Every era has its Norman Fucking Rockwell, and in the middle of the Seventies, that record was Gene Clark’s No Other. With its country-rockified version of Phil Spector’s Wall of Sound, the lush, self-consciously poetic album from the former singer and songwriter in the Byrds occupied its own patch of land in 1974. It was a cohesive body of work with a sustained, melancholic mood. Like Del Rey’s equally L.A.-centric record of four-plus decades later, No Other was an LP you could put on and lose...
- 11/8/2019
- by David Browne
- Rollingstone.com
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