Dream (1999) (as Oberon), and the Oscar Wilde plays An Ideal Husband (1999) (as Lord Goring, Golden Globe nominee) and The Importance of Being Earnest (2002) (as Algy). On the lighter, fun side, his predilection for mischief was demonstrated as the cartoonish villain Dr. Claw, the nemesis of Matthew Broderick's title character, in Inspector Gadget (1999).
Into the millennium, Rupert continued to be a vibrant presence on stage with a tour of "Private Lives" (in Italian) in 2008, a 2009 Broadway revival of "Blithe Spirit" (his New York debut) and as Henry Higgins in Shaw's "Pygmalion" in Munich the following year. He went on to play Oscar Wilde in "The Judas Kiss" in 2013 and was about to play George on Broadway in "Who's Afraid of Virginia Woolf?" when the play closed before it officially opened due to the COVID pandemic in 2020. On TV, he played the effortlessly suave Sherlock Holmes in Sherlock Holmes and the Case of the Silk Stocking (2004), the Marquis de Feron in the British series The Musketeers (2014) and Carroll Quinn in a second British series Adult Material (2020).
On film, Everett enhanced the royal dramas To Kill a King (2003) and Stage Beauty (2004) as King Charles I and King Charles II, respectively. Known for his aloof handsomeness and often smug, piss-elegant characters, he engagingly portrayed a jet-setter in the contemporary film People (2004); provided the voice of the unprincely Prince Charming in the animated features Shrek 2 (2004) and Shrek the Third (2007); played a British defector opposite Sharon Stone in the romantic thriller A Different Loyalty (2004); a millionaire playboy involved in a hit-and-run in Separate Lies (2005); an eccentric tycoon in Hysteria (2011); King George VI (father of Queen Elizabeth) opposite Emily Watson's Queen Mum in the romantic dramedy A Royal Night Out (2015); a monsignor in If I Had a Heart (2013); and tortured gay playwright Oscar Wilde during his last days in The Happy Prince (2018), which he wrote and directed.
A novelist on the sly with Hello, Darling, Are You Working? (1989), Rupert has also published two volumes of memoirs: Red Carpets and Other Banana Skins (2006) and Vanished Years (2012), produced documentaries .- Producer
- Actor
- Writer
Initially an indie film favorite, actor Jon Favreau has progressed to strong mainstream visibility into the millennium and, after nearly two decades in the business, is still enjoying character stardom as well as earning notice as a writer/producer/director.
The amiable, husky-framed actor with the tight, crinkly hair was born in Queens, New York on October 19, 1966, the only child of Madeleine (Balkoff), an elementary school teacher, and Charles Favreau, a special education teacher. His father has French-Canadian, German, and Italian ancestry, and his mother was from a Russian Jewish family. He attended the Bronx High School of Science before furthering his studies at Queens College in 1984. Dropping out just credits away from receiving his degree, Jon moved to Chicago where he focused on comedy and performed at several Chicago improvisational theaters, including the ImprovOlympic and the Improv Institute. He also found a couple of bit parts in films.
While there, he earned another bit role in the film, Rudy (1993), and met fellow cast mate Vince Vaughn. Their enduring personal friendship would play an instrumental role in furthering both their professional careers within just a few years. Jon broke into TV with a role on the classic series, Seinfeld (1989) (as "Eric the Clown"). After filming rudimentary roles in the movies Mrs. Parker and the Vicious Circle (1994), Notes from Underground (1995) and Batman Forever (1995), he decided to do some risk taking by writing himself and friend Vaughn into what would become their breakthrough film. Swingers (1996), which he also co-produced, centers on Jon as a luckless, struggling actor type who is emotionally shattered after losing his girlfriend, but is pushed back into the L.A. social scene via the help of cool, worldly, outgoing actor/buddy Vaughn. These two blueprint roles went on to define the character types of both actors on film.
In 1997, Jon appeared favorably on several episodes of the popular TV sitcom, Friends (1994), as "Pete Becker", the humdrum but extremely wealthy suitor for Courteney Cox's "Monica" character, and also appeared to fine advantage on the Tracey Takes On... (1996) comedy series. He later took on the biopic mini-movie, Rocky Marciano (1999), portraying the prizefighter himself in a highly challenging dramatic role and received excellent reviews. Other engagingly offbeat "everyman" films roles came Jon's way -- the ex-athlete in the working class film, Dogtown (1997); a soon-to-be groom whose bachelor party goes horribly awry in the comedy thriller Very Bad Things (1998); a newlywed opposite Famke Janssen in Love & Sex (2000); a wild and crazy linebacker in The Replacements (2000); as Ben Affleck's legal partner in Daredevil (2003); and another down-and-out actor in The Big Empty (2003). He wrote and directed himself and Vaughn as two fellow boxers who involve themselves in criminal activity in Made (2001). Both he and Vaughn produced. He also directed the highly popular Will Ferrell comedy Elf (2003), in which he had a small part.
Jon went on to re-team favorably with his friend, Vince Vaughn, who enjoyed a meteoric rise into the comedy star ranks, in such light-weight features as The Break-Up (2006), Four Christmases (2008) and Couples Retreat (2009), the last of which he co-wrote with Vaughn.
Jon has made even greater strides as a writer, producer and/or director in recent years with the exciting mega-box office action-packed Iron Man (2008), starring Robert Downey Jr., and its sequels, Iron Man 2 (2010) and Iron Man 3 (2013). Jon's character of "Happy Hogan" would be featured in a number of Marvel Comic adventures. Other offerings behind the scenes have included the adventure dramedy Chef (2014), in which he also starred in the title role; the revamped film version of The Avengers (2012) also starring Downey Jr., and it's sequels Avengers: Age of Ultron (2015), Avengers: Infinity War (2018) and Avengers: Endgame (2019); and the animated Disney features The Jungle Book (2016) and The Lion King (2019) and the TV series The Chef Show (2019).
Favreau's marriage to Joya Tillem on November 24, 2000, produced son Max and two daughters, Madeleine and Brighton Rose. Joya is the niece of KGO (AM) lawyer and talk show host, Len Tillem. On the sly, the actor/writer/producer/director enjoys playing on the World Poker Tour.- Actor
- Director
- Producer
New Yorker through and through, Michael Rapaport was born on March 20, 1970, in Manhattan, to June Brody, a radio personality, and David Rapaport, a radio program manager. He is of Polish Jewish and Russian Jewish descent.
Rapaport moved to Los Angeles to try stand-up comedy following high school graduation (which came after a series of expulsions), but he never lost, forgot or deserted his New York roots. It's embedded in his work and is a major part of his low-keyed charm and ongoing appeal. His early idols were also New Yorkers (Robert De Niro, Christopher Walken, etc.).
Within a short amount of time Michael moved from the live comedy stage to working in front of a camera. The two developed an immediate rapport. A guest spot on the TV series China Beach (1988) led to a starring role in the quirky interracial indie Zebrahead (1992), which clinched it for him. This, in turn, led to a string of standout parts in films, such as Christian Slater's pal in True Romance (1993), an edgy collegiate-turned-skinhead in Higher Learning (1995) and a sympathetic none-too-bright boxer in Woody Allen's Mighty Aphrodite (1995), all enabling him to build up a higher profile.
In later years, Michael managed to show his ease at offbeat comedy, demonstrating a kid-like, goofy charm as Lisa Kudrow's cop boyfriend for a few episodes on Friends (1994) and as teacher Danny Hanson on Boston Public (2000).
He later formed his own production company, Release Entertainment, in search of that one big breakout role that could nab top stardom for him. In later years, his offbeat character leads included an inducted mafioso in Kiss Toledo Goodbye (1999); a hit man in the action comedy A Good Night to Die (2003); a comic book fanatic in the sci-fi comedy Special (2006); a trouble-making buddy in crime drama Inside Out (2011); a man helping out his former gangster neighbor in the dramedy Once Upon a Time in Queens (2013); and a married guy trying to get his mojo back in the comedy My Man Is a Loser (2014). For the most part, however, he served extremely well in support of other prominent stars with weird-to-bizarre featured roles for Woody Allen in his crime comedy Small Time Crooks (2000); for Arnold Schwarzenegger in the futuristic actioneer The 6th Day (2000); for Will Smith in the romantic /comedy Hitch (2005); for Ray Romano and Kevin James in the comedy crimer Grilled (2006); for Billy Bob Thornton in the action comedy The Baytown Outlaws (2012); for Sandra Bullock and Melissa McCarthy in the crime comedy The Heat (2013); and for Tom Hanks in the biopic Sully (2016).
Rapaport married writer Nicole Beatty in 2000 and divorced seven years later after having two children. In 2016, he married actress Kebe Dunn.- Actor
- Producer
- Soundtrack
British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998).
Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"
Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.
Clive made his film debut in the British-made Vroom (1990) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.
In 1997, Clive had a huge hit on the London stage with "Closer," a cynical, contemporary ensemble piece about relationships. Controversy surrounded him again in the film role of Max in Bent (1997) playing a brash, reckless homosexual lothario in decadent pre-war Germany who finds unconditional love while interned in a Nazi war camp. His biggest film break, however, was in Mike Hodges' Croupier (1998), as a struggling writer-turned-casino employee who gets in over his head with a femme fatale scam artist. English audiences stayed away in droves but the U.S. embraced the film and Hollywood took notice of Clive, who was virtually unknown outside of England. Despite playing detective Ross Tanner in a series of successful "Second Sight" mini-movies and finding critical acclaim on stage with "The Day in the Death of Joe Egg" in 2001, Clive has focused primarily on film, including the offbeat Brit romantic comedy Greenfingers (2000), the classy and popular Robert Altman period piece Gosford Park (2001), the Matt Damon star-vehicle The Bourne Identity (2002), and the title role in King Arthur (2004). He has since reached the top rungs of the Hollywood ladder with the film version of his stage smash Closer (2004), in which he received an Academy Award nomination and won both the Golden Globe and BAFTA awards for "Supporting Actor." He also had noteworthy roles opposite Denzel Washington in Inside Man (2006); and Julianne Moore and Michael Caine in Children of Men (2006), as well as handling a few biopics, playing Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I in the film Elizabeth: The Golden Age (2007) and Ernest Hemingway (Emmy nomination) in Hemingway & Gellhorn (2012) also starring Nicole Kidman.
More recent films include starring roles in The International (2009), Duplicity (2009), The Boys Are Back (2009), Trust (2010), Intruders (2011), Blood Ties (2013), Last Knights (2015), The Confirmation (2016) and Anon (2018). He also played Claudius in a retelling of "Hamlet" per Ophelia's perspective in Ophelia (2018); and played in support to Will Smith in the sci-fi thriller Gemini Man (2019).
Owen is married to former actress Sarah-Jane Fenton, who played Juliet to his Romeo at the Young Vic in 1998. The couple has two daughters.- Actor
- Producer
Boyish-looking Peter Sarsgaard was born on March 7, 1971, at Scott Air Force Base, in Bellville, Illinois, to Judy Lea (Reinhardt) and John Dale Sarsgaard, an engineer who worked for the Air Force and later Monsanto and IBM. He is a graduate of St. Louis' Washington University, where he majored in history and literature.
Initially trained with the Actors' Studio in New York, Peter began in comedy and became a co-founder of the comedy improvisational group Mama's Pot Roast. Such off-Broadway productions included Horton Foote's "Laura Dennis" and John Cameron Mitchell's "Kingdom of Earth."
He made his screen debut in Tim Robbins' Dead Man Walking (1995) and was given more sizable roles in Desert Blue (1998) and The Man in the Iron Mask (1998), as the ill-fated son of the Musketeer Athos, played by John Malkovich. Peter then started gracing the art-house circuit, making a violent, searing impression as a homophobic killer in Boys Don't Cry (1999) starring two-time Oscar-winner Hilary Swank as a trans-gendered teen.
Other impressionable offbeat roles for Peter that have thrilled critics from coast to coast include Shattered Glass (2003), which earned him a slew of awards including the prestigious National Society of Film Critics Award. Prior to that, he showed off his versatility with portrayals ranging from a Russian nuclear reactor officer in K-19: The Widowmaker (2002) to a drug addict in The Salton Sea (2002). Other heralded performances include Garden State (2004) and, notably, Kinsey (2004).
On TV, Peter appeared in recurring/regular roles in several critically applauded series and mini-series including The Killing (2011), The Slap (2015), Wormwood (2017) (as ill-fated Army scientist Frank Olson), The Looming Tower (2018) and Running Naked in the Universe (2019). More recent films include Knight and Day (2010), the villain in the DC Comics entry Green Lantern (2011), the Woody Allen drama Blue Jasmine (2013), Experimenter (2015), Jackie (2016) (as Bobby Kennedy), The Magnificent Seven (2016), Loving Pablo (2017), The Sound of Silence (2019) and Human Capital (2019).
In 2009, Sarsgaard married actress Maggie Gyllenhaal and have two children. He co-starred in the movie she wrote and directed -- The Lost Daughter (2021) starring Olivia Colman.- Actress
- Producer
The dark and classically beautiful British actress and social activist Julia (Karin) Ormond was born on January 4, 1965, in Surrey, into England, the second of five children. Born of privilege as the daughter of a well-to-do laboratory technician, her parents divorced when she was young. Julia attended Guildford High School and Cranleigh, a private school, where she showed interest in theatre at that time appearing in a couple of their musicals.
Julia's grandparents were artists, and she initially intended to be one herself but, after one year of art school, renewed her dedication to acting and transferred to Webber-Douglas Academy of Dramatic Art, where she graduated in 1988.
Appearing in the play "Wuthering Heights" as Catherine, she met and eventually married her Heathcliff (actor Rory Edwards) in real life. In 1989 she won the London Drama Critic's Award for her performance in "Faith, Hope and Charity" as "best newcomer." Julia also made an immediate impression on TV with her debuting role as a young drug addict in the series Traffik (1989)
She earned star-making attention in the TV-movie Young Catherine (1991), in which she portrayed Catherine the Great (also featuring husband Edwards). She then portrayed wife Nadya in the TV movie Stalin (1992) starring Robert Duvall in the title role. She made the jump into feature films scoring a top-billed debut opposite Ralph Fiennes in The Baby of Mâcon (1993), a drama about a woman giving an "immaculate birth." She followed this this with lead or second lead roles in such films as the European biopic Nostradamus (1994); the romantic drama Captives (1994) co-starring Tim Roth; and the period war drama Legends of the Fall (1994) as the object of affection for both Brad Pitt and Aidan Quinn. It was around the time of this career rise (1994) that her marriage ended.
With Hollywood now taking a firm notice, Julia was given the fetching role of Queen Guinevere alongside Sean Connery's King Arthur and Richard Gere's Lancelot in First Knight (1995) and, more importantly, was entrusted with Audrey Hepburn's title role in the revival of Sabrina (1995), her radiant presence nearly stealing the picture away from handsome co-stars Harrison Ford and Greg Kinnear.
Strangely, Julia's major rise led her in a different direction. From there she instead went on to grace a number of independents and foreign features. She played the title role in the Danish/German/Swedish co-production Smilla's Sense of Snow (1997) as a woman who gets involved with a strange murder mystery; the Russian period drama The Barber of Siberia (1998) as a lovely American who gets dangerously involved with a young Russian cadet; and involved herself in another messy affair with Vince Vaughn in the indie drama The Prime Gig (2000). On stage, she appeared in David Hare's "My Zinc Bed," for which she received a 2001 Olivier Award nomination for "Best Actress."
Into the millennium, Julia found herself busy film-wise with the political drama Resistance (2003), cult filmmaker David Lynch's thoroughly offbeat Inland Empire (2006), I Know Who Killed Me (2007), The Curious Case of Benjamin Button (2008), The Music Never Stopped (2011), Albatross (2011), My Week with Marilyn (2011) (as Vivien Leigh), Chained (2012), Ladies in Black (2018) and Son of the South (2020). On TV she appeared in the mini-series Beach Girls (2005), and had recurring roles on CSI: NY (2004), Nurse Jackie (2009), Law & Order: Criminal Intent (2001), Mad Men (2007), Gold Digger (2019), plus a series starring role as one of Witches of East End (2013). She also co-starred in the short-lived series Incorporated (2016).
In 1999, she married a second time to political activist Jon Rubin. They had one daughter, Sophie, before their divorce. On a political front, Julia has been involved fighting human trafficking since the mid-1990s. In 2005, she was appointed United Nations Goodwill Ambassador with a focus on anti-human-trafficking initiatives and awareness.- Actor
- Music Department
- Producer
It seems the second generation of acting Carradines -- David, Keith and Robert -- are proudly continuing the family tradition and begetting a third generation of talent. The dynasty began with veteran Hollywood patriarch John Carradine, the son of a surgeon and a correspondent for the Associated Press. Keith was a child, born of John's second marriage to actress Sonia Sorel.
Lanky, laid-back and highly likable, Keith Ian Carradine was born in San Mateo, California, on August 8, 1949. His parents divorced when Keith was six. Following in the footsteps of older half-brother and mentor David Carradine, Keith studied theater arts at Colorado State University in Fort Collins, Colorado, but dropped out after only one semester to pursue his career. Soon after, he auditioned for "Hair" in Los Angeles and made his Broadway debut in the 1969 rock musical, playing the role of Claude for an extended period of time. Keith next appeared with his father in a stage production of "Tobacco Road" (1970) in Florida.
The following year Keith broke into films with a part in the Kirk Douglas/Johnny Cash western A Gunfight (1971). Legendary director Robert Altman was quite taken by Keith's work in the film and gave him a part in his own movie McCabe & Mrs. Miller (1971), which sparked the first of many endeavors together. Keith also made a strong showing on TV, making his mini-movie debut with Man on a String (1972), and appearing with brother David in the TV movie pilot and various episodes of the cult series Kung Fu (1972) as the teenage version (seen in flashbacks) of David's character Kwai Chang Caine.
Keith continued to impress in Altman's films. He played one of three convicts in the critically-acclaimed movie Thieves Like Us (1974), but scored Oscar gold with his next Altman film, Nashville (1975) -- not with his acting but with his songwriting. His composition "I'm Easy" won both the Oscar and Golden Globe for "Best Song". Keith also earned a Grammy nomination in 1976 for his contribution to "Nashville" in the "Best Original Score Written for a Motion Picture or Television Special" category.
Keith first association with Altman's protégé, Alan Rudolph, occurred filming Welcome to L.A. (1976), to which he again contributed his music talent. Keith's rangy handsomeness and low-keyed acting style were on full display as he increased his popularity with appearances in such films as Ridley Scott's The Duellists (1977); Louis Malle's first American film, the visually-striking Pretty Baby (1978), that made a controversial star out of young Brooke Shields; and the comedy/romance An Almost Perfect Affair (1979). One acting trick that worked was pairing all three Carradine brothers in The Long Riders (1980), which recalled the infamous lives of brothers Cole, Jim and Bob Younger, and boasted three other sets of acting brothers (Keach, Quaid and Guest) as various other outlaw siblings.
Keith's acting reviews throughout much of his career would be decidedly mixed -- some would find his unassuming, introspective acting too listless while others found it beautifully realized and understated. Many of his best notices came from the Altman and Rudolph films, appearing in two of Rudolph acclaimed 80s works -- Choose Me (1984) and The Moderns (1988). He also persevered on TV with award-worthy work. His role in the mini-series Chiefs (1983) netted an Emmy nomination, while his recurring role as Wild Bill Hickok in Deadwood (2004) earned a Golden Satellite nomination and his work in the made-for-TV-film Half a Lifetime (1986) scored a CableACE nomination. Regular series work came late in his career, starring in Fast Track (1997), Outreach (1999) and Complete Savages (2004), all of which were short-lived.
Keith's career was revitalized on the 80s and 90s stage. In addition to strong roles in "Another Part of the Forest" (1982) and "Detective Story" (1984), he won the Outer Critics Circle Award for his excellent work in 1982's "Foxfire" opposite Jessica Tandy and Hume Cronyn_ and then roped a Tony and Drama Desk nomination as humorist Will Rogers in the Broadway musical "The Will Rogers Follies" (1991). Most recently (2005) he starred in the American premiere of David Hare's satire "Stuff Happens" as none other than George W. Bush while expounding on the 2003 invasion of Iraq.
Keith continues to write and compose. Hosting The History Channel's Wild West Tech (2003) and appeared on a season of the hit cable series Dexter (2006) and had a recurring role on the hit sitcom Charity, Dr. Finlay (1965). More recently he played the role of President Conrad Dalton in Madam Secretary (2014) starring Téa Leoni's Secretary of State Elizabeth McCord.
Millennium films include Wooly Boys (2001), a top-billed role in Falcons (2002), The Adventures of Ociee Nash (2002), Our Very Own (2005), Bobby Z (2007), Cowboys & Aliens (2011), The Family Tree (2011), After the Fall (2014), Dakota's Summer (2014), Bereave (2015), A Quiet Passion (2016) and The Old Man & the Gun (2018).
Keith has been married twice. Of his two children born from his first union to actress Sandra Ann Will Carradine, who played opposite him in the film Choose Me (1984), son Cade Carradine recently portrayed Lord Oxford in the film Richard III (2007) and daughter Sorel Carradine has been seen on TV. Keith and Sandra eventually divorced and he married actress Hayley DuMond in 2006; they met while appearing in the film The Hunter's Moon (1999). Keith's daughter Martha Plimpton, a highly gifted actress on her own, was a child from his relationship to actress Shelley Plimpton, whom he met when both were cast members in "Hair" back in 1969.