“7500” takes a familiar scenario and doubles down on its claustrophobic potential to make it fresh. Pitched somewhere between “Air Force One” and “United 93,” director Patrick Vollrath’s feature debut transforms the hijacked plane scenario into an unnerving real-time thriller set exclusively within the confines of the cockpit. The result overcomes the reductive premise and archetypal characters through its adrenaline-pumping pace, dexterous camerawork, and a frantic performance by Joseph Gordon-Levitt that ranks as one of his subtlest turns.
No matter its narrative shortcomings, , a Hitchcockian gamble so committed to maintaining suspense at every turn that each scene teeters on the edge of an anxiety attack. While that might not sound like the most inviting experience, “7500” takes a gradual approach that acclimates viewers to its setting before jolting them into the center of a conflict that doesn’t relent until the closing moments. By then, it’s too absorbing to look away.
No matter its narrative shortcomings, , a Hitchcockian gamble so committed to maintaining suspense at every turn that each scene teeters on the edge of an anxiety attack. While that might not sound like the most inviting experience, “7500” takes a gradual approach that acclimates viewers to its setting before jolting them into the center of a conflict that doesn’t relent until the closing moments. By then, it’s too absorbing to look away.
- 6/16/2020
- by Eric Kohn
- Indiewire
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