"The Incredibles" is by far and away the most mature and engaging Pixar film to date.
This movie is nothing less than a display of sheer brilliance to an utmost prestigious level that proves the genius in director Brad Bird ("The Iron Giant"). From the perfectly created characters to the witty and humorous dialog involved, "The Incredibles" is the ideal film for true fans of the animation and/or comic book genre. It doesn't fail to provide viewers of with a fragment of every genre; incredible animation, action, and even a bit of drama.
However, the aspect most evident in "The Incredibles" that was frequently credited for the success of its predecessors was the emotional aspect. The thesis on midlife crossroads on personal and professional dilemmas was well presented.
Bob Parr (Craig T. Nelson) seems an average guy who works in an insurance agency, and lives a "normal" mediocre life with his wife Helen and three kids: Violet, Dash, and Jack-Jack. But there's more to it, actually. Bob used to be Mr. Incredible, and Helen was Elastigirl (Holly Hunter), two of the world's greatest crime fighters until a series of lawsuits have forced superheroes to adopt civilian identities. But when Bob receives a mysterious call that has him for a top secret assignment, he sees this as an opportunity to be Mr. Incredible again. He accepts the mission but soon discovers that it is a trap of a nemesis from way back, and the whole family eventually has to to join him to fight evil and save the world.
What we have here is something that unfortunately becoming quite a rare thing nowadays: an example of a truly brilliant animation. As I have said, not only does it have some of the most phenomenal computer graphics and action sequences ever committed to film, but like all the best movies it also has the heart to support the movie between the adrenaline-pumping moments.
The main reason for this is the great characterization. "The Incredibles" may contain a little too much of violence that may be better suited for older children than the younger ones. Yet one cannot easily discount the family themes and comic episodes, with characters like superhero-costume designer Edna (voiced by Bird) and Bob's friend Frozone (Samuel L. Jackson) providing ample support.
Another is that the film, as is with previous Pixar films, is effective in the use of computer generated images (CGI) which is a major plus for moviegoers. The details in which the animators for the film present are awe-inspiring and breathtaking. The music also pasted itself impeccably with the atmosphere Bird has created for the film. Very retro.
It is a demonstration of precision and excellence, created by the brilliance and meticulous mannerisms of the director. It goes beyond an animated movie and is without a doubt one of the best animations of all time. It is truly incredible to see a film like this.
This movie is nothing less than a display of sheer brilliance to an utmost prestigious level that proves the genius in director Brad Bird ("The Iron Giant"). From the perfectly created characters to the witty and humorous dialog involved, "The Incredibles" is the ideal film for true fans of the animation and/or comic book genre. It doesn't fail to provide viewers of with a fragment of every genre; incredible animation, action, and even a bit of drama.
However, the aspect most evident in "The Incredibles" that was frequently credited for the success of its predecessors was the emotional aspect. The thesis on midlife crossroads on personal and professional dilemmas was well presented.
Bob Parr (Craig T. Nelson) seems an average guy who works in an insurance agency, and lives a "normal" mediocre life with his wife Helen and three kids: Violet, Dash, and Jack-Jack. But there's more to it, actually. Bob used to be Mr. Incredible, and Helen was Elastigirl (Holly Hunter), two of the world's greatest crime fighters until a series of lawsuits have forced superheroes to adopt civilian identities. But when Bob receives a mysterious call that has him for a top secret assignment, he sees this as an opportunity to be Mr. Incredible again. He accepts the mission but soon discovers that it is a trap of a nemesis from way back, and the whole family eventually has to to join him to fight evil and save the world.
What we have here is something that unfortunately becoming quite a rare thing nowadays: an example of a truly brilliant animation. As I have said, not only does it have some of the most phenomenal computer graphics and action sequences ever committed to film, but like all the best movies it also has the heart to support the movie between the adrenaline-pumping moments.
The main reason for this is the great characterization. "The Incredibles" may contain a little too much of violence that may be better suited for older children than the younger ones. Yet one cannot easily discount the family themes and comic episodes, with characters like superhero-costume designer Edna (voiced by Bird) and Bob's friend Frozone (Samuel L. Jackson) providing ample support.
Another is that the film, as is with previous Pixar films, is effective in the use of computer generated images (CGI) which is a major plus for moviegoers. The details in which the animators for the film present are awe-inspiring and breathtaking. The music also pasted itself impeccably with the atmosphere Bird has created for the film. Very retro.
It is a demonstration of precision and excellence, created by the brilliance and meticulous mannerisms of the director. It goes beyond an animated movie and is without a doubt one of the best animations of all time. It is truly incredible to see a film like this.