Spanish formats are having a moment in Europe and further abroad, headlined by successes such as “Dangerous Moms,” “Gran Hotel” and, perhaps most successful of all, Albert Espinosa’s “The Red Band Society” — the format was sold globally, including to the U.S.
Espinosa, after a decade remaking his highly autobiographical Catalan original “Polseres vermelles” (“Red Band Society”), is back with “Alive and Kicking,” a new coming-of-age series that Beta Film is shopping at Mipcom.
Produced by Movistar Plus and Dynamo Audiovisual — the Madrid-based branch of Colombian indie powerhouse Dynamo, producers of Netflix’s “The Great Heist” and Colombia’s 2019 Oscar submission “Monos” — “Alive and Kicking” marks something of a sea change for Spain’s most successful fiction format creator.
A decade ago, when “Red Band Society” was created and its format sold globally, Netflix wasn’t a player in Europe and wouldn’t even arrive in Spain for another five years.
Espinosa, after a decade remaking his highly autobiographical Catalan original “Polseres vermelles” (“Red Band Society”), is back with “Alive and Kicking,” a new coming-of-age series that Beta Film is shopping at Mipcom.
Produced by Movistar Plus and Dynamo Audiovisual — the Madrid-based branch of Colombian indie powerhouse Dynamo, producers of Netflix’s “The Great Heist” and Colombia’s 2019 Oscar submission “Monos” — “Alive and Kicking” marks something of a sea change for Spain’s most successful fiction format creator.
A decade ago, when “Red Band Society” was created and its format sold globally, Netflix wasn’t a player in Europe and wouldn’t even arrive in Spain for another five years.
- 10/13/2020
- by Jamie Lang
- Variety Film + TV
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