Here’s the thing about bank robbery movies: No one ever roots for the bank. The tellers rarely seem like real people; the institutions don’t need the money; the insurance companies take the hit. But even if our sympathies naturally gravitate toward the lawbreakers, seldom has the stick-up guy seemed more sympathetic than the one in director Abi Damaris Corbin’s Sundance-launched feature debut, “892,” based on a recent case in which the crime was really a cry for help.
On July 7, 2017, Brian Brown-Easley walked into a Wells Fargo in Marietta, Ga., and handed the clerk a note that said, “I have a bomb.” But what he meant was “I have a message.” Brown-Easley wasn’t looking to take the bank’s money. He demanded just $892.34 — the same amount that the Dept. of Veteran Affairs had withheld from his last disability check. But even more importantly, he wanted an audience,...
On July 7, 2017, Brian Brown-Easley walked into a Wells Fargo in Marietta, Ga., and handed the clerk a note that said, “I have a bomb.” But what he meant was “I have a message.” Brown-Easley wasn’t looking to take the bank’s money. He demanded just $892.34 — the same amount that the Dept. of Veteran Affairs had withheld from his last disability check. But even more importantly, he wanted an audience,...
- 1/21/2022
- by Peter Debruge
- Variety Film + TV
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