Roger Michell is one of the most reliably graceful directors of English-language screen drama, rising to the occasion of fine but challenging scripts (notably those he’s shot by Hanif Kureishi), that deft touch elevating material that’s more conventional or less than inspired. His good taste certainly makes a class act of “Blackbird,” Christian Torpe’s Americanization of the screenplay Bille August made into 2014’s Danish “Silent Heart.”
But thanks to Michell and a fine cast, it works admirably well — at least to a point, at which some viewers may feel Torpe piles on one crisis too many. Nonetheless, this is a quality enterprise with numerous rewards for adult audiences, one whose Christmas angle might prompt a release timed for maximum awards-campaign-season exposure.
Susan Sarandon’s Lily has Als, which has already cost her the use of one hand and made walking a chore. Doctor husband Paul (Sam Neill...
But thanks to Michell and a fine cast, it works admirably well — at least to a point, at which some viewers may feel Torpe piles on one crisis too many. Nonetheless, this is a quality enterprise with numerous rewards for adult audiences, one whose Christmas angle might prompt a release timed for maximum awards-campaign-season exposure.
Susan Sarandon’s Lily has Als, which has already cost her the use of one hand and made walking a chore. Doctor husband Paul (Sam Neill...
- 9/7/2019
- by Dennis Harvey
- Variety Film + TV
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