![Image](https://m.media-amazon.com/images/M/MV5BYjlhZmUyY2ItMTI5YS00MjE1LTkzYTItYjE4MGNmM2E4NDYyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Early in the three-hour set that comprised the April 15 stop of Taylor Swift’s Eras tour in Tampa, Florida — the final show in a three-night stand that saw more than 200,000 ticket buyers at Raymond James stadium — the “All Too Well” director spoke to the massive assembly as if they were intimate friends.
“These songs maybe started out being about something that happened to me or my life,” she said. “Maybe it’s something I wrote about a fictional character I created one day when I was bored. But my dream is that when they go into your world, they become about your life.”
It’s a smart hook for the world’s best self-mythologizer — and it’s also a powerful sales pitch for her next aspiration of being a feature filmmaker. Ignore the record sales, the ticket sales, the paramours who can inspire her work — more than anything, Swift loves...
“These songs maybe started out being about something that happened to me or my life,” she said. “Maybe it’s something I wrote about a fictional character I created one day when I was bored. But my dream is that when they go into your world, they become about your life.”
It’s a smart hook for the world’s best self-mythologizer — and it’s also a powerful sales pitch for her next aspiration of being a feature filmmaker. Ignore the record sales, the ticket sales, the paramours who can inspire her work — more than anything, Swift loves...
- 4/17/2023
- by Erin Strecker
- Indiewire
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