Since the release of Gravity in 2013, George Clooney has been in quite the acting slump, with Brad Bird’s severely underrated Tomorrowland as the lone bright spot. Scan his IMDb page and he appears to have made more Nespresso-funded short films than studio features, albeit for altruistic causes. The directorial projects have been even direr, a far cry from the glory days of Good Night and Good Luck and The Ides of March.
Considering its pandering weightiness and saccharine heart, Clooney’s The Midnight Sky feels like a blatant attempt to get back in the good graces of unadventurous critics and Oscar voters. Adapted from the novel Good Morning, Midnight by co-screenwriter Lily Brooks-Dalton, it envisions our planet’s last gasp through the glassy, sad eyes of world-renowned scientist Augustine Lofthouse (Clooney). Afflicted with a mortal ailment, he has decided to stay on Earth while what’s left of...
Considering its pandering weightiness and saccharine heart, Clooney’s The Midnight Sky feels like a blatant attempt to get back in the good graces of unadventurous critics and Oscar voters. Adapted from the novel Good Morning, Midnight by co-screenwriter Lily Brooks-Dalton, it envisions our planet’s last gasp through the glassy, sad eyes of world-renowned scientist Augustine Lofthouse (Clooney). Afflicted with a mortal ailment, he has decided to stay on Earth while what’s left of...
- 12/12/2020
- by Glenn Heath Jr.
- The Film Stage
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