Cinematographer for Visconti and Fellini who made his mark in both black-and-white and colour
Many of the defining images of classic Italian cinema can be attributed to Giuseppe Rotunno, who has died aged 97. The cinematographer, known as “Peppino”, shot Luchino Visconti’s masterpieces Rocco and His Brothers (1960) and The Leopard (1963). Though both films are operatic in emotion and scale, they are strikingly different visually, the former a gritty black-and-white portrait of a poor family who decamp to Milan in the late 1950s, the latter plush and elegiac in depicting another clan, far wealthier but experiencing its own death throes during Italian unification in 19th-century Sicily.
The most impressive part of The Leopard is its final ballroom sequence, which runs at around 45 minutes and incorporates complex intersecting dramas unfolding in different parts of one palazzo, and even in separate areas of the same shot, all filmed with three cameras. It demanded...
Many of the defining images of classic Italian cinema can be attributed to Giuseppe Rotunno, who has died aged 97. The cinematographer, known as “Peppino”, shot Luchino Visconti’s masterpieces Rocco and His Brothers (1960) and The Leopard (1963). Though both films are operatic in emotion and scale, they are strikingly different visually, the former a gritty black-and-white portrait of a poor family who decamp to Milan in the late 1950s, the latter plush and elegiac in depicting another clan, far wealthier but experiencing its own death throes during Italian unification in 19th-century Sicily.
The most impressive part of The Leopard is its final ballroom sequence, which runs at around 45 minutes and incorporates complex intersecting dramas unfolding in different parts of one palazzo, and even in separate areas of the same shot, all filmed with three cameras. It demanded...
- 3/1/2021
- by Ryan Gilbey
- The Guardian - Film News
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