The Chelsea Hotel has a storied history of artistry, creativity, and death. Coming to fame as a place for bohemians to find cheap rent, it grew in notoriety with the deaths of writer Dylan Thomas and Nancy Spungen, a staple in 1970s New York punk. Various poets and musicians littered the halls of the hotel, given a renaissance when Patti Smith’s Just Kids became a must-read.
Directors Amélie van Elmbt and Maya Duverdier’s documentary explores a specific part of the hotel’s history––the last 10 years of its existence marred by a construction project that has lasted throughout that duration, an attempt by new owners to modernize the spaces that were home to not-yet-famous artists. Van Elmbt and Duverdier focus on the ghosts of this place, projecting old videos of past tenants onto the bare, cracked walls of each half-finished apartment. The feeling of this place, one deserving...
Directors Amélie van Elmbt and Maya Duverdier’s documentary explores a specific part of the hotel’s history––the last 10 years of its existence marred by a construction project that has lasted throughout that duration, an attempt by new owners to modernize the spaces that were home to not-yet-famous artists. Van Elmbt and Duverdier focus on the ghosts of this place, projecting old videos of past tenants onto the bare, cracked walls of each half-finished apartment. The feeling of this place, one deserving...
- 6/24/2022
- by Michael Frank
- The Film Stage
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