It doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Those problems added up to immortal romance cinema for Bogie and Bergman in Casablanca. Things are not so lucky for the love triangle at the core of The Aftermath, a stuffy, soggy slog of a movie that fails to generate sparks or a lick of dramatic sense. Director James Kent — striking out after his striking debut with Testament of Youth — adapts Rhidian Brook’s...
- 3/12/2019
- by Peter Travers
- Rollingstone.com
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