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Chiwetel Ejiofor and Thandiwe Newton in Half of a Yellow Sun (2013)

Review by rogerdarlington

Half of a Yellow Sun

Not as successful as it could have been but still very much worth viewing

It is a shame that this film is not much better known: it is a rarity for a British movie to have an African theme, African location shooting, source material from a black novelist, a black writer and director, and an almost exclusively black cast. But it is a pity that the film is not as successful as it could have been: too much of the work is sluggish and the script is often too leaden.

The title is a reference to the flag of Biafra, the breakaway Igbo-dominated province that provoked the Nigerian civil war of 1967-1970, and the action is set in the decade following Nigeria's independence in 1960 and is seen through the eyes of Biafran characters who are struggling with their own relationship difficulties. The film is based on the novel of the same name by the Igbo Nigerian writer Chimamanda Ngozi Adichie and the writer and first-time director is the Nigerian-born, London-based Biyi Bandele who was born to Yoruba parents but grew up in the northern part of the country in the Hausa cultural tradition.

Both novelist and director deserve recognition for focusing on a period of Nigerian history that still shapes the nation but is rarely in the public discourse and Bandele was right to insist on making the movie in Nigeria itself in spite of the difficulties.

The two leading actors - both of whom give excellent performances in spite of a poor script - are Chiwetel Ejiofor ("12 Years A Slave", who was born in Britain to Nigerian parents, and Thandie Newton ("Mission: Impossible II"), who was born in Britain to a black Zimbabwean mother and a white British father. Both are real talents who alone would make this film worth watching.
  • rogerdarlington
  • Sep 20, 2014

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