Even those who’ve never heard its name know Monument Valley, that collection of stunning sandstone features rising out of the desert where Utah meets Arizona. Their silhouettes, and images inspired by them, are as embedded in myths of the American West as cowboy hats and six-shooters. But few will have thought about those buttes anywhere near as deeply as the interviewees in Alexandre O. Philippe’s The Taking, a surprisingly thorny doc by a filmmaker whose work usually tackles easier pop culture subjects like George Lucas (The People vs. George Lucas), sci-fi (Memory: The Origins of Alien) and Alfred Hitchcock (78/52: Hitchcock’...
- 9/30/2021
- The Hollywood Reporter - Film + TV
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