“The Velvet Underground” is a rock ‘n’ roll documentary that doesn’t really follow the normal rules for rock-docs — but then, a film about the Velvets wouldn’t be satisfying if it was conventional, and following normal rules is definitely not an approach that would give Todd Haynes a reason to make his first documentary.
Haynes, the uncommonly sensitive and provocative director of “Carol,” “I’m Not There” and “Far From Heaven,” among others, isn’t here to give us a blow-by-blow account of the New York band that was adopted by Andy Warhol’s Factory scene. The Velvets proved to be far too extreme to enjoy mainstream success, but extreme enough to inspire acolytes who, as Brian Eno once famously pointed out, all formed their own bands.
But “The Velvet Underground,” which premiered on Wednesday in an out-of-competition slot at the Cannes Film Festival, doesn’t spend too much time...
Haynes, the uncommonly sensitive and provocative director of “Carol,” “I’m Not There” and “Far From Heaven,” among others, isn’t here to give us a blow-by-blow account of the New York band that was adopted by Andy Warhol’s Factory scene. The Velvets proved to be far too extreme to enjoy mainstream success, but extreme enough to inspire acolytes who, as Brian Eno once famously pointed out, all formed their own bands.
But “The Velvet Underground,” which premiered on Wednesday in an out-of-competition slot at the Cannes Film Festival, doesn’t spend too much time...
- 7/7/2021
- by Steve Pond
- The Wrap
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