One day in the late Nineties, Dave Lombardo, the metal drumming powerhouse best known for bringing a tornado-like fury to Slayer’s early thrash masterpieces, was driving from San Francisco to his home in Los Angeles. On the way, he threw on a recording of an unusual gig he’d just taken part in: a performance of a so-called game piece by John Zorn, in which the category-defying composer assembled a group of improvisers and staged a spontaneous sonic happening according to a series of rules, cards, and gestures.
For...
For...
- 6/22/2020
- by Hank Shteamer
- Rollingstone.com
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