A documentary as fragmentary and frustrating as memory itself, Lynne Sachs’ “Film About a Father Who” is the second film in the last year in which a nonfiction filmmaker has constructed an elusive look at her own father. But where the twists in Kirsten Johnson’s “Dick Johnson Is Dead” are playfully morbid, Sachs’ film is darker and more disconcerting; Johnson may entertain us by staging her father’s death, but Sachs disturbs us by delving into her dad’s life.
The result is another challenging piece of work from a filmmaker who has never been particularly interested in conventional narrative. “This is not a portrait,” she says at one point in the film. “This is not a self portrait. This is my reckoning with the conundrum of our asymmetry.”
“Film About a Father Who,” which opens in virtual cinemas on Jan. 15 to coincide with a retrospective of Sachs’ work...
The result is another challenging piece of work from a filmmaker who has never been particularly interested in conventional narrative. “This is not a portrait,” she says at one point in the film. “This is not a self portrait. This is my reckoning with the conundrum of our asymmetry.”
“Film About a Father Who,” which opens in virtual cinemas on Jan. 15 to coincide with a retrospective of Sachs’ work...
- 1/14/2021
- by Steve Pond
- The Wrap
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