With his seminal 1995 film “To Die For,” Gus Van Sant proved what many assumed was an impossibility at the apotheosis of indie filmmaking: A director known for making movies apologetically in the margins of Hollywood could collaborate with a major studio without the former sacrificing his edge and the latter losing a hell of a lot of money.
But how the Sony/Columbia Pictures release — centered on aspiring small-town TV reporter Suzanne Stone Maretto (Nicole Kidman), who coerces a pair of dim, teen townies to kill her husband — came to be is unto itself a juicy, celluloid-worthy saga.
From the novel that started it all, to the A-listers who almost got cast — Meg Ryan, Matt Damon, and Sandra Bullock, for three; to Van Sant’s tricky collaboration with two industry legends (“The Graduate” screenwriter Buck Henry and “Pretty Woman” producer Laura Ziskin) and the dismal test screenings that almost killed the movie altogether,...
But how the Sony/Columbia Pictures release — centered on aspiring small-town TV reporter Suzanne Stone Maretto (Nicole Kidman), who coerces a pair of dim, teen townies to kill her husband — came to be is unto itself a juicy, celluloid-worthy saga.
From the novel that started it all, to the A-listers who almost got cast — Meg Ryan, Matt Damon, and Sandra Bullock, for three; to Van Sant’s tricky collaboration with two industry legends (“The Graduate” screenwriter Buck Henry and “Pretty Woman” producer Laura Ziskin) and the dismal test screenings that almost killed the movie altogether,...
- 7/16/2020
- by Stacey Wilson Hunt
- Indiewire
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