One would think that the whispered ethnographic documentaries recalling the likes of Robert Flaherty’s “Moana” are of a bygone era. However, Kondor Shekari’s “The Song of Galesh” digs its heels in this tradition, and even seems to enjoy the vintage throw-back in its focus on the nomadic Galesh people. Shekari frames his subject with a voyeuristic eye, unabashedly equating their natural swansong with the primitive wilderness of north Iran. Though a documentary by Iranians made of other Iranians, “The Song of Galesh” peers into this alien subgroup with music instead of words. Music, after all, is a universal language – one that we non-nomads can obviously understand.
“The Song of Galesh” sounds great on the onset. In a land where the days seem to melt into each other, “The Song of Galesh” is an on-the-ground documentary where two filmmakers – presumably from the city – venture into the valleys of the cow-herding Galesh people.
“The Song of Galesh” sounds great on the onset. In a land where the days seem to melt into each other, “The Song of Galesh” is an on-the-ground documentary where two filmmakers – presumably from the city – venture into the valleys of the cow-herding Galesh people.
- 3/22/2020
- by Grace Han
- AsianMoviePulse
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