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By Hank Reineke
In the early spring of 1961, shortly following the completion of his work on A.I.P.’s Master of the World - and following a series of lectures regarding “The Enjoyment of Great Art” – Renaissance man Vincent Price was to jet off mid-April for two acting assignments in Rome, Italy. The two productions he had signed onto for producer-writer Ottavio Poggi were Gordon, il Pirata Nero and Nefertiti, Regina Del Nile. The former film – arguably the better of the two - was belatedly released in the U.S. in June 1963 under the title Rage of the Buccaneers. The film was distributed regionally in the U.S. with neither fanfare nor critical attention.
Rage of the Buccaneers would first appear on the drive-in circuit as the odd undercard to such films as Broccoli and Saltzman’s Bob Hope/Anita Ekberg comedy Call Me Bwana.
By Hank Reineke
In the early spring of 1961, shortly following the completion of his work on A.I.P.’s Master of the World - and following a series of lectures regarding “The Enjoyment of Great Art” – Renaissance man Vincent Price was to jet off mid-April for two acting assignments in Rome, Italy. The two productions he had signed onto for producer-writer Ottavio Poggi were Gordon, il Pirata Nero and Nefertiti, Regina Del Nile. The former film – arguably the better of the two - was belatedly released in the U.S. in June 1963 under the title Rage of the Buccaneers. The film was distributed regionally in the U.S. with neither fanfare nor critical attention.
Rage of the Buccaneers would first appear on the drive-in circuit as the odd undercard to such films as Broccoli and Saltzman’s Bob Hope/Anita Ekberg comedy Call Me Bwana.
- 10/29/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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