I viewed this film as something I've seen before. I'd go so far that I thought it was more something very typical for these kinds of movies and it was also very overstated. When this should be a character driven film, it's plot is way too controlling.
We're hanging out with a smart, but introvert guy who has problems with something that was done to him, rather than something he has done. Nothing is his fault, even tho he feels that way. The protagonist is a thoroughly nice person, but haunted by a gruesome past that ultimately will strike him in what is the climax of the film.
The film is, however, not about his head. It's about the cool, alternative, smart, pretty and older group of people he starts hanging out with. (And these are not the popular kids? Wow, why?)
Even tho the members of this group are all very bright in theory, this does not reflect on their choices within the film's plot.
Sam is having a relationship with an all-through asshole and it's very obvious that he has a lower level of intelligence as well. Sam then goes on about how she loves Charlie and kisses him. But wait, she doesn't leave the asshole. Why the F not?
Charlie is then persuaded into a relationship with Mary Elizabeth, supposedly a Harvard candidate, who is also ignorant to seeing Charlies real desires to want Sam. (Does this group of friends even talk to each other?) They become mad at Charlie when he reaches into these desires during a dare. The group becomes mad at him because he has now hurt both Mary Elizabeth and Sam for desperately showing this. He's suddenly the asshole.
Charlie now feels that his is his fault. He becomes, for a very brief period, cast out of this group until he hits (this bit is unclear even in the film) a person and is suddenly a hero again.
This leaves me with the impression that the film's 45 minutes to 1 hr 15 minutes are just time extending plot material. It does not in any way, provoke the climax of the film or lead up to it. Conflicts in this time area of the film are quickly started and solved. It's overstated, annoying and boring. I pounded my head a lot to my desk during these minutes.
I like the ending, because it is much more intriguing than the overstated personal dramas of this overly cool but not popular group of people we follow. If the film had been more about Charlie's head, displaying more of his inner conflict surrounding his past and his feelings towards his 1000 days left of college, I would think this film is great. But a lot of the plot is only to please the youthful audience and to feed them with a film that appears alternative but is really just a remix of the old. (Much like Easy-A and it's ''self-reflective'' script discourse). But I mean, if you're fourteen you'd not only love this film, but maybe also find it intriguing to display yourself through the identity of the characters.
Emma Watson is hot, she has 3 of my 4 stars.
We're hanging out with a smart, but introvert guy who has problems with something that was done to him, rather than something he has done. Nothing is his fault, even tho he feels that way. The protagonist is a thoroughly nice person, but haunted by a gruesome past that ultimately will strike him in what is the climax of the film.
The film is, however, not about his head. It's about the cool, alternative, smart, pretty and older group of people he starts hanging out with. (And these are not the popular kids? Wow, why?)
Even tho the members of this group are all very bright in theory, this does not reflect on their choices within the film's plot.
Sam is having a relationship with an all-through asshole and it's very obvious that he has a lower level of intelligence as well. Sam then goes on about how she loves Charlie and kisses him. But wait, she doesn't leave the asshole. Why the F not?
Charlie is then persuaded into a relationship with Mary Elizabeth, supposedly a Harvard candidate, who is also ignorant to seeing Charlies real desires to want Sam. (Does this group of friends even talk to each other?) They become mad at Charlie when he reaches into these desires during a dare. The group becomes mad at him because he has now hurt both Mary Elizabeth and Sam for desperately showing this. He's suddenly the asshole.
Charlie now feels that his is his fault. He becomes, for a very brief period, cast out of this group until he hits (this bit is unclear even in the film) a person and is suddenly a hero again.
This leaves me with the impression that the film's 45 minutes to 1 hr 15 minutes are just time extending plot material. It does not in any way, provoke the climax of the film or lead up to it. Conflicts in this time area of the film are quickly started and solved. It's overstated, annoying and boring. I pounded my head a lot to my desk during these minutes.
I like the ending, because it is much more intriguing than the overstated personal dramas of this overly cool but not popular group of people we follow. If the film had been more about Charlie's head, displaying more of his inner conflict surrounding his past and his feelings towards his 1000 days left of college, I would think this film is great. But a lot of the plot is only to please the youthful audience and to feed them with a film that appears alternative but is really just a remix of the old. (Much like Easy-A and it's ''self-reflective'' script discourse). But I mean, if you're fourteen you'd not only love this film, but maybe also find it intriguing to display yourself through the identity of the characters.
Emma Watson is hot, she has 3 of my 4 stars.